"As poet-playwright, Ronald Ribman has, throughout thirty years of writing, confronted the questions of what is man's and what is God's role, if any, in man's behavior. Suffusing his work are anger and satire, more often sorrow and haunting mystery, but always the mocking spirit of the grotesque behind the action, be it commonplace or exalted. Ribman's plays consistently reveal man's universe as abandoned by God but inextricably webbed into His rules, rules only hinted at as boundless in range and consequence. A corrosive absurdity at the heart of tragedy.
"With such infinite possibilities left to human ordering, Mr. Ribman"s people have created many worlds in a great many plays with landscapes both familiar and abstractly bizarre. In these plays reality is created anew each time by characters whose capacity for myth making is prodigious and whose anguish at recognizing the recycled essence of their illusions is profound.
"Ronald Ribman makes time his ally but erases the arbitrary categories of past, present, and future. What is has been, what was remains. His creation of various modes of reality demands that he collapse all history into the immediate moment. No matter on which century he lifts the curtain, he sees the mutual embrace of lunacy and reason, cruelty and compassion, innocence and cunning. And always he hears the sounds of mordant laughter, the fool's malicious jests couched in paradox, the cries of pain and astonishment at the confidence man's swift manipulations of certainties into illusions, and the sighs of the weak yearning for the seats of the powerful. The transformed realities that emerge in his theater cling to us, embrace us, invade our secret places of self-knowing." Arthur Hagadus, American Theatre, July/August 1987
"Ronald Ribman...has been developing quietly, methodically and meticulously into one of the most haunting dramatic poets our stage has ever seen." Robert Brustein, Who Needs Theatre, p. 109
Ribman's poetry first appeared in literary magazines as The Beloit Poetry Journal and The Colorado Quarterly. Ribman's first commercial publication was an article, co-authored with his father, in the April 1964 issue of Harper's Magazine, titled "The Poor Man in the Scales," a study of the problems faced by indigent defendants in the federal courts.[2] Ribman's most famous early play, The Journey of the Fifth Horse based on Ivan Turgenev's short story "The Diary of a Superfluous Man," won an Obie Award and starred a young Dustin Hoffman in the role of Zoditch.[3]
Fingernails Blue As Flowers, The American Place Theatre, 1971.
A Break in the Skin, Yale Repertory Company, 1972. (Subsequently produced at The Actors Studio, 1972.)
The Poison Tree, The Playhouse in the Park, Philadelphia, PA. and Westport Playhouse, CT, 1973. (Subsequently revised and produced on Broadway at the Ambassador Theater, 1976.)
Cold Storage, The American Place Theatre, 1977. (Subsequently produced on Broadway at the Lyceum Theater, 1977.)
Buck, Playwrights Horizons/ The American Place Theatre, 1983.
Ronald Ribman Two Plays: The Journey of the Fifth Horse & Harry, Noon and Night, Little Brown, 1967.
The Journey of the Fifth Horse, Samuel French, 1967.
The Journey of the Fifth Horse, The Off Off Broadway Book, edited by Albert Poland and Bruce Mailman, Bobbs-Merrill Co., 1972.
The Ceremony of Innocence, Dramatists Play Service, 1968.
Passing Through From Exotic Places (contains three one-act plays: The Son Who Hunted Tigers in Jakarta, Sunstroke, and The Burial of Esposito), Dramatists Play Service, 1970.
The Burial of EspositoinThe Best Short Plays 1971, edited by Stanley Richards, Avon, 1971.
Fingernails Blue as FlowersinThe American Place Theatre: Plays, edited by Richard Schotter, Dell, 1973.
The Final War Of Olly WinterinOne Act Plays For Our Times, edited by Dr. Francis Griffith, Popular Library, 1973.
The Journey of the Fifth Horse, Davis Poynter, 1974.
Cold Storage, Samuel French, 1976.
Cold Storage, Nelson Doubleday, 1976.
Five Plays by Ronald Ribman (contains Harry, Noon and Night, The Journey of the Fifth Horse, The Ceremony of Innocence, The Poison Tree, and Cold Storage), Avon, 1978.
BuckinNew Plays USA, edited by M. Elizabeth Osborn, Theater Communications Group, 1984.
Sweet Table at the RichelieuinAmerican Theater, Vol. 4, Number 4, July/August 1987.
The Rug Merchants of Chaos and Other Plays (contains Buck, Sweet Table at the Richelieu, and The Rug Merchants of Chaos), Theater Communications Group, 1992.
The Cannibal MasqueinThe Best American Short Plays 1994–1995, edited by Howard Stein and Glenn Young, Applause, 1995.
"Shirley" from Buck by Ronald Ribman in Contemporary American Monologues for Women, edited by Todd London, Theater Communications Group, 1998.
In 1975, Ribman was honored by the Rockefeller Foundation with a Playwright-In-Residence fellowship for sustained contribution to American Theater.[4]
In 1983, Ribman's play Cold Storage was chosen to be staged by Classic Theater International at the Hague, Netherlands to celebrate the 200th anniversary of the establishment of Dutch-American diplomatic relations. Subsequently a luncheon in his honor was held at the American embassy.
After the American Repertory Theater's world premier of Ribman's Sweet Table at the Richelieu,[5] Jonathan Marks identified a central theme in Ribman's work as having "a preoccupation with the persistence of the past in the present—a recognition that we all carry with us a heavy baggage of seeds, each of which began sprouting at a different time in the past, and never stopped shooting out tendrils: a bag of memories which can never be simply dumped."[6]
·Starr, Bernard (August 4, 2016) "Famed Playwright Switches Genres. Interview With Ronald Ribman About His New Novel, Infinite Absence" Huffington Post.
^Marks, Jonathan (February 1987). ART News. VII (2). Cambridge, Massachusetts: American Repertory Theater. {{cite journal}}: Missing or empty |title= (help) reprinted in American Theater, July/August 1987. See Arthur Hagadus's comments in the same publications.
