2 is the debut full-length studio album by Canadian musician Mac DeMarco. It was recorded in June 2012, and released in October 2012 on the Captured Tracks label.
DeMarco moved from VancouvertoMontreal in 2011. There, he recorded an mini LP under his own name, Rock and Roll Nightclub. Featuring slowed-down vocals and elements of glam rock, this recording garnered enough attention that his label, Captured Tracks, agreed to finance a full-length album.[2] DeMarco shifted his style from Rock and Roll Nightclubto2, and his glam and crooning singing style were dropped for a more standard approach to guitar rock.[3] The album was composed and recorded in DeMarco's Montreal apartment, in the Mile End neighbourhood. DeMarco made the recording wearing only his "skivvies", or underwear.[4] In a June 2012 interview, DeMarco announced that about 75% of the album had been completed.[5]
The album contains a single acoustic track, "Still Together", which is a re-recording of "Together", written by DeMarco on 2009 to Makeout Videotape EP "Bossa Yeye", also features DeMarco using falsetto singing in the chorus.[6] The opener, "Cooking Up Something Good", uses a song structure where a catchy verse transitions to a "blindsiding" darker chorus.[7] "Robson Girl" also juxtaposes a "sweet" verse with a guitar-shredding chorus.[8]
Lyrically, DeMarco covers growing up in suburbia, failed love and family secrets, the last featuring heavily in "Cooking Up Something Good".[7] "Ode to Viceroy" is a tribute to the singer's favourite brand of cigarettes.[6] DeMarco is apologizing to his mother in "Freaking Out the Neighbourhood", and trying to convince a girl to leave town with him in "The Stars Keep on Calling My Name".[8]
The album was compared by several reviewers to Real Estate's 2011 release, Days.[3]NME called DeMarco a "skilled songwriter" and likened him to fictional character Ferris Bueller.[8] DeMarco's guitar work was praised by several reviewers.[6]The Guardian remarked that, although the initial tracks have promise, the album "never quite delivers" and criticised its "unvarying" tone.[14]Pitchfork gave an enthusiastic review, awarding the record its "Best New Music" designation. Reviewer Sam Hockley-Smith commented positively on DeMarco's songwriting and lyrical depth.[7] The website placed the album at 43rd on their "50 Best Albums of the Year" retrospective.[18]
The album was recognized as one of The 100 Best Albums of the Decade So Far, a list published by Pitchfork in August 2014.[20] In 2019, Pitchfork ranked the album at number 149 on their list of "The 200 Best Albums of the 2010s".[21]
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