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[[File:Venus-de-Laussel-detail-bras.jpg|thumb|right|200px|Detail of the left arm and hand.]] |
[[File:Venus-de-Laussel-detail-bras.jpg|thumb|right|200px|Detail of the left arm and hand.]] |
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The '''Venus of Laussel''' is an {{convert|18.11|in|cm|adj=mid|abbr=off|-high}} [[limestone]] [[bas-relief]] of a nude woman. |
The '''Venus of Laussel''' is an {{convert|18.11|in|cm|adj=mid|abbr=off|-high}} [[limestone]] [[bas-relief]] of a nude woman. It is painted with red [[ochre]] and was carved into the [[limestone]] of a rock shelter (''Abri de Laussel'') in the commune of [[Marquay, Dordogne|Marquay]], in the [[Dordogne]] department of south-western [[France]]. The carving is associated with the [[Gravettian]] [[Upper Paleolithic]] culture (approximately 25,000 years old). It is currently displayed in the [[Musée d'Aquitaine]] in [[Bordeaux]], France. |
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==Description== |
==Description== |
The Venus of Laussel is an 18.11-inch-high (46.0-centimetre) limestone bas-relief of a nude woman. It is painted with red ochre and was carved into the limestone of a rock shelter (Abri de Laussel) in the commune of Marquay, in the Dordogne department of south-western France. The carving is associated with the Gravettian Upper Paleolithic culture (approximately 25,000 years old). It is currently displayed in the Musée d'AquitaineinBordeaux, France.
The figure holds a bison horn, or possibly a cornucopia, in one hand, which has thirteen notches. She has large breasts, a great stomach, and wide hips. There is a "Y" on her thigh and her faceless head is turned toward the horn. The lower relief was covered in red ochre.[1]
The relief was discovered in 1911 by Jean-Gaston Lalanne, a physician. It was carved into large block of limestone in a rock shelter (abri de Laussel) at the commune of Marquay in the Dordogne department of south-western France. The limestone block fell off the wall of the shelter. It was brought to the Musée d'AquitaineinBordeaux, France.
The figure and the horn are considered significant in figurative studies of Paleolithic art. There are many similarly formed "goddess figures", such as Venus of Willendorf, said to be of potential significance in Eurasian prehistoric religion.[2][3][4][5] The color and the number of notches on the horn may symbolize the number of moons or the number of menstrual cycles in one year, or the number of days from menstruation to ovulation.[1]
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: CS1 maint: location missing publisher (link)
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Acheulean (disputed) |
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Aurignacian |
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Gravettian |
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Magdalenian |
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Related |
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