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Alexander Zhurbin
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| Background information | |
| Birth name | Alexander Borisovich Gandelsman (Александр Борисович Гандельсман) |
| Born | (1945-08-07) 7 August 1945 (age 78) |
| Origin | Tashkent, Russian |
| Genres | Classical, film music, Russian music |
| Occupation(s) | Musician, arranger, film composer, producer |
| Instrument(s) | Piano, vocal |
| Years active | 1950–present |
| Labels | AZ Records, Melodiya |
Alexander Borisovich Zhurbin (Алекса́ндр Бори́сович Журби́н), born in Tashkent, Uzbek SSR, USSR on 7 August 1945, is a prolific Russian composer.[1] His first success came in 1975 with a rock-opera, Orpheus and Eurydice, which had 2000 consecutive performances in the Soviet Union. He has composed scores for over 50 feature films and 40 musicals. He moved to New York in 1990, where he composed opera, musicals, symphonies, film soundtracks and many other works.
Alexander Borisovich Zhurbin was born in Middle Asian part of USSR. He graduated from Special Music School in 1963. In 1969 he graduated from Tashkent Conservatory as a cellist and Gnessin Music College as a composer.[2][3][4][5] He undertook postgraduate studies as a musicologistinLeningrad, where he in 1973 completed his kandidat nauk dissertation on the Symphonies of Gustav Mahler.
Zhurbin's first big success came in 1975 with his rock-opera Orpheus and Eurydice. This work represented a pioneering achievement in the Soviet Union and received widespread acclaim. It achieved over two thousand consecutive performances, with more than two million copies of the associated record sold. Zhurbin was honored with numerous international awards for 'Orpheus and Eurydice', notably receiving the 'Star of the Year' accolade in Great Britain. The musical enjoyed widespread popularity across the Soviet Union, with more than 3,000 concurrent performances. It was recognized by the Guinness Book of Records as the longest-running musical featuring the original cast.[6]
He has composed scores for over 50 feature films, including Dead Man's Letters and Perestroika.[7] His extensive oeuvre includes eight operas and three ballets, which have been performed in premier Russian venues, including the Leningrad National Opera and the Moscow Chamber Opera. His prolific contribution to musical theatre has included more than forty musicals, all of which continue to be staged across the former Soviet Union. Some have exceeded 2,000 performances.
Zhurbin and his family have lived in New York City since 1990. He served as a composer-in-residence at the 92nd Street "Y" and a professor at Touro college. In 1992 he founded the Russian-American Theater "Wandering Stars", which became an important cultural force in the Russian-speaking community and produced nine large-scale theatrical productions, six of them with his music. His musical How It Was Done in Odessa was a critical success at the Walnut Street Theatre, Philadelphia, in 1991 and had an eight-week sold-out run with good reviews.
Among his compositions written in the USA were Cello Concerto, Violin Concerto, Symphony # 3 and 8, an opera "Good Health, Your Majesty", and a cantata "A Part of Speech", with lyrics by Joseph Brodsky, as well as songs, jingles and commercials. In 1996, an evening of Zhurbin's music was presented in Carnegie Hall (Weill Recital Hall), performed by Kristjan Järvi and the Absolute Ensemble.
