In 1874, Besant married Mary Garrett (née Foster Barham), daughter of Eustace Foster-Barham, of Bridgwater, with whom he had four children. For some time he took care of his sister-in-law Annie Besant, a prominent women’s rights activist, socialist, and theosophist.
In 1868 he published Studies in French Poetry. Three years later he began his collaboration with writer James Rice.[3] Among their joint productions are Ready-money Mortiboy (1872), and The Golden Butterfly (1876), both, especially the latter, very successful. This association was ended by the death of Rice in 1882.
Thereafter, Besant continued to write voluminously by himself, his main novels being All in a Garden Fair (which Rudyard Kipling credited in Something of Myself with inspiring him to leave India and make a career as a writer, and which George Gissing read with 'extreme delight', calling it 'one of the most charming and delicate of modern novels),[4]Dorothy Forster (his own favorite), Children of Gibeon, and All Sorts and Conditions of Men. The two last belonged to a series in which he endeavored to arouse the public conscience to the hardship among the poorest classes of cities. In this crusade Besant had considerable success, the establishment of The People's Palace in the East of London being one result. His 1889 novel The Bell of St. Paul's was considered by his contemporary author George Gissing to be an 'absurd and empty book'.[5]
In addition to his fiction, Besant wrote largely on the history and topography of London. His plans for this topic were left unfinished: among his books on this subject is London in the 18th Century.[citation needed]
Sir Walter Besant memorial near the Waterloo Bridge
Besant was a freemason, joining the Lodge of Harmony in Mauritius in 1862. He became Master of Marquis of Dalhousie Lodge, London in 1873, having joined in 1869. He was one of the founders of the first Masonic research lodge, Quatuor Coronati Lodge No 2076, of which he was the first treasurer from 1886.[6] He was also one of the founders[7] and first chair[8] of the Society of Authors in 1884. He was knighted in the 1895 Birthday Honours.
He was treasurer of the "Atlantic Union", an association which sought to improve social relations between Britons and Americans.[9] He died in FrognalinHampstead, London on 9 June 1901, aged 64.[10]
Novels by W.B. and James Rice. Library ed. 10 vols. 1887–88. Comprising in sequence Ready-Money Mortiboy, This Son of Vulcan, With Harp and Crown, The Golden Butterfly, By Celia’s Arbour, The Seamy Side, The Chaplain of the Fleet, The Case of Mr. Lucraft and Other Tales, ‘Twas in Trafalgar’s Bay and Other Stories, The Ten Years’ Tenant and Other Stories [My Little Girl, The Monks of Thelema apparently missing from this series].
"The Amusements of the People", Contemporary Review 45 (1884): 342-53.
William Tuckwell, Art and hand work for the people, being three papers read before the Social Science Congress, Sept. 1884. By W.T., C. G. Leland, and W. Besant. Manchester, 1885.
The Art of Fiction: A Lecture Delivered at the Royal Institution on Friday Evening, April 25, 1884. 1884. New ed., 1902.
As we are and as we may be. 1903.
Autobiography. With prefatory note by S. Squire Sprigge. Hutchinson, 1902.
^Letters of George Gissing to members of his family, collected and arranged by Algernon and Ellen Gissing. London: Constable, 1927, letter dated 6/3/1884
^Coustillas, Pierre ed. London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, p.274.
^Quatuor Coronati Founders Retrieved 12 November 2013, mainly from Founders section in Ars Quatuor Coronatorum, vol 1, 1888
S. T. Bindoff, "East End Delight", East London Papers 3 (1960): 31–40.
Fred W. Boege, "Sir Walter Besant: Novelist", Nineteenth Century Fiction 10 (1956): 249–80; 11 (1956): 32–60.
Simon Eliot, "'His Generation Read His Stories': Walter Besant, Chatto and Windus and All Sorts and Conditions of Men," Publishing History 21 (1987): 25–67.
John Goode, "The Art of Fiction: Walter Besant and Henry James," in David Howard, John Lucas, and John Goode, eds., Tradition and Tolerance in Nineteenth-Century Fiction: Critical Essays on Some English and American Novels (London: Routledge and Kegan Paul, 1966).
Charles G. Harper, "Walter Besant’s London", Chapter VII of his A Literary Man’s London (London: Cecil Palmer, 1926), pp. 196–221.
Gareth Stedman Jones, Outcast London: A Study in the Relationship between Classes in Victorian Society (Oxford: Clarendon, 1971).
P. J. Keating, The Working Classes in Victorian Fiction (London: Routledge and Kegan Paul, 1971).
Peter Keating, The Haunted Study: A Social History of the English Novel 1875–1914 (London: Secker and Warburg, 1989).
Andrew Mearns, "The Bitter Cry of Outcast London" (1883 penny pamphlet).
G. P. Moss and M. V. Saville, From Palace to College: An Illustrated Account of Queen Mary College, University of London (London: Queen Mary College, 1985).
Wim Neetens,『Problems of a 'Democratic Text': Walter Besant’s Impossible Story,』Novel 23 (1990): 247-64.
Alan Palmer, The East End: Four Centuries of London Life (London: John Murray, 1989).
Review, All Sorts and Conditions of Men, Westminster Review NS 63 (January 1883): 288.
Review, All Sorts and Conditions of Men, Spectator, 21 October 1882: 1349.
Helen Small, "Introduction," Walter Besant, All Sorts and Conditions of Men (Oxford: OUP, 1997), x-xxv.
Mark Spilka, "Henry James and Walter Besant: 'The Art of Fiction' Controversy," Novel 6 (1973): 101-9.
Eileen Yeo, "Culture and Constraint in Working-Class Movements," in Eileen Yeo and Stephen Yeo, eds., Popular Culture and Class Conflict, 1590–1914: Explorations in the History of Labour and Leisure (Brighton, 1987), 155-86.
This article incorporates text from a publication now in the public domain: Cousin, John William (1910). "Besant, Sir Walter". A Short Biographical Dictionary of English Literature. London: J. M. Dent & Sons – via Wikisource.
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