| Prometheus | |
|---|---|
Teaser poster
| |
| Directed by | Ridley Scott |
| Written by | Jon Spaihts Damon Lindelof |
| Produced by | Ridley Scott David Giler Walter Hill |
| Starring | Noomi Rapace Michael Fassbender Guy Pearce Idris Elba Logan Marshall-Green Charlize Theron |
| Cinematography | Dariusz Wolski |
| Edited by | Pietro Scalia |
| Music by | Marc Streitenfeld |
Production | |
| Distributed by | 20th Century Fox |
Release date |
|
| Country | Template:Film US |
| Language | English |
Prometheus is an upcoming science fiction film directed by Ridley Scott and written by Jon Spaihts and Damon Lindelof. The film stars Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green and Charlize Theron. The plot follows the crew of the spaceship Prometheus in the late 21st century, as they explore an advanced alien civilization in search of the origins of humanity.
Conceived as a prequel to Scott's 1979 science fiction horror film Alien, rewrites of Spaihts's script by Lindelof developed a separate story that precedes the events of Alien, but which is not directly connected to the films in the Alien franchise. According to Scott, though the film shares "strands of Alien's DNA, so to speak", and takes place in the same universe, Prometheus will explore its own mythology and ideas.
Principal photography began in March 2011, with filming taking place in Canada, England, Iceland, Spain, and Scotland, mostly on practical sets. The film was shot entirely using 3D cameras and required no conversion in post-production.
Prometheus is scheduled for release on June 8, 2012, in the United States and Canada. Scott has suggested that if the film is a success, he would be interested in pursuing sequels.
In the late 21st century, a star map is discovered within the imagery of Aztec, Mesopotamian and Magdalenian cultures. The crew of the spaceship Prometheus is sent on a scientific expedition to follow the map as part of a mission to find the origins of mankind. Exploring the advanced civilization of an extraterrestrial race, they soon face a threat to humanity's very existence.
"It covers a vast expanse of time, past, present and future. It doesn't take place on Earth in any real significant way. The way we're exploring the future is away from Earth and [asking] what are people like now? What have they gone through and what are they thinking of? Space exploration in the future is going to evolve into this idea that it's not just about going out there and finding planets to build colonies. It also has this inherent idea that the further we go out, the more we learn about ourselves. The characters in this movie are preoccupied by the idea: what are our origins?"
Damon Lindelof, concerning the scope of Prometheus[42]
Since the early-2000s, a fifth installment in the Alien franchise had been under consideration. James Cameron had initially worked on a story for such an installment; it was to explore the origins of the Alien creatures. However, Cameron dropped the project after learning that Fox was pursuing Alien vs. Predator—a plot which he felt would "kill the validity of the franchise".[43][44] By this time, Scott and Weaver had also expressed interest in returning to the series and both supported the idea of exploring beginnings. Scott furthered that the most logical course would be to explore the origins of the "space jockey"—the unknown extraterrestrial being, who only had a brief appearance in Scott's 1979 science fiction horror film Alien, as the derelict spaceship's deceased pilot—as well as the Aliens, should the series continue.[45] "I think it would be great to go back, because I'm asked that question so many times: 'Where did the Alien come from?' People really want to know in a very visceral way," Weaver said.[46] By 2008, Scott was fully attached to the project with Weaver commenting that "[he's] enthusiastic about it."[47]
In May 2009, Fox first reported the project as a "reboot"[48] to the Alien franchise, which was soon afterwards expressed as a then untitled prequel to Alien. Being so, Scott set the story in 2085, 30 years prior to Alien—Weaver's character, Ellen Ripley, would not play a role; neither would the "original" Alien creature.[49][50] The film would explore the nature, origin, and "staggering civilization"[51] of the alien race of the space jockey, as well as the beings' fictional anthropogenic role in the origins of humanity on Earth. Such ideas were "partially" inspired by Erich von Däniken's writings about ancient astronauts.