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The Opera Portal

La Fenice

La Fenice

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Claudio Monteverdi

The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included ten operas, of which three—L'Orfeo (1607), Il ritorno d'Ulisse in patria (1640) and L'incoronazione di Poppea (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. Most of the available information relating to Monteverdi's lost operas has been deduced from contemporary documents, including the many letters that he wrote. These papers provide irrefutable evidence that four of these works—L'Arianna, Andromeda, Proserpina rapita and Le nozze d'Enea in Lavinia—were completed and performed in Monteverdi's lifetime, but of their music, only the famous lament from L'Arianna, and a trio from Proserpina, are known to have survived. The other three lost operas—Le nozze di Tetide, La finta pazza Licori and Armida abbandonata—were abandoned by Monteverdi before completion. How much of their music was actually written is unknown.

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Palais Garnier
Palais Garnier

Palais Garnier

Credit: Eric Pouhier, Rainer Zenz, Niabot (last modification)
The Palais Garnier, also known as the Opéra de ParisorOpéra Garnier, but more commonly as the Paris Opéra, is a 2,200-seat opera house on the Place de l'Opéra in Paris, France. A grand landmark designed by Charles Garnier in the Neo-Baroque style, it is regarded as one of the architectural masterpieces of its time.

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Ernst II in an 1848 portrait by Frederick Richard Say

Ernest II, Duke of Saxe-Coburg and Gotha (21 June 1818 – 22 August 1893) was the sovereign duke of the Duchy of Saxe-Coburg and Gotha from 29 January 1844 to his death. A supporter of a unified Germany, Ernest watched the various political movements with great interest. While he initially was a great and outspoken proponent of German liberalism, he surprised many by switching sides and supporting the more conservative (and eventually victorious) Prussians during the Austro-Prussian and Franco-Prussian Wars and subsequent unification of Germany. An excellent musician and amateur composer all his life, Ernest was a great patron of the arts and sciences in Coburg. He composed songs, hymns, and cantatas, as well as musical works for opera and the stage which met with success in Germany, including Die Gräberinsel (1842), Tony, oder die Vergeltung (1849), Casilda (1851), Santa Chiara (1854), and Diana von Solange (1858). Diana von Solange prompted Franz Liszt to compose an orchestral festival march based on the opera's musical motifs.

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Gioachino Rossini

Monsieur Wagner has good moments, but awful quarters of an hour!

Gioachino Rossini

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The aria『Ombra mai fù』(originally written for the soprano castrato Caffarelli) from George Frideric Handel's Serse (1738) gained popularity in the 19th century, and proved enduringly popular, being adapted to many voice types and as a popular instrumental piece ("Handel's Largo"). This 1920 recording by tenor Enrico Caruso is one of his last.

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  • Music
  • Classical music
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  • WikiProjects

    Parent projects

    WikiProject ArtsWikiProject MusicWikiProject Theatre

    WikiProject Opera

    Main project

    WikiProject Opera

    Descendant projects

    WikiProject Richard WagnerWikiProject Gilbert and Sullivan

    Similar projects

    WikiProject Classical musicWikiProject Composers

    What are WikiProjects?

    Main topics

    Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

    Opera topics

    Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

    Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

    Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

    Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

    This is a list of recognized content, updated weekly by JL-Bot (talk · contribs) (typically on Saturdays). There is no need to edit the list yourself. If an article is missing from the list, make sure it is tagged (e.g. {{WikiProject Opera}}) or categorized correctly and wait for the next update. See WP:RECOG for configuration options.

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    Categories

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    Opera by century
    Opera by country
    Operas
    Opera composers
    Opera controversies
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    Opera terminology
    Works about opera
    Opera stubs

    Things you can do

    Things you can do

  • Tag the talk pages of opera-related articles with {{WikiProject Opera}}
  • Join WikiProject Opera and list yourself as a participant in the project.
  • Cleanup:Acleanup listing for this project is available, updated weekly. More information...
  • Rate the Unassessed opera articles in the Opera WikiProject.
  • Requested articles: Create or request an article on an opera-related topic.
  • Stubs needing expansion: English-language opera stubs, French-language opera stubs, German-language opera stubs, Italian-language opera stubs, Opera biography stubs, Opera company stubs, Opera singer stubs, Opera structure stubs, More...
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  • Retrieved from "https://en.wikipedia.org/w/index.php?title=Portal:Opera&oldid=1203248176"
     



    Last edited on 4 February 2024, at 13:34  


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    This page was last edited on 4 February 2024, at 13:34 (UTC).

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