Superhero comics

In comics format, superpowered and costumed heroes like Popeye and The Phantom had appeared in newspaper comic strips for several years prior to Superman. The first fully-masked hero The Clock first appeared in the comic book Funny Pages #6 (Nov. 1936).

In the Great Depression and World War II era, the first superhero comics appeared, the most popular being Superman, Batman, Captain Marvel, Wonder Woman and Captain America.

After World War II superhero comic books gradually declined in popularity, their sales hindered in part by the publication of Seduction of the Innocent and the investigations of The Senate Subcommittee hearings on juvenile delinquency. By 1954 only three superheroes still had their own titles; Superman and Batman, who also costarred in World's Finest Comics, and Wonder Woman.^[1]

Beginning in the 1950s, DC began publishing revised versions of their 1940s superhero characters such as The Flash and Green Lantern with more of a science fiction focus. Marvel Comics followed suit in the 1960s, introducing characters such as Spider-Man, the Fantastic Four, the Hulk, Thor, the X-Men and Iron Man who featured more complex personalities which had more dramatic potential.

Superhero comics became much more political and dealt with social issues as in the short-lived run of Green Lantern/Green ArrowbyDenny O'Neil and Neal Adams and the Captain America story arc of the superhero's political disillusionment by Steve Englehart. This was eventually supplanted by more sophisticated character driven titles of The Uncanny X-MenbyChris Claremont and John Byrne for Marvel and The New Teen TitansbyMarv Wolfman and George Pérez for DC. Anti-hero themes became popular with appearances of the Punisher, Wolverine, Ghost Rider and a 1980s revival of DaredevilbyFrank Miller.

Superhero Comics became darker with the release of landmark deconstructive works such as Watchmen and The Dark Knight Returns, which led to many imitations. The late 80s to early 90s saw the rise of successful new characters including the Teenage Mutant Ninja Turtles and the anti-hero Spawn which were predominantly creator owned as opposed to Marvel and DC's which were corporate owned. The comic book mini series Kingdom Come brought an end to the popularity of the anti-hero and encouraged instead a reconstruction of the genre with superhero characters that endeavored to combine artistic and literary sophistication with idealism.

• Superhero film

• Benton, Mike (1991). Superhero Comics of the Silver Age: The Illustrated History. Taylor History of Comics. Taylor Publishing. p. 226. ISBN 0-87833-746-6.
• Benton, Mike (1992). Superhero Comics of the Golden Age: The Illustrated History. Taylor History of Comics. Taylor Publishing. p. 202. ISBN 0-87833-808-X.
• Garrett, Greg (2007). Holy Superheroes!: Exploring the Sacred in Comics, Graphic Novels, and Film. Westminster John Knox Press. p. 216. ISBN 978-0-664-23191-0.
• Howe, Sean 2012). Marvel Comics: the Untold Story. First ed. New York: Harper. 485 p. ISBN 978-0-06-199210-0
• Jacobs, Will and Gerard Jones (1985). The Comic Book Superheroes, from the Silver Age to the Present. New York: Crown Publishers. xi, 292 p. ISBN 0-517-55440-2
• Klock, Geoff (2002). How to Read Superhero Comics and Why. Continuum International Publishing Group. p. 204. ISBN 0-8264-1418-4.
• Knowles, Christopher (2007). Our Gods Wear Spandex: The Secret History of Comic Book Heroes. Illustrated by Joseph Michael Linsner. Weiser. p. 256. ISBN 978-1-57863-406-4.
• LoCicero, Don (2007). Superheroes and Gods: A Comparative Study from Babylonia to Batman. McFarland & Company. p. 249. ISBN 978-0-7864-3184-7.