[52][50] Scott told the Hollywood Reporter, "NASA and the Vatican agree that [it is] almost mathematically impossible that we can be where we are today without there being a little help along the way... That’s what we’re looking at (in the film), at some of Erich von Däniken’s ideas of how did we humans come about."[52] Scott's prequel, which originally went through several drafts, featured a female lead character[53] and would also focus on terraforming and the fictitious Weyland Industries before its merger with the Yutani Corporation. Scott furthered that the original Zeta II Reticuli planetary system would be part of the prequel story;[54] Scott also mentioned that the script dealt with the need for "dematerializing and rematerializing"[55] in order to achieve what one report described as "Near Faster-Than-Light travel"[54], and he was also quoted as saying "I think the closer it is to the truth, the closer it is to the technological feasibility then it becomes that much more interesting."[54] Elaborating more, the director commented in an interview that "the film will be really tough, really nasty. It's the dark side of the moon. We are talking about gods and engineers. Engineers of space. And were the aliens designed as a form of biological warfare? Or biology that would go in and clean up a planet?"[56] He later added, "The cast find an establishment which is not what they expected it to be, it’s a civilization but what we find in it is very uncivilized behaviour."[51]
Scott initially sought to produce the prequel in two parts and in 3D. He also anticipated having former commercial director Carl Erik Rinsch direct it, but 20th Century Fox, which owns the Alien franchise rights, wanted Scott to be the director.[57] By July 2009, Scott was attached to direct the film. Screenwriter Jon Spaihts had pitched to Fox his approach to the prequel. The studio and Scott liked the pitch and hired Spaihts to write the screenplay[58]-which at this time was a direct Alien prequel.[33] Lindelof was later hired to revise Spaihts's screenplay[59], developing it alongside Scott into a more original creation.[33] In October 2010, Lindelof submitted the revised screenplay to 20th Century Fox. The studio was pleased because it had contested Scott's proposed budget of $150–160 million and found Lindelof's screenplay to be more budget-conscious; Scott had initially requested a $250 million budget along with an R rating, but Fox was reluctant to invest so much money in a film that was not PG-13.[60]
In late 2010, it was reported that the film would be called "Paradise",[9] but in January 2011, the title was confirmed as Prometheus with a release date scheduled for 2012.[61] Scott downplayed the film's ties to the Alien franchise, saying "while Alien was indeed the jumping-off point for this project, out of the creative process evolved a new, grand mythology and universe in which this original story takes place. The keen fan will recognize strands of Alien's DNA, so to speak, but the ideas tackled in this film are unique, large and provocative."[62] In February 2011, Scott maintained that the film was not an Alien prequel,[63] but confirmed in December 2011, that the Space Jockey was still an aspect of the plot.[64] Fassbender stated the film would feature elements of Alien, saying "Prometheus is absolutely connected to Alien... There's a definite connecting vein."[65] In June 2011, Lindelof stated that he concurred with Scott's belief that the Alien creature had been "diluted" by the exposure it had received since Alien and did not want the film to be "burdened by all the tropes of that franchise with Facehuggers and Chestbursters". Lindelof stated that the film takes place in the same universe as Alien, but is not a story about the events leading into that film, saying "a true prequel should essentially proceed [sic] the events of the original film, but be about something entirely different, feature different characters, have an entirely different theme, although it takes place in that same world."[66] In June 2011 Scott said that Prometheus does occupy the same general universe as Alien,[67] and in July 2011 he stated that "by the end of the third act you start to realize there’s a DNA of the very first Alien, but none of the subsequent [films]"[68] and called it "pretty organic to the process and to the original",[68] but maintained a distinction between the two films, saying "we go back, we don't go forward."[68] In a February 2012, interview, Lindelof described the film as a hybrid in tone between Alien and Blade Runner, pushing a philosophical idea alongside action.[19]
"I was insistent that the script not leak onto the internet, where it gets dissected out of context, which spoils it for everyone."
