J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 L i f e a n d c a r e e r
2 O p e r a s
3 R e f e r e n c e s
4 E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
A n t o n i o C a g n o n i
1 2 l a n g u a g e s
● C a t a l à ● Č e š t i n a ● D e u t s c h ● E s p a ñ o l ● F r a n ç a i s ● I t a l i a n o ● ע ב ר י ת ● م ص ر ى ● 日 本 語 ● P o l s k i ● Р у с с к и й ● S u o m i
E d i t l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
I n o t h e r p r o j e c t s
● W i k i m e d i a C o m m o n s
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Antonio Cagnoni c. 1870s
Antonio Cagnoni (8 February 1828 – 30 April 1896) was an Italian composer . Primarily known for his twenty operas , his work is characterized by his use of leitmotifs and moderately dissonant harmonies. In addition to writing music for the stage, he composed a modest amount of sacred music, most notably a Requiem in 1888. He also contributed the third movement, Quid sum miser , to the Messa per Rossini Gioacchino Rossini .[1]
Life and career
[ edit ] Portrait of Antonio Cagnoni, composer (1828-1896).
Born in Godiasco , Cagnoni first studied music composition privately in Voghera . He then studied at the Milan Conservatory where his first three operas, Rosalia di San Miniato (1845), I due savoiardi (1846), and Don Bucefalo Teatro Nacional de São Carlos (1850), Teatro di San Carlo (1853), the Teatro della Canobbiana (1854), and the Teatro Regio di Parma (1860) among others.[2] Michele Perrin (1864), Claudia (1866), Un capriccio di donna (1870), Papà Martin (1871), and Francesca da Rimini (1878). His last opera, Re Lear , was completed in 1895 but did not premiere until 2009 when it was mounted at the Festival della Valle d'Itria .[3]
In addition to his composition work, Cagnoni served as the maestro di cappella at the Vigevano Cathedral from 1852 to 1879 and served in the same capacity at the Novara Cathedral from 1879 to 1888. He became the director of the Civico Istituto Musicale Gaetano Donizetti in Bergamo in 1888, serving in that capacity until his death, in Bergamo , eight years later.[3]
Operas
[ edit ] Piccolo cortile: casa di coloni intorno porticato , set design for Claudia (1866).
Rosalia di San Miniato Callisto Bassi , 28 February 1845, Milan Conservatory)
I due savoiardi Leopoldo Tarantini , 15 June 1846, Milan Conservatory)
Don Bucefalo
Il testamento di Figaro Teatro Rè )
Amori e trappole Felice Romani , 27 April 1850, Genoa, Teatro Carlo Felice )
Il sindaco babbeo Giorgio Giachetti , 3 March 1851, Milan, Teatro di Santa Radegonda )
La valle d'Andorra Teatro della Canobbiana )
Giralda Raffaele Berninzone , 8 May 1852, Milan, Teatro di Santa Radegonda)
La fioraia Teatro Nazionale )
La figlia di Don Liborio Francesco Guidi , 18 October 1856, Genoa, Teatro Carlo Felice)
Il vecchio della montagna ossia L'emiro Teatro Carignano )
Michele Perrin Marco Marcelliano Marcello , 7 May 1864, Milan, Teatro di Santa Radegonda)
Claudia
La tombola Francesco Maria Piave , 18 January 1867, Rome, Torre Argentina )
La vergine di Kermo Carlo Pedrotti , Federico Ricci , Amilcare Ponchielli , Giovanni Pacini , Lauro Rossi , and Alberto Mazzucato , libretto by Francesco Guidi, 16 February 1870, Cremona, Teatro Concordia )
Un capriccio di donna Antonio Ghislanzoni , 10 March 1870, Genoa, Teatro Carlo Felice)
Papà Martin Teatro Politeama Tivoli )
Il duca di Tapigliano Teatro Sociale )
Francesca da Rimini' Teatro Regio )
Re Lear Festival della Valle d'Itria )
References
[ edit ]
^ a b Kevin Clarke (19 July 2009). "Cagnoni's world premiere of 'Re Lear' (1895)" . www.klassik.com .
External links
[ edit ]
International
National
Academics
Artists
People
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Antonio_Cagnoni&oldid=1224577292 " C a t e g o r i e s : ● 1 8 2 8 b i r t h s ● 1 8 9 6 d e a t h s ● A c a d e m i c s t a f f o f t h e B e r g a m o C o n s e r v a t o r y ● I t a l i a n R o m a n t i c c o m p o s e r s ● M i l a n C o n s e r v a t o r y a l u m n i ● I t a l i a n o p e r a c o m p o s e r s ● I t a l i a n m a l e o p e r a c o m p o s e r s ● P e o p l e f r o m t h e P r o v i n c e o f P a v i a ● 1 9 t h - c e n t u r y c l a s s i c a l c o m p o s e r s ● 1 9 t h - c e n t u r y I t a l i a n c o m p o s e r s ● 1 9 t h - c e n t u r y I t a l i a n m a l e m u s i c i a n s H i d d e n c a t e g o r i e s : ● C S 1 I t a l i a n - l a n g u a g e s o u r c e s ( it ) ● A r t i c l e s w i t h I t a l i a n - l a n g u a g e s o u r c e s ( it ) ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● C o m p o s e r s w i t h I M S L P l i n k s ● A r t i c l e s w i t h I n t e r n a t i o n a l M u s i c S c o r e L i b r a r y P r o j e c t l i n k s ● A r t i c l e s w i t h F A S T i d e n t i f i e r s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h B N E i d e n t i f i e r s ● A r t i c l e s w i t h B N F i d e n t i f i e r s ● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s ● A r t i c l e s w i t h C A N T I C N i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h I C C U i d e n t i f i e r s ● A r t i c l e s w i t h J 9 U i d e n t i f i e r s ● A r t i c l e s w i t h K B R i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h P L W A B N i d e n t i f i e r s ● A r t i c l e s w i t h P o r t u g a l A i d e n t i f i e r s ● A r t i c l e s w i t h V c B A i d e n t i f i e r s ● A r t i c l e s w i t h C I N I I i d e n t i f i e r s ● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s ● A r t i c l e s w i t h D B I i d e n t i f i e r s ● A r t i c l e s w i t h D T B I O i d e n t i f i e r s ● A r t i c l e s w i t h R I S M i d e n t i f i e r s ● A r t i c l e s w i t h S N A C - I D i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 9 M a y 2 0 2 4 , a t 0 5 : 3 9 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
