J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e
● C o n t e n t s
● C u r r e n t e v e n t s
● R a n d o m a r t i c l e
● A b o u t W i k i p e d i a
● C o n t a c t u s
● D o n a t e
C o n t r i b u t e
● H e l p
● L e a r n t o e d i t
● C o m m u n i t y p o r t a l
● R e c e n t c h a n g e s
● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t
● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t
● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e
● C o n t r i b u t i o n s
● T a l k
( T o p )
1
R e f e r e n c e s
2
S o u r c e s
3
N o t e
4
E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
A n t o n i o M a r i a A b b a t i n i
1 6 l a n g u a g e s
● C a t a l à
● Č e š t i n a
● D e u t s c h
● Ε λ λ η ν ι κ ά
● E s p a ñ o l
● F r a n ç a i s
● I t a l i a n o
● M a g y a r
● م ص ر ى
● N e d e r l a n d s
● P o l s k i
● P o r t u g u ê s
● R o m â n ă
● Р у с с к и й
● S v e n s k a
● 中 文
E d i t l i n k s
● A r t i c l e
● T a l k
E n g l i s h
● R e a d
● E d i t
● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d
● E d i t
● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e
● R e l a t e d c h a n g e s
● U p l o a d f i l e
● S p e c i a l p a g e s
● P e r m a n e n t l i n k
● P a g e i n f o r m a t i o n
● C i t e t h i s p a g e
● G e t s h o r t e n e d U R L
● D o w n l o a d Q R c o d e
● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F
● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Antonio Maria Abbatini (c. 1609 or 1610 – c. 1677 or 1679)[1] [2] was an Italian composer , active mainly in Rome .[3]
Abbatini was born in Città di Castello .[2] He served as maestro di cappella at the Basilica of St. John Lateran from 1626 to 1628; at the cathedral in Orvieto in 1633; and at Santa Maria Maggiore in Rome between 1640 and 1646, 1649 to 1657, and 1672 to 1677.[4] He composed church music , and published three books of Masses , four of Psalms , various 24-part Antiphons (1630, 1638, 1677), five books of Motets (1635), and a dramatic cantata , Il Pianto di Rodomonte (1633). He also worked with Athanasius Kircher on the Musurgia Universalis .
In addition, he produced three operas: Dal male il bene (Rome, 1654; in collaboration with Marco Marazzoli ), which was one of the earliest comic operas , and historically important as it introduced the final ensemble ; Ione (Vienna, 1666); and La comica del cielo , also called La Baltasara (Rome, 1668).
Antonio Cesti was among his pupils.[4]
References [ edit ]
^ Michael Walsh, ed. (2001). Dictionary of Christian Biography . Continuum. p. 1 . ISBN 0826452639 .
^ a b Garvard Concise Dictionary of Music and Musicians, Abatini, Antonio Maria , 1999
Sources [ edit ]
This article or an earlier version incorporates text from the 3rd edition (1919) of Baker's Biographical Dictionary of Musicians, a publication now in the public domain .
External links [ edit ]
International
National
Artists
People
Other
t
e
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Antonio_Maria_Abbatini&oldid=1223288488 "
C a t e g o r i e s :
● 1 7 t h - c e n t u r y b i r t h s
● 1 6 7 0 s d e a t h s
● 1 7 t h - c e n t u r y I t a l i a n c o m p o s e r s
● I t a l i a n B a r o q u e c o m p o s e r s
● I t a l i a n o p e r a c o m p o s e r s
● I t a l i a n m a l e o p e r a c o m p o s e r s
● 1 7 t h - c e n t u r y I r i s h m a l e m u s i c i a n s
● O p e r a b i o g r a p h y s t u b s
H i d d e n c a t e g o r i e s :
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a
● C o m p o s e r s w i t h I M S L P l i n k s
● A r t i c l e s w i t h I n t e r n a t i o n a l M u s i c S c o r e L i b r a r y P r o j e c t l i n k s
● A r t i c l e s w i t h F A S T i d e n t i f i e r s
● A r t i c l e s w i t h I S N I i d e n t i f i e r s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s
● A r t i c l e s w i t h B N F i d e n t i f i e r s
● A r t i c l e s w i t h B N F d a t a i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● A r t i c l e s w i t h I C C U i d e n t i f i e r s
● A r t i c l e s w i t h K B R i d e n t i f i e r s
● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● A r t i c l e s w i t h N T A i d e n t i f i e r s
● A r t i c l e s w i t h P L W A B N i d e n t i f i e r s
● A r t i c l e s w i t h V c B A i d e n t i f i e r s
● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s
● A r t i c l e s w i t h D B I i d e n t i f i e r s
● A r t i c l e s w i t h D T B I O i d e n t i f i e r s
● A r t i c l e s w i t h T r o v e i d e n t i f i e r s
● A r t i c l e s w i t h S N A C - I D i d e n t i f i e r s
● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● Y e a r o f b i r t h u n c e r t a i n
● Y e a r o f d e a t h u n c e r t a i n
● A l l s t u b a r t i c l e s
● T h i s p a g e w a s l a s t e d i t e d o n 1 1 M a y 2 0 2 4 , a t 0 2 : 5 7 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
● P r i v a c y p o l i c y
● A b o u t W i k i p e d i a
● D i s c l a i m e r s
● C o n t a c t W i k i p e d i a
● C o d e o f C o n d u c t
● D e v e l o p e r s
● S t a t i s t i c s
● C o o k i e s t a t e m e n t
● M o b i l e v i e w