Ridley Scott, concerning the confidential nature of Prometheus[63]
Production of Prometheus has been marked by a high degree of secrecy[69] with story details "extremely under-wraps."[51] Determined to maintain the secrecy of the plot, Scott required the cast to sign clauses to prevent them disclosing story details, and the cast were only allowed to read the script under supervision in Scott's production office.[63] One exception was made when a courier flew to one of the actors in a foreign location and then stood guard while the actor read the script.[63]
On November 10, 2010, a tweet by Henry South, a visual FX designer working on the Alien prequel, indicated the film had gone into production.[70] Award-nominated production designer Arthur Max headed the film's Pinewood Studios art department, who were tasked with deconstructing the art and visuals of Alien and reverse-designing them for Prometheus.[71] Max designed the sets and the Prometheus ship.[8] Scott stated that the alien itself would not appear in the film, saying "they [the Alien sequels] squeezed it dry. He [the alien] did very well. He survived...and no way am I going back there."[72][68] Scott brought Alien creature designer H. R. Giger onto the project to design murals that would appear as some of the first artifacts of the alien world in the film.[68] At Comic-Con, Lindelof stated that the film would be keeping as many practical effects as possible. The only mention of CGI used was for on-set pre-visualization of external space visuals.[73] Scott recalling advice special effects artist Douglas Trumbull gave him on the set of Blade Runner stated, "if you can do it live, do it live", with Scott claiming that although "you can pretty much do anything you want"[74] with digital technology, practical effects are more cost effective.[75][15] In designing the space suits worn by the ship's crew, Scott was inspired to have the suits include spherical glass helmets, inspired by a story in a biography of Apple co-founder Steve Jobs about building an office out of Gorilla Glass, with Scott remarking "If I’m in 2083 and I’m going into space, why would I design a helmet that has blind spots. What I want is something where I have 360 [vision]. Glass, by then, will be light and you won’t be able to break it with a bullet."[11]
Roger Christian, art director on the first Alien, speculated that the film would be shot in 3-D,[76] which was eventually confirmed by Ridley Scott. Since 3-D films need high lighting levels on set, the hallmark atmosphere of the Alien films with darkness and shadows will be added in post-production through grading processes, while the 3-D equipment will be based on post-Avatar technology.[77]
Principal photography began in March 2011,[78] scheduled to take place over six months,[7] but it took longer than forecast: the film was still being shot in September 2011.[79] Red Epic cameras fitted with Element Technica Atom 3D rigs were used in the production.[80] Filming began with three weeks of shooting on seven sound stages at Pinewood Toronto StudiosinOntario.[81] By April 2011, production moved to Shepperton StudiosinSurrey, England, part of the Pinewood Studios group,[8] where Scott used 8 sound stages for filming, including the 007 Stage.[82][83][63]
In June, filming moved to Iceland for two weeks, commencing at the base of the active Hekla volcano in southern Iceland on July 11, 2011.[84] Speaking about working at the base of an active volcano, Scott stated "If one is afraid of nature in this profession then it would be best to find a different job".[84] Filming also took place at one of the most powerful waterfalls in Europe, the Dettifoss waterfall in the Vatnajökull National Park in the north of Iceland.[85] The Iceland shoot involved 160 Icelandic crew members and over 200 imported crew.[84] Scott stated that the Iceland filming represented approximately fifteen minutes of footage for the film, and claimed that the area represented the "beginning of time".[86] Alternatives including the Mojave Desert had been considered alongside Iceland,[87] but Scott explained that the country was ultimately chosen because "here it is so rough and 'Jurassic-like' and that proved decisive".[84]
In September 2011, filming moved to the Ciudad de la Luz audiovisual complex in Alicante, Spain, with filming occurring in a large water tank at the complex and a nearby beach in Alicante.[79][88] The studio was booked from August 22, 2011, through to December 10, with set construction occurring from August until late September when the filming could begin.[79] About 250 people worked on the three months of Spain filming, providing over €1 million to the local economy.[89] Construction reportedly went underway in Alicante to recreate the ship of the protagonists in the film.[89]
Scott avoided using green screens, instead employing fishing wire or other items to help the actors understand where they were meant to be looking in any particular scene on the practical sets that would have a CGI presence inserted in post-production.[90] Theron stated that, while on set, "Ridley started doing this interesting thing, where he would have me stand in corners and lurk all the time, and it wound up being really mysterious."[51] Rapace noted, "I was out there filming for about six months and it was super-intense, my body was in so much pain sometimes but it was absolutely amazing."[91] She also stated that it felt like returning to Earth after the conclusion of the Iceland shoot.[1]
