Antoine Anselme, born in L'Isle-JourdaininArmagnac on 13 January 1652 and died in his abbey of Saint-Sever on 8 August 1737, was a widely noted French preacher.[1]
Early nicknamed "the little prophet" for his gift of repeating to perfection with gestures the sermons he had heard. He studied at Gimont then Toulouse before becoming a priest. He twice won the prize for an Ode from the Academy of Floral Games and gave himself to the ministry of preaching. He began so successfully that he received the nickname of "Little prophet" which he always retained. Noticed by the Marquis de Montespan, who chose him as tutor of his son the Marquis d'Antin, his sermons brought him quickly a solid reputation as a religious speaker in the capital.[citation needed]
In 1681 the French Academy chose him to write the introduction of a Panegyric in praise of Saint Louis and thereafter was heard in all the parishes of the capital. Two years later he preached at court: the days of the Last Supper and of Pentecost. In 1698 he preached Advent and Lent. In 1709 he brought his long career to an end. In one of her letters (8 April 1689) Madame de Sevigne noted his intelligence, his eloquence, his charm, and his devotion and said of him: "There is hardly any other preacher that I think I should prefer than him".[citation needed]
Collection of funeral orations pronounced By Sir Anthony Anselm, Abbot of Saint-Sever Cap de Gascogne, Ordinary Preacher to the King in Paris at the house of Louis Josse, 1701: containing the eulogies for Madame de Rohan (Marie-Eleonore de Rohan), The Abbess of Malnoue (Seine-et-Marne), Marie-Thérèse of Austria, Charles de Sainte-Maure – Duke of Montausier, Lord Richard Talbot – Duke of Tyrconnell and Viceroy of Ireland, Anne Marie Louise d'Orléans, Duchess of Montpensier, Gaspard de Fieubet – regular adviser to the king in his Council of State, Chancellor of the Queen...
The portrait of Antoine Anselme was painted by Hyacinthe Rigaud around 1719 if the date on the back of the only known copy of the canvas is to be believed.[2]
The work is also known from an engraving by Charles Simonneau dated 1717 according to Hulst who placed the making of the canvas in 1713.[3]
^Oil on canvas. H. 90 cm; W. 73.5 cm. Private Collection
^"Half face with one hand. Printed in octavo size. There is no inscription on the canvas under the portrait other than a passage from Ecclesiastes": Dedit mihi Dominus linguam mer= / cedem meam et in ipsa laudabo eum. Eccli 5t.3
French
Catholicism
France
