Abel Alejandre (born 1968, in Michoacán, Mexico) is a Mexican-born, United States-based hyperrealist artist, best known for his explorations of masculinity and vulnerability. Working primarily in pencil, Alejandre creates cross-hatched drawings which can sometimes take months to complete.[1] Alejandre's series of twelve panels, "Panoramas," is featured at the Los Angeles Metro Rancho Park/Westwood station.[2]
Alejandre also creates woodblock prints using both a giant press he built himself and by hand printing. His monumental My Fathers, which is in the permanent collection at the National Museum of Mexican Art, in Chicago, Illinois, was created by the latter method.
Abel Alejandre was born in Apatzingán, Michoacán, Mexico. As a young child he worked in the cotton fields to earn money for his family.[2] In 1975, when he was 7, the family immigrated to the United States via Tijuana where he encountered running water, electricity, and television for the first time.[1] Alejandre grew up in the Long Beach area of Southern California and attended Long Beach City College, graduating with an Associate of Arts degree.[3][4]
After painting in color for 25 years, Alejandre began working in black and white, becoming completely focused on creating monochromatic works.[5] His trademark crosshatching is created by gessoing and sanding the surface of the canvas or panels and then beginning work with pencil. A single piece of art can take over 5 months to complete, with the artist working 10 to 12 hours a day, and can use over 700 pencils.[1][6]
In 2013, Alejandre was announced as one of eight grantee artists whose art would be installed at one of the Los Angeles Metro stations along the new Expo line that runs from downtown Los Angeles to Santa Monica beach. His twelve panels, “Panoramas,” are displayed at the Rancho Park/Westwood station. Panels “depict the legs of travelers headed to their destinations: a business professional with her rolling briefcase, a parent with a stroller, and a hummingbird in flight,” creating “story of place through the act of commuting.”[7]
His gallery work focuses around issues of machismo and masculinity and he uses art “as a means to acknowledge and process what he confesses to be ‘past insecurities, insults, and painful memories.’” [4]
Alejandre created murals for the 1984 Olympic Games and in 2005 curated and staged an exhibition of Mexican and American artists on the border fence in Mexicali/Calexico border.[3][8] In 2011, he worked with the gallery, Avenue 50 Studio, a recipient of Southern California Council for the Humanities grant on "Resurrected Histories: Voices from the Chicano Arts Collectives of Highland Park." His art is featured in the book Drawing from the Inside Out: Projects for Beginning through Advanced Drawing,[9] and he is featured in two films by Eric Minh Swenson.
Alejandre's artworks have been exhibited at venues that include Coagula Curatorial Gallery, Center for the Arts Eagle Rock, Los Angeles Municipal Art Gallery, Tropico de Nopal and the Mexican Cultural Institute. His monumental wood block print, My Fathers, is part of the permanent collection at the National Museum of Mexican Art, in Chicago, Illinois.
La Junta/ The Gathering, Centro Estatal de las Artes, Mexicali, BC, Mexico
La Junta/ The Gathering, Coagula Curatorial, Los Angeles, California, US
Miami Project Art Fair, Cuagula Curatorial, Miami, Florida, US *8From Bukowski to St. John the Evangelist, Avenue 50 Studio, Los Angeles, California, US
Open Your Eyes/Abre Los Ojos, The Muckenthaler Cultural Center, Fullerton, California, US
Latino Heritage, ChimMaya Gallery, Los Angeles, California, US
Resurrected Histories, Avenue 50 Studio, Los Angeles, California, US
^Kerwin, Barbara (2015). Drawing from the Inside Out: Projects for Beginning through Advanced Drawing (1st ed.). ATS Art Textbook Society. p. 123. ISBN978-0996272704.
