The Beatles regularly performed the song live from 1957 to 1962.[6][nb 3] According to Beatles historian Mark Lewisohn, "John [Lennon] may have known the song through his mother; he certainly knew it from Gene Vincent's 1956 recording on the LP Bluejean Bop!"[11]InThe Beatles as Musicians, Walter Everett offers a similar assessment, writing simply that it was "based on Gene Vincent's record."[12]Musicologist and writer Ian MacDonald also agrees with this view.[13] Lewisohn further notes that, "John Lennon's vocal rendition was different from Vincent's, it would seem that he arranged his own unique version... He may have also been influenced by Duffy Power's 1959 version".[14] In the Beatles' Anthology book, McCartney recalls that "Songs like 'Till There Was You' and 'Ain't She Sweet' would be the late-night cabaret material. They showed that we weren't just another rock'n'roll group."[15][nb 4]
On June 22 or 24, 1961,[nb 1] during their first professional recording session, the Beatles recorded a cover of "Ain't She Sweet".[12][20] Recorded at the Friedrich-Ebert-Halle[nb 2]inHamburg, Germany, produced by Bert Kaempfert and engineered by Karl Hinze, the session saw the Beatles backing Tony Sheridan.[19]George Harrison later recalled that the group misunderstood the purpose of the recording session and only learned upon arrival that they would be backing Sheridan.[24] Harrison further added, "It was a bit disappointing because we'd been hoping to get a record deal as ourselves."[25] "Ain't She Sweet" was one of two songs recorded without Sheridan[nb 5] with Lennon instead on lead vocal.[12][19] In 1968, Lennon reflected, "We thought it would be easy: the Germans had such shitty records, ours was bound to be better."[27] MacDonald surmised that the Beatles decided to record a cover to save their stronger originals, such as McCartney's "Like Dreamers Do" and Lennon's "Hello Little Girl".[28]
In a 1975 radio interview, Lennon explained that Gene Vincent's cover was "very mellow and very high pitched, and I used to do it like that, but they said harder, harder—you know, Germans all want it a bit more like a march—so we ended up doing a harder version of it."[29] Lewisohn remarks that Lennon "gives it a good and powerful go, but there's a strange timbre to his voice, as if he was suffering from 'Hamburg throat' while also straining to deliver Kaempfert's brittle sound on a song that didn't suit it."[29] Everett describes Lennon's singing style as "very detached, slightly hiccuping"[12] and notes his use of a mordent for emphasis.[12] Lewisohn further evaluated that Pete Best's drumming "lacks imagination"[29] and McCartney's "bass is accomplished."[29] Harrison's guitar solo "judged even in its place and time... wasn't good."[29] Everett comments that, "as a whole, these recordings are hardly representative of the future Beatles."[12] MacDonald judges it similarly, writing, "...it ["Ain't She Sweet"] made little sense as a choice for the Beatles' first professional recording and fails to reward attention in hindsight."[13]InThe Cambridge Companion to the Beatles, Howard Kramer writes that the session was "musically unspectacular" and "the Beatles' instrumental backing shows competence, but little more."[30]
After the session, the Beatles expected that a single of "Ain't She Sweet" b/w "Beatle Bop" would be released in America, Germany and Britain in the weeks that followed.[31] It was not until October 23, 1961 that a single was released in West Germany exclusively, except it was instead "My Bonnie" b/w "The Saints", credited as "Tony Sheridan & The Beat Brothers".[32][nb 6] The Liverpool music newspaper Mersey Beat reported that the Beatles were dissatisfied with "Ain't She Sweet" and "Cry For A Shadow" and so sold their rights back to Kaempfert's company, Bert Kaempfert Produktion (BKP).[34]Polydor's first worldwide release of "Ain't She Sweet" was on the February 1964 French EP, Les Beatles [fr].[35] Polydor released it in the U.K. as a single on May 29, 1964 b/w "If You Love Me, Baby", a mistitling of the Jimmy Reed song "Take Out Some Insurance". On July 6, 1964 ATCO Records released the track as a single in America b/w the Hank Snow song "Nobody's Child".[36] In August 1964, the song peaked at number 19 on the US Billboard Hot 100.[37] In Sweden, it reached number 4 on Sweden's Kvällstoppen Chart and also reached the top spot on the Tio i Topp chart.[38][39] It was the highest-charting Beatles single with original drummer Pete Best.[citation needed] The Beatles were neither paid nor owed royalty payments for the release.[34] The track has been included on several releases, including Ain't She Sweet (1964),[36][40]The Beatles' First (1964)[41] and In the Beginning (Circa 1960) (1970).[42] The Beatles included the recording on the 1995 compilation albumAnthology 1.[19][43]
