The winners were announced at the awards ceremony on April 11, 1988.[11]The Last Emperor became the second film after 1958's Gigi to earn nine Oscar nominations and win all of them.[12] For the first time in Oscar history, all five Best Director nominees were born outside the United States.[13] Best Actor winner Michael Douglas became the second person to win Oscars for both acting and producing, albeit the first person to win the awards for two separate films and in different years. He previously won a Best Picture award as co-producer of One Flew Over the Cuckoo's Nest (1975).[A][14]
In view of the 60th anniversary of the Academy Awards, the academy hired film producer Samuel Goldwyn Jr. in October 1987 to oversee the telecast for the second straight year.[2] Three months later, Goldwyn selected actor and comedian Chevy Chase to emcee the 1988 ceremony.[21] In addition, after being held at the Dorothy Chandler Pavilion for almost two decades, AMPAS decided to move the telecast to the Shrine Auditorium in order to accommodate more rehearsal time and take advantage of the large venue's seating capacity.[22] This marked the first time the facility served as the site for the Oscars since the 20th ceremony held in 1948.[23] Additionally, Goldwyn and Passetta originally planned to feature pre-recorded red carpet arrival footage of actors who had roles in the 59 previous Best Picture winners. However, the segment was dropped altogether due to traffic problems among guests arriving at the ceremony.[24][25]
Furthermore, the 1988 Writers Guild of America strike, which began more than a month before the ceremony, affected the telecast and its surrounding events. Despite the Writers Guild of America refusing to grant a waiver permitting writers to work on the scripted dialogue for the gala, the three head writers for the telecast, Ernest Lehman, Melville Shavelson, and Jack Rose, assured the AMPAS and ABC that more than half of the material had already been completed.[26] To compensate for the missing portions of the script, Goldwyn heavily utilized comedians such as John Candy, Billy Crystal, Eddie Murphy, and Robin Williamstoad lib and improvise jokes.[27][28] During the show, many of the participants expressed support for the writers, such as Best Supporting Actor winner Sean Connery who remarked in his acceptance speech, "If such a thing as a wish accompanied this award mine would be that we ended the writers' strike."[29]
At the time of the nominations announcement on February 16, the combined gross of the five Best Picture nominees at the US box office was $221 million with an average of $48.9 million.[30]Fatal Attraction was the highest earner among the Best Picture nominees, with $142 million in domestic box office receipts. The film was followed by Broadcast News ($36.7 million), Moonstruck ($25.4 million), The Last Emperor ($11.9 million), and Hope and Glory ($5.2 million).[30]
Of the 50 highest-grossing movies of the year, 39 nominations went to 17 films on the list. Only Fatal Attraction (2nd), The Untouchables (4th), Good Morning Vietnam (10th), Throw Momma from the Train (14th), Full Metal Jacket (21st), Broadcast News (26th), Wall Street (30th), and Moonstruck (39th) were nominated for Best Picture, acting, directing, or screenwriting. The other top 50 box office hits that earned nominations were Beverly Hills Cop II (1st), Lethal Weapon (7th), The Witches of Eastwick (8th), Dirty Dancing (9th), Predator (11th), RoboCop (15th), Mannequin (23rd), The Princess Bride (38th), and Innerspace (45th).[31]
The telecast received a negative reception from media outlets. Los Angeles Times television critic Howard Rosenberg commented, "Monday night's Academy Awards telecast on ABC was the Michael Dukakis and George Bush of TV awards programs: parched, drab and leaden. You kept hoping they'd draft Mario Cuomo."[32] Tom Shales from The Washington Post wrote, "Of hope there was little and of glory almost none last night at the 60th annual Academy Awards, telecast live from the Shrine Auditorium in Los Angeles on ABC. Even considering the low standards set in previous years, the program seemed unusually lackluster from the word go."[33] Columnist Matt Roush of USA Today quipped, "Chevy Chase stopped the show. Cold. Over and over. As the ever-unctuous host, he tried to get laughs by picking his nose and sneezing into his hand when his ad-libs failed, which was often." He also observed that The Last Emperor dominance over the awards created a dull and anticlimactic atmosphere to the proceedings.[34]
The American telecast on ABC drew in an average of 42.2 million people over its length, which was a 13% increase from the previous year's ceremony.[35] An estimated 70 million total viewers watched all or part of the awards.[36] The show also drew higher Nielsen ratings compared to the previous ceremony, with 29.2% of households over a 49 percent share.[37]
In July 1988, the ceremony presentation received four nominations at the 40th Primetime Emmys.[38][39] The following month, the ceremony won one of those nominations for Outstanding Variety Music Events Programming (Samuel Goldwyn, Jr.).[40]
A^ : Laurence Olivier was the first person to accomplish this feat. He won Best Picture as one of the producers of Hamlet and won Best Actor for playing the titular role in that same film.[14]
^Shales, Tom (April 12, 1988). "A Tortured New Look In Hollywood Horror". The Washington Post.
^Roush, Matt (April 12, 1988). "A show short on surprises". USA Today.
^Johnson, Greg (March 18, 1999). "Call It the Glamour Bowl". Los Angeles Times. Archived from the original on September 28, 2013. Retrieved August 26, 2013.