Scott focused on using the 3D footage to increase the illusion of depth. Despite this being his first 3D film he found the process easy. He stated: "You can literally twiddle a knob and the depth will increase", "the trick is not to overdo it".[90] Prometheus contains approximately 1,300 digital effect shots.[90] After spending two weeks working on additional dialogue recordings for the film during December 2011, Noomi Rapace described Prometheus in post-production as "brutally beautiful."[1]
In July 2011, Scott stated that he was filming Prometheus with both teen-friendly PG-13 and adult-only R ratings in mind, allowing the more adult content to be cut if necessary without harming the overall presentation. Scott claimed he had a responsibility to 20th Century Fox to be able to present a PG-13 cut of the film if the studio demanded, allowing it to be viewed by a wider potential audience.[92] When asked about the rating, Scott explained "the question is, do you go for the PG-13, or do you go for what it should be, which is R? Financially it makes quite a difference...essentially it's kinda R...it's not just about blood, it's about ideas that are very stressful."[93] Scott maintained that, regardless of rating, he would present the most "aggressive" film he could.[93]
Additional scenes were filmed during January 2012 in Isle of Skye, Scotland.[94]
Marc Streitenfeld, who worked on several of Ridley Scott's previous films, will be composing the musical score for Prometheus.[95] Scott processed Streitenfeld's score at Abbey Road Studios in London, England.[11]
The first image to be released from the film featured a faceless, spacesuit-clad character in air and amid debris; it was presented on July 21 along with other previewed Prometheus footage at the 2011 San Diego Comic-Con International convention.[96] Screenwriter Damon Lindelof and actress Charlize Theron were in attendance for the presentation of Prometheus. Ridley Scott and Noomi Rapace participated in the event, via satellite contribution, from Iceland.[42] Among the previewed footage, which included "rapidly cut shots of the crew of a spaceship,"[42] was imagery of Theron doing "naked push-ups" which was highly buzzed about by the media.[51][97][98] A further set of stills from the film, showing the main cast exploring an alien setting (including a monolithic humanoid head and urns), and Theron with Idris Elba on the bridge of the Prometheus spaceship, were made available to Entertainment Weekly to publish by November 23.[99] The film's official teaser poster was revealed on December 14 with the tagline, "The search for our beginning could lead to our end."[100]
Abootleg recording of the unfinished teaser trailer was uploaded onto the internet on November 27, but it was soon removed. CEO of Fox Entertainment Group, Thomas Rothman, called it "heartbreaking" adding that "for some early, early, early, early half-baked, half-assed test to leak, it's so unfair."[101] On the same day, an alleged fifteen-paragraph film treatment was published by the blog GeekTyrant.[102] A promotional "teaser," to promote the release of first trailer, was made available on the iTunes Movie Trailers library. Thirty-one seconds long, the video featured commentary by Scott, as well as never-before-seen scenes from the film and its production, and was released on December 19.[103] The second and third teaser previews were released, subsequently, on December 20 and 21, respectively, in a countdown manner.[104] The official teaser trailer for Prometheus was revealed on December 22, 2011.[105] On March 12 a second teaser trailer with some new footage was released exclusively for Yahoo Movies UK.[106]
A viral marketing campaign began on February 28, 2012, with the release of a video featuring a speech by Guy Pearce, in character as Peter Weyland, about his vision for the future. The video, set in 2023, takes place at a futuristic vision of a TED conference, an annual technology and design event held in Long Beach, California that revolves around the dissemination of new ideas. The segment was conceived and designed by Scott and Lindelof, and directed by Scott's son, Luke. The production was made in collaboration with, and made available through TED because Lindelof wanted to introduce new audiences to the conference itself at the same time as exposing them to the Weyland video. Discussing the concept, Lindelof explained that the scene takes place in a futuristic stadium rather than the smaller real-world locations of real TED conferences because "a guy like Peter Weyland—whose ego is just massive, and the ideas that he’s advancing are nothing short of hubris—that he'd basically say to TED, 'If you want me to give a talk, I’m giving it in Wembley Stadium.'"[19] TED community director Tom Rielly helped approve the use of the TED brand in the campaign-the first time that TED had been used for promotional purposes, and for which TED received no money. He was also involved in designing the appearance of the futuristic TED conference, preparing an "extensive briefing on all the visual and audio aspects of a TEDTalk circa 2012 and a corresponding speculation on how things would work in the future". The flying video cameras and "live Twitteresque feedback" were ideas created by Rielly. Rielly claimed that the association generated millions of new visitors to the TED website.[107] The release of the video was accompanied by a fictional TED blog about the 2023 conference and a tie-in website for the Weyland Corporation, the fictional business founded by Weyland.[18][20][108] On March 6, 2012, the Weyland website was updated to allow visitors to 'invest' in the company as part of a game to reveal new media from the film.[109]