Zhurbin's latest theater works are the musicals "Shalom, America" (after Sholom Asch), "Camera Obscura" (after Vladimir Nabokov), "Wandering Stars" (after Sholom Aleikhem). He has written several major theatrical works, including "Mousetrap" (a musical after Agatha Christie); Humiliated and Insulted (opera after Dostoevsky); and "The Seagull"– operetta after Anton Chekhov. All were produced in Moscow, St Petersburg and another cities. He scored the mini-series "Moscow Saga", based on the novel by Vasily Aksyonov.[8]
In 2015, an extended, two-and-a-half month festival of his works was presented, covering opera, musical, symphony, rock, film, and performances of his first four symphonies. It included the premiere of his Fifth Symphony "Speak, Memory!",[9] and the premiere of his opera "Melkiy Bes"[10] (Petty Demon), based on Sologub. A new opera by Zhurbin, "Love's Metamorphosis", was premiered on May 2017 at the Moscow Musical Theater, Nemirovich-Danchenko.[11]
In the 2020-2021 season, a festival "Serious and Light", commemorating Zhurbin's 75th birthday, ran from September 2020 to February 2021. Works performed included the premieres of operas "Anna K."[12] and "Happy Day",[13] the premiere of his Sixth Symphony ("Con Programma Letterale"), and vocal and chamber music works.[14]
Zhurbin is married to the poet, translator and writer Irina Ginzburg. His son, Lev Zhurbin, is a composer and performer living in New York.[15]
In response to claims that he is a member of the United Russia party,[16] in an interview on Radio Liberty dated 21 November 2023, he categorically stated that he had never been a member of any political party, including United Russia.[17]
Thea-opus 1 – “Let’s play Prince and The Pauper!” – musical for children and adults based on the novel by Mark Twain (Libretto by L. Losev with Y. Mikhailov)[22]
Thea-opus 2 – “The Twins from Thebes” (“Someone named Heracles”) – Libretto by L. Losev with Y. Mikhailov)[23]
Thea-opus 3 – “Orpheus & Eurydice” – rock opera based on a play by Y. Dimitrin[24]
Thea-opus 4 – “Broken Mirror, or a New Pauper’s Opera” – opera based on themes of “Threepenny Opera” by B. Brecht. Libretto by V. Verbin [25]
Thea-opus 5 – “Three Brothers” – a Russian comedy based on folk tales. Libretto by V. Sinakevich, V. Skvirskiy, lyrics by V. Uflyand[26]
Thea-opus 6 – “A Cunning Girl in Love” – musical based on a play by Lope de Vega. Libretto by A. Zhurbin and M. Levshin[27]
Thea-opus 7 –– “The Moon and the Detective” – opera based on stories by V. Lipatov. Libretto by Y. Dimitrin[28]
Thea-opus 8 – “Zsuzsa from Budapest” – comedy based on a play by L. Zhukhovitsky, libretto by L. Zhukhovitsky and R. Rozhdestvensky, lyrics by R. Rozhdestvensky[23]
Thea-opus 9 – “Penelope” – musical based on a play by B. Ratser and V. Konstatnitov. Libretto by B. Ratser and V. Konstatnitov.[29]
Thea-opus 10 – “The Red Bird” – ballet for children. Libretto by M. Azov and V. Tixvinsky.
Thea-opus 11 – “Captain Fracas” (Le Captaine Fracasse)– musical based on a novel by T. Gautier, libretto by Y. Golyakov
Thea-opus 12 – “The Trap” – ballet based on “Threepenny Opera” by B. Brecht. Libretto by I. Gaft [30]
Thea-opus 13 – “Agent 00” – musical based on a play by G. Borovik, libretto by G. Borovik[23]
Thea-opus 14 – “Wedding in Old Age” – musical based on the play “Retro” by A. Galin, libretto by G. Fere
Thea-opus 15 – “The Frump” – musical based on a play by E. Braginsky and E. Ryazanov. Libretto by Y. Ryashentsev
Thea-opus 16 – “Impatience” – opera based on a novel by Y. Trifonov. Libretto by Y. Trifonov and O. Trifonov-Miroshnichenko[31]
Thea-opus 17 – “Spell out the sum in words” – musical based on stories by O’Henry – Libretto by G. Sapgir and L. Khait[23]
Thea-opus 18 – “The Marriage” – ballet based on the play by N. Gogol. Libretto by M. Bergtolz.[23]
Thea-opus 19 – “The Drayman and the King / Sunset”) – musical on the play by Isaac Babel. Libretto by A. Eppel.[32]
Thea-opus 20 – “Naples Story” – musical based on Lope De Vega’s “The Dog in the Manger”. Libretto by P. Gradov
Thea-opus 21 – “Fiorenza” – musical tragedy based on a novel by Thomas Mann. Libretto by P. Grushko[23]