On 24 July 1969 during a recording session for "Sun King"/"Mean Mr. Mustard", Lennon began an impromptu jam of "Ain't She Sweet" along with the other Gene Vincent songs, "Who Slapped John?" and "Be-Bop-a-Lula".[44] Lewisohn remarked that this version was more in the style of Gene Vincent than the Beatles' original 1961 version.[45] The Beatles included this version of "Ain't She Sweet" on the 1996 compilation album Anthology 3.[6][45]
^ abWalter Everett dates the session as June 22–24[12] and "Ain't She Sweet" in particular as the 24th.[17]
Ian MacDonald dates the session as "June 22–23(?)"[18] and the song as the 22nd.[19]
Mark Lewisohn dates the entire session as the 22nd, but offers the possibility of the 23rd.[20] He writes, "No document survives to detail the start/finish times, the order of work, number of required takes, and whether the session took place over one day or two—most likely it was one, and personal recollections refer to it that way, but some papers show it as two, June 22 and 23."[21] He also writes, "The recording of seven titles was easily achievable in one session so perhaps the second date was solely for editing, without Sheridan and the Beatles present."[22]
Audio expert Richard Moore notes that some of the songs recorded have a different "stereo picture", suggesting an alternate set-up across sessions or replacement equipment being brought in to a session.[23]
^ abMark Lewisohn and Ian MacDonald both cite Friedrich-Ebert-Halle as the recording location.[19][20] Walter Everett writes the recordings were split between Friedrich-Ebert-Halle on June 22–23 and the adjoining orchestral hall Studio Ralstedt on June 24.[12] He writes "Ain't She Sweet" was recorded on June 24.[17]
^In an early 1960 letter Paul McCartney wrote to get a booking, he mentions "Ain't She Sweet" as a staple of The Quarrymen's act, amongst other numbers.[7] They possibly played the song in a July 1960 show.[8] A setlist of songs written in one of Stuart Sutcliffe's 1960 art sketchbooks includes the song.[9] A setlist from August 1962 includes the song with Lennon on lead vocal.[10]
^McCartney further recalled, "The gigs went up in stature and though the pay went up only a little bit, it did go up. We were now playing better places. We would still do our rock act, though we wouldn't get decent money for any gig apart from cabaret. I could pull out 'Till There Was You' or 'A Taste of Honey'—the more cabaret things—and John would sing 'Over the Rainbow' and 'Ain't She Sweet'. These did have cred for us because they were on a Gene Vincent album and we didn't realise 'Rainbow' was a Judy Garland number; we thought it was Gene Vincent, so we were happy to do it."[16]
^McCartney later recalled: "They didn't like our name and said, 'Change to The Beat Brothers; this is more understandable for the German audience.'"[25] In his memoir, Pete Best claims the name was changed because "Beatles" was too close to a Hamburg slang term for male genitalia.[33]
^ abHallberg, Eric (1993). Eric Hallberg presenterar Kvällstoppen i P 3: Sveriges radios topplista över veckans 20 mest sålda skivor 10. 7. 1962 - 19. 8. 1975. Drift Musik. p. 130. ISBN9163021404.
^ abHallberg, Eric; Henningsson, Ulf (1998). Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961 - 74. Premium Publishing. p. 53. ISBN919727125X.
Gottfridsson, Hans Olof (1997). The Beatles from Cavern to Star-Club: The Illustrated Chronicle, Discography & Price Guide 1957–1962. Stockholm: Premium Publishing. ISBN978-9-197-18947-7.
Kramer, Howard (2009). "Rock and Roll Music". In Womack, Kenneth (ed.). The Cambridge Companion to the Beatles. Cambridge: Cambridge University Press. pp. 65–74. ISBN978-0-521-68976-2.
Lewisohn, Mark (1992). The Complete Beatles Chronicle:The Definitive Day-By-Day Guide To the Beatles' Entire Career (2010 ed.). Chicago: Chicago Review Press. ISBN978-1-56976-534-0.
