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==Description== |
==Description== |
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It was originally a [[Homage (feudal)|declaration of fealty]] in the [[feudal system]] – swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord.<ref>{{citation|chapter-url=https://books.google.com/books?id=qtgotOF0MKQC&pg=PA686|title=Encyclopedia of the Middle Ages |volume=2|chapter=Homage|isbn=9781579582821 |last1=Vauchez |first1=Andre |year=2000 |
It was originally a [[Homage (feudal)|declaration of fealty]] in the [[feudal system]] – swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord.<ref>{{citation|chapter-url=https://books.google.com/books?id=qtgotOF0MKQC&pg=PA686|title=Encyclopedia of the Middle Ages |volume=2|chapter=Homage|isbn=9781579582821 |last1=Vauchez |first1=Andre |year=2000 }}</ref> The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and other graces. In German scholarship, followers of a great scholar developed the custom of honouring their mentor by producing papers for a ''[[festschrift]]'' dedicated to him.<ref>{{citation|url=https://books.google.com/books?id=ESFS7XXhujAC&pg=PA75 |title=An author's guide to scholarly publishing|first=Robin M.|last=Derricourt|year=1996|isbn=0691037094}}</ref> |
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In music, homage can take the form of a composition (''[[Homage to Paderewski]]''), a [[tribute album]] (''[[Homage to Charles Parker]]'') or a [[sampling (music)|sample]].<ref>{{citation |chapter-url=https://books.google.com/books?id=0tz5YpijuksC&pg=PA616 |title=Continuum Encyclopedia of Popular Music of the World |first=John |last=Shepherd |chapter=Rock Homage|date=30 January 2003 |
In music, homage can take the form of a composition (''[[Homage to Paderewski]]''), a [[tribute album]] (''[[Homage to Charles Parker]]'') or a [[sampling (music)|sample]].<ref>{{citation |chapter-url=https://books.google.com/books?id=0tz5YpijuksC&pg=PA616 |title=Continuum Encyclopedia of Popular Music of the World |first=John |last=Shepherd |chapter=Rock Homage|date=30 January 2003 |isbn=9780826463210 }}</ref> Digital techniques used to generate many forms of media make it easy to borrow from other works, and this [[Mediation (Marxist theory and media studies)#Remediation|remediation]] may be used in homage to them.<ref>{{citation|url=https://books.google.com/books?id=wWNnBndF9uEC&pg=PA497|title=Routledge encyclopedia of narrative theory|first=Richard|last=Grusin|date=October 2007|isbn=9780203932896}}</ref> |
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==See also== |
==See also== |
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Latin: A a Á á À à  â Ä ä Ǎ ǎ Ă ă Ā ā à ã Å å Ą ą Æ æ Ǣ ǣ B b C c Ć ć Ċ ċ Ĉ ĉ Č č Ç ç D d Ď ď Đ đ Ḍ ḍ Ð ð E e É é È è Ė ė Ê ê Ë ë Ě ě Ĕ ĕ Ē ē Ẽ ẽ Ę ę Ẹ ẹ Ɛ ɛ Ǝ ǝ Ə ə F f G g Ġ ġ Ĝ ĝ Ğ ğ Ģ ģ H h Ĥ ĥ Ħ ħ Ḥ ḥ I i İ ı Í í Ì ì Î î Ï ï Ǐ ǐ Ĭ ĭ Ī ī Ĩ ĩ Į į Ị ị J j Ĵ ĵ K k Ķ ķ L l Ĺ ĺ Ŀ ŀ Ľ ľ Ļ ļ Ł ł Ḷ ḷ Ḹ ḹ M m Ṃ ṃ N n Ń ń Ň ň Ñ ñ Ņ ņ Ṇ ṇ Ŋ ŋ O o Ó ó Ò ò Ô ô Ö ö Ǒ ǒ Ŏ ŏ Ō ō Õ õ Ǫ ǫ Ọ ọ Ő ő Ø ø Œ œ Ɔ ɔ P p Q q R r Ŕ ŕ Ř ř Ŗ ŗ Ṛ ṛ Ṝ ṝ S s Ś ś Ŝ ŝ Š š Ş ş Ș ș Ṣ ṣ ß T t Ť ť Ţ ţ Ț ț Ṭ ṭ Þ þ U u Ú ú Ù ù Û û Ü ü Ǔ ǔ Ŭ ŭ Ū ū Ũ ũ Ů ů Ų ų Ụ ụ Ű ű Ǘ ǘ Ǜ ǜ Ǚ ǚ Ǖ ǖ V v W w Ŵ ŵ X x Y y Ý ý Ŷ ŷ Ÿ ÿ Ỹ ỹ Ȳ ȳ Z z Ź ź Ż ż Ž ž ß Ð ð Þ þ Ŋ ŋ Ə ə
Greek: Ά ά Έ έ Ή ή Ί ί Ό ό Ύ ύ Ώ ώ Α α Β β Γ γ Δ δ Ε ε Ζ ζ Η η Θ θ Ι ι Κ κ Λ λ Μ μ Ν ν Ξ ξ Ο ο Π π Ρ ρ Σ σ ς Τ τ Υ υ Φ φ Χ χ Ψ ψ Ω ω {{Polytonic|}}
Cyrillic: А а Б б В в Г г Ґ ґ Ѓ ѓ Д д Ђ ђ Е е Ё ё Є є Ж ж З з Ѕ ѕ И и І і Ї ї Й й Ј ј К к Ќ ќ Л л Љ љ М м Н н Њ њ О о П п Р р С с Т т Ћ ћ У у Ў ў Ф ф Х х Ц ц Ч ч Џ џ Ш ш Щ щ Ъ ъ Ы ы Ь ь Э э Ю ю Я я ́
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