Thea-opus 22 – “An Unknown Love of Napoleon” – musical based on the play “The Man of Destiny” by Bernard Shaw. Libretto by G. Fere
Thea-opus 23 – “The Glass of Water”—musical based on a play by Eugène Scribe. Libretto by B. Ratser and V. Konstantinov[33]
Thea-opus 24 – “Animal Farm” – musical based on a story by George Orwell, libretto by S. Task
Thea-opus 25 “Good Health to the Tsar!” – operetta for children based on Russian Fairy Tales. English Libretto by E. Rael
Thea-opus 26 – “The Nervous Splendor” – musical after a book by Frederic Morton. Libretto by B. Liss
Thea-opus 27 – “Shalom, America!” – musical based on the novel “Uncle Moses” by Sh. Ash. Libretto by B. Ratser[34]
Thea-opus 28 – “The Lips (Camera Obscura)” – musical based on the novel by V. Nabokov. Libretto by V. Mishin[35]
Thea-opus 29 – “Wandering Stars” – musical based on the novel by Sholom Aleichem. Libretto by B. Ratser[36]
Thea-opus 30. “The Farewell Concerto” – musical poem for theater – in memoriam V. Kozin, Libretto by M. Bartenyev and E. Isaeva[37]
Thea-opus 31 – “The Mouse Trap” – musical detective tale based on the play by Agatha Christie. Libretto by O. Ivanova and lyrics by L. Gulyakin[38]
Thea-opus 32 – “The Insulted and Humiliated” – musical based on a novel by F. Dostoyevsky. Libretto by V. Verbin[39]
Thea-opus 33 – “A New Teacher for Fools” – musical based on the play “Fools” by Neil Simon. Libretto by S. Task[40]
Thea-opus 34 -- “Eight Women” – musical detective story based on a play by Robert Thomas. Libretto by E. Isaeva[41]
Thea-opus 35 – “Learomania” – rock opera based on the play “King Lear” by Shakespeare. Libretto by V. Prokhanov[42]
Thea-opus 36 – “The Dybbuk” – musical based on a play by S. An-Sky. Libretto by V. Starchevsky[43]
Thea-opus 37 – “Doctor Zhivago” – musical based on the novel by B. Pasternak. Libretto by M. Bartenyev[44]
Thea-opus 38 – “A Purely Russian Murder” – musical detective tale based on a play by V. Krasnogorov. Libretto by V. Krasnogorov
Thea-opus 39 – “Dead Souls” – musical poem based on the poem by N. Gogol. Libretto by O. Ivanova and A. Butvilovsky, with A. Zhurbin Lyrics by S. Plotov[45]
Thea-opus 40 – “The Seagull” – musical based on a play by A. Chekhov. Libretto by V. Zhuk[46]
Thea-opus 41 -- “French Marriage” – Libretto by G. Spektor and G. Gelovani[47]
Thea-opus 42 – “Caesar and Cleopatra” – musical based on a play by Bernard Shaw. Libretto by Zh. Zherder with A. Zhurbin[48]
Thea-opus 43 – “Albert & Giselle” – Libretto by Y. Ryashentsev, G. Pollidi and A. Zhurbin. Lyrics by Y. Ryashentsev[49]
Thea-opus 44 – “The Waiting List (A Man and a Woman)” – Libretto by A. Mardan. Lyrics by A. Mardan and S. Plotov.[50]
Thea-opus 45 – “The Petty Demon” ¬– opera based on the novel by F. Sologub and a play by V. Semenovsky. Libretto by V. Semenovsky and A. Zhurbin[51]
Thea-opus 46 – “The Minor” – musical based on a play by D. Fonvizin. Libretto by L. Yakovlev[52]
Thea-opus 47 – “Anna K” – opera based on the novel “Anna Karenina” by L. Tolstoy. Libretto by A. Rodionova, S. Plotov and A. Zhurbin[53]
Thea-opus 48 – “The Nutcracker and The Mouse King” – musical on the fable by E.T.A. Hoffmann. Libretto by Zh. Zherder with A. Zhurbin[54]
Thea-opus 49 – “The Metamorphosis of Love”. Three one-act operas: “Faithfullness”, “Adultery” and “Erotica”. Libretto by A. Levshin and A. Zhurbin based on historical themes.[55]
Thea-opus 50 -- "Happy Day" Libretto by M. Marfin, based on Hans-Christian Andersen, premiered in Moscow in 2021 [56]
Thea-opus 51 -- "The Courtesan" Libretto by S. Plotov and V. Starchevsky [57]
2021 -- "The Great Tenth"[58]
2020 -- "Backstage Secrets and other tales"[59]
2016 -- "Of Times, Of Music and of Myself"[26]
2014 -- "My History of Music, or a Musical Crossroads"[60]
2011 -- "My Musical Life"[61]
2007 -- "Sounds of Musical" (audiobook)[62]
2006 -- "Orpheus, Eurydice, and I"[63]
2005 -- "A Composer, writing words"[64][65]
2002 -- "AlexanderZhurbin.composer"[66]
1999 -- "How It Was Done In America -- Autobiographical Notes"[67]
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