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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.
From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)
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The group have been through several personnel changes since early in their history, including the replacement of every original member. Lead vocalist, guitarist and primary songwriter Mikael Åkerfeldt has been Opeth's driving force since the departure of founder and lead vocalist David Isberg in 1992. The band rarely made live appearances supporting their first four albums, but since their first world tour in support of the 2001 album Blackwater Park, they have had several other major world tours.
Opeth have released 13 studio albums, four live DVDs, four live albums (three that are in conjunction with DVDs), and two boxsets. The band released its debut album Orchid in 1995. With their eighth studio album, Ghost Reveries (2005), the band achieved chart success in several dozen countries, including Top Ten in Sweden. Their ninth studio album, Watershed (2008), topped the Finnish albums chart in its first week of release, and reached 23 on the US Billboard 200 chart. As of November 2009, the band have sold over 1.5 million copies of their albums and DVDs worldwide, including 300,000 collective SoundScans of their albums Blackwater Park, Damnation, and Deliverance in the United States. (Full article...)
Gallagher began playing the guitar at the age of twelve, and became a roadie and technician for Inspiral Carpets when he was 21. He learnt that his younger brother Liam had joined a band called the Rain, which eventually became Oasis; Liam invited him to join the group as manager. After rejecting the offer, Gallagher agreed to join the band, on the condition that he would take creative control of the group and become its sole songwriter and lead guitarist.
The band's debut album, Definitely Maybe (1994), was a widespread critical and commercial success. Their second album, (What's the Story) Morning Glory? (1995), reached the top of the album charts in many countries, and their third studio album, Be Here Now (1997), became the fastest-selling album in UK chart history. Britpop eventually declined in popularity, and Oasis failed to revive it, though their final two albums, Don't Believe the Truth (2005) and Dig Out Your Soul (2008), were hailed as their best efforts in over a decade. In August 2009, following an altercation with his brother, Gallagher announced his departure from Oasis. He went on to form Noel Gallagher's High Flying Birds, with whom he has released four studio albums.
Oasis's time was marked by turbulence, especially during the peak of Britpop, during which Gallagher was involved in several disputes with Liam; their conflicts and wild lifestyles regularly made tabloid headlines. The band notably had a rivalry with fellow Britpop band Blur. Gallagher himself was often regarded as a pioneer and spearhead of the Britpop movement. Many have praised his songwriting, with Beatles producer George Martin calling him "the finest songwriter of his generation". Conversely, he was voted the most overrated guitarist of the last millennium in a 1999 poll, and the ninth-most-overrated ever in a 2002 listener survey. He cited being named the most overrated guitarist of the last millennium as the accolade he most enjoyed receiving. (Full article...)
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Sweetheart of the Rodeo is the sixth album by the American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.
The album was conceived as a history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, this concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from session musicians including Lloyd Green, John Hartford, JayDee Maness, and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, and some of Parsons' vocals were re-recorded, partly due to legal issues. By the time the album was released Parsons had left the band. The Byrds' move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment, who viewed the Byrds as a group of hippies attempting to subvert country music.
Upon its release, the album reached number 77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, "You Ain't Goin' Nowhere", which achieved modest success, and "I Am a Pilgrim", which failed to chart. The album received mostly positive reviews in the music press, but the band's shift away from psychedelic music alienated much of its pop audience. Despite being the least commercially successful Byrds' album to date upon release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album. (Full article...)
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"Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears from their second studio album Songs from the Big Chair (1985). It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. It was released on 22 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the album. "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.
An international success, the song peaked at number two in Ireland, Australia, and the United Kingdom and at number one in Canada, New Zealand, and on both the US Billboard Hot 100 and Cashbox. It was certified gold by both Music Canada (MC) and the British Phonographic Industry (BPI). Retrospectively, music critics have praised "Everybody Wants to Rule the World", with some ranking the song among the decade's best. Along with "Shout" (1984), it is one of the band's signature songs.
A music video received promotion from MTV. The year of the song's release, it was featured in the ending to the science fiction comedy film Real Genius. In 1986, the song won Best Single at the Brit Awards, and was re-recorded by the band as a charity single for the Sport Aid campaign the same year. "Everybody Wants to Rule the World" has been covered extensively since its release, most notably by New Zealand singer Lorde for the soundtrack to the film adaptation of The Hunger Games: Catching Fire. (Full article...)
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| Credit: Stefan Krause LAL |
Henrik Freischlader performing in Saarbrücken, Germany in 2009.
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Chamber pop (also called baroque pop and sometimes conflated with orchestral pop or symphonic pop) is a music genre that combines rock music with the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s, with an emphasis on melody and texture. (Full article...)
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Aftermath is a studio album by the English rock band the Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on 15 April 1966 by Decca Records and in the United States in late June or early July 1966 by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring the Stones newfound wealth and fame rivalling that of their contemporaries the Beatles.
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