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To edit single-system magnetic film, it was necessary to first run it through a displacement recorder which would read the audio and re-record it backwards 24 frames behind the point where it was recorded. This put the audio in dead sync with the picture. The film was then edited. After editing the film was run through the displacement recorder again, forward this time which put the audio back at the location where the audio playback head would be in the film projector. These additional levels of [[generation loss]] explain why the film industry has always preferred double-system recording for professional film projects. |
To edit single-system magnetic film, it was necessary to first run it through a displacement recorder which would read the audio and re-record it backwards 24 frames behind the point where it was recorded. This put the audio in dead sync with the picture. The film was then edited. After editing the film was run through the displacement recorder again, forward this time which put the audio back at the location where the audio playback head would be in the film projector. These additional levels of [[generation loss]] explain why the film industry has always preferred double-system recording for professional film projects. |
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==See also== |
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* [[Double-system recording]] |
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{{DEFAULTSORT:Single-System Recording}} |
{{DEFAULTSORT:Single-System Recording}} |
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