On March 7, 2012, it was announced that, in partnership with AMC Theaters, Scott would host the premiere of the first full Prometheus trailer, which would be shown at the AMC Downtown Disney during WonderConinAnaheim, California on March 17, 2012. The event was streamed live through Facebook, Twitter, and the AMC Theater website, with the full trailer then released online through the AMC Youtube channel immediately following the debut.[110] Reaction to the trailer was considered to be noticeably positive among WonderCon attendees and on Twitter,[111] and it received nearly three million views in the three days following its debut.[112] Coinciding with the event, attendees at the film's WonderCon panel were given Weyland Corp business cards that directed them to a website and phone number. Calling the number resulted in the caller being sent a text message from Weyland Corp that linked them to a second viral video. The video, narrated by Fassbender, is presented as a Weyland Corp advertisement that shows the unboxing of the new "David 8" android, portrayed by Fassbender.[113] An extended version of the video was released on April 17, 2012, with over 2 minutes of additional content. The advert details the "David"'s features including it's ability to seamlessly replicate human emotions without the restrictions of ethics or distress.[114][115] Alongside the video, a full page "David" advertisement was placed in The Wall Street Journal; a Twitter account operated by a David8 was revealed, allowing twitter uses to ask the character questions;[116] and a partnership with Verizon FiOS was launched, offering a virtual tour of the Prometheus spaceship.[117]
On April 10, 2012, several media outlets were shown a 13 minute montage of scenes from the opening of the film in 3D at the Vue CinemainLeicester Square, London.[118] Reception to the screening was positive, with particular mentions given to the 3D visuals and the performances of Fassbender, Rapace, Theron, and Elba.[14][118][119]
The National Entertainment Collectibles Association (NECA) will produce a series of action figures based on characters in the film, with an expected summer release date.[120][121]
Prometheus was originally scheduled to be released on March 9, 2012, in the United States, but in January 2011, the date was pushed back to June 8, 2012[122], and June 1 in the UK[123]. The film will be simultaneously released in IMAX theaters, and in 3D.[124].
During his March 17, 2012, WonderCon presentations, Scott stated that some of the questions presented in the film are left unanswered and could be answered in a sequel, saying "If we're lucky, there'll be a second part. It does leave you with some nice open questions."[74][15] When asked if a sequel would move closer to being a prequel to the events of Alien, Lindelof said "if we’re fortunate enough to do a sequel to Prometheus, it will tangentialize even further away from the original Alien."[11]
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Considered a seminal moment in the career of our founder Peter Weyland, this 2023 TED Talk launched Weyland Corp into the international spotlight. To honor this historic event, Weyland Corp is planning to offer a new round of investment soon. Interested parties can expect to find out more within the next few days.
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It's a tough one, particularly with the success of four. I think if you close the lid it should be the end of the first chapter, and I think very simply what no one's done is simply gone back to re-visit 'what was it?' No one's ever said 'who's the space jockey?' He wasn't an Alien. What was that battleship? Is it a battleship? Is it an aircraft carrier? Is it a bio-mechanoid weapon carrier?...Why did it land? Did it crash-land, or did it settle there because it had engine trouble?...And how long ago? 'Cause those eggs would sit there.
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Scotland, known for its breathtaking locations, has provided stunning backdrops and settings for many movies. Whether it is William Wallace running in the mountains in Braveheart or Rob Roy's house filmed in a Liam Neeson movie, Isle of Skye have always offered ideal locations. Ridley Scott's new venture titled 'Prometheus' is also going to have a few scenes filmed on Isle of Skye. This Charlize Theron and Michael Fassbender starrer is something Scott is all excited about. The high profile director is confident that the 3D format used in this film has a great future in filmmaking. Prometheus is going to use special effects rather than CG effects. Being his first 3D release and his first science fiction film since Blade Runner 25 years ago, he wants nothing less than perfect. This is one of the reasons for choosing Isle of Skye. In order to facilitate the shooting of the film, an order was placed for two generators, four tower lights and two portable toilets. Karen Ryan, hire controller for Nixon Extra, had to deliver these by 13th January, 2012.
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