Jerry Falk, an aspiring writer living in New York City, has a girlfriend, Brooke. He falls in love with Amanda and has an affair with her. Brooke learns of Jerry's infidelity and leaves him, while Amanda leaves her own boyfriend for Jerry. Jerry turns to aging, struggling artist David Dobel, who acts as his mentor, which includes trying to help sort out Jerry's romantic life. Dobel says that when he told a cab driver of all his anxieties and phobias in life, the cab driver told him, "It's like anything else".
Dobel tries to convince Jerry that his manager is only holding him back and his relationship with Amanda is the most destructive force in his life. Amanda continuously cheats on Jerry. Amanda leaves and then comes back. Jerry's neuroses start to worsen. Eventually, Jerry leaves town as Dobel gets him a job writing for television in California. Amanda has an affair with the doctor who was treating her and runs off with him. He sees them together laughing as she once did with him as the cab is taking him towards the airport. Jerry talks to the cabbie of love and relationships. The cabbie simply replies, "It's like anything else".
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 40% based on reviews from 136 critics, with an average rating of 5.3/10. The website's critics consensus states, "Too many elements from better Woody Allen films are being recycled here."[3]Metacritic, which uses a weighted average, assigned the film a score of 43 out of 100, based on 37 critics, indicating "mixed or average" reviews.[4] Audiences surveyed by CinemaScore gave the film a grade C− on scale of A to F.[5]
Roger Ebert of the Chicago Sun-Times gave the film three out of four, and wrote: "At a time when so many American movies keep dialogue at a minimum so they can play better overseas, what a delight to listen to smart people whose conversation is like a kind of comic music."[6]
James Berardinelli of ReelViews wrote: "Anything Else may not be the second coming of Annie Hall, but it has more wit and substance than almost every post-college romance that sees the inside of a projection booth".[7]
David Stratton of Variety wrote: "The younger casting brings a freshness to the material and, with Allen as the weird mentor, there are plenty of laughs, even if the pacing's slow and the running time over-extended."[8]
Mike Clark of USA Today was critical of the characterizations, the music, the length ("brutally overlong"), but praised the actors for their performances: "It's asking a lot of audiences to spend nearly two hours with characters as screen-unfriendly as the ones played by Biggs and Ricci, though both actors (and especially Ricci) do what they're asked to do." Clark also says the film "sounds as if it ought to be funny, but like so much else here, intent and execution keep missing each other." and complains that the misery of the story is not tempered by sufficient laughs.[9]
In August 2009, it was cited by Quentin Tarantino as one of his favorite 20 films since 1992, when his career as a filmmaker began.[10][11]
Leonard Maltin, in his TV, Movie, & Video Guide, gave the film a "BOMB" rating (the only Allen-directed film ever to receive this citation), and called it "a rare misfire for Woody, but still a big one".[12]
In 2016, film critics Robbie Collin and Tim Robey of The Daily Telegraph ranked Anything Else as one of the worst movies by Woody Allen.[13]
"I Can't Believe That You're in Love with Me" - Written by Clarence Gaskill & Jimmy McHugh - Performed by Billie Holiday with Teddy Wilson & his Orchestra
"Honeysuckle Rose" - Written by Andy Razaf & Fats Waller - Performed by Teddy Wilson
^Harvey, Adam (2007). The Soundtracks of Woody Allen: A Complete Guide to the Songs and Music in Every Film, 1969–2005. Jefferson, North Carolina: McFarland & Company. p. 26. ISBN9780786429684.
