Nicholson and Hunt won the Academy Award for Best Actor and Best Actress, respectively, making it the most recent film to win both of the lead acting awards, and the first since The Silence of the Lambs (1991). It was also nominated for Best Picture.[2] It is ranked 140th on Empire magazine's "The 500 Greatest Movies of All Time" list.[3]
Misanthropic New York City best-selling romance novelist Melvin Udall has obsessive–compulsive disorder; he uses soap bars to wash his hands only once with scalding hot water, dislikes touching pets, avoids stepping on sidewalk cracks while walking through the city, has rituals with switches, and always eats his breakfast at the same table in the same restaurant. He takes an interest in his waitress, Carol Connelly, the only server at the restaurant who can tolerate his odd and rude behavior.
One day, Melvin's apartment neighbor, gay artist Simon Bishop, starts working with a new model, Vincent Lopiano. Vincent uses the opportunity to case Simon's apartment and allow his friends inside, who assault and nearly kill Simon during the robbery. Simon's agent, Frank Sachs, intimidates Melvin into caring for Simon's Griffon Bruxellois, Verdell, while he is hospitalized. Although Melvin initially does not enjoy caring for the dog, he becomes emotionally attached to it and simultaneously receives more attention from Carol. When Simon is released from the hospital, Melvin is unable to emotionally cope with returning the dog. Melvin's life is further altered when Carol decides to work closer to her home in Brooklyn so she can care for her acutely asthmatic son Spencer. Unable to adjust to a different waitress, Melvin arranges through his publisher, whose husband is a doctor, to pay for Spencer's considerable medical expenses as long as Carol agrees to return to work. She is overwhelmed by, but also suspicious of, his generosity.
Meanwhile, Simon's assault and rehabilitation, coupled with Verdell's preference for Melvin, causes Simon to lose his creative muse and fall into a depression. Since he has no medical insurance, he goes bankrupt due to his medical bills. Frank persuades him to go to Baltimore to ask his estranged parents (who disinherited him for being homosexual) for money. Because Frank is too busy to take the injured Simon to Baltimore himself, Melvin reluctantly agrees to do so; Frank lends Melvin his Saab 900 convertible for the trip. Melvin invites Carol to accompany them on the trip to lessen the awkwardness. She reluctantly accepts, and relationships among the three develop.
Once in Baltimore, Carol persuades Melvin to take her out for dinner. Melvin's comments during the dinner greatly flatter—and subsequently upset—Carol, and she abruptly leaves. Simon begins to sketch her, nearly nude, in his hotel room, which rekindles his creativity, and he once more feels a desire to paint. He briefly reconnects with his mother and is able to tell her that he will be fine.
After returning to New York, Carol tells Melvin that she does not want him in her life anymore but later regrets her statement and calls to apologize. The relationship between Melvin and Carol remains complicated until Simon (whom Melvin has generously allowed to move in with him since his apartment has been sublet) persuades Melvin to declare his love for her. Melvin goes to see Carol, who hesitantly agrees to try and establish a relationship with him. The film ends with Melvin and Carol walking together. As he opens the door at an early morning pastry shop for Carol, he realizes that he has stepped on a crack in the pavement, but does not seem to mind.
In 1996, James L. Brooks flew Geoffrey Rush from Sydney to Los Angeles to audition for the part of Simon Bishop, and offered him the role, but Rush declined it.[5]Betty White was offered a role in the film but she declined, due to a scene in the film where a dog is thrown into a trash chute.[6]
Owen Wilson served as associate producer, one of his first jobs in Hollywood.[7]
Nicholson and Brooks clashed on set regarding Nicholson's performance of Melvin, leading to a production halt for the two to find the correct tone for the character.[8]
The paintings were created for the film by New York artist Billy Sullivan.[9]
As Good as It Gets was a box office hit, opening at number three at the box office (behind Titanic and Tomorrow Never Dies) with $12.6 million,[10][11][12] and eventually earning over $148 million domestically and $314 million worldwide.[1] It is Jack Nicholson's second highest earning film, behind Batman.[13]
Chicago Reader film critic Jonathan Rosenbaum wrote that what director James L. Brooks "manages to do with [the characters] as they struggle mightily to connect with one another is funny, painful, beautiful, and basically truthful—a triumph for everyone involved."[14]
Praise for the film was not uniform among critics. While Roger Ebert gave the film three stars (out of four), he called the film a "compromise, a film that forces a smile onto material that doesn't wear one easily," writing that the film drew "back to story formulas," but had good dialogue and performances.[15]The Washington Post critic Desson Howe gave a generally negative review of the film, writing that it "gets bogged down in sentimentality, while its wheels spin futilely in life-solving overdrive."[16]
Review aggregator Rotten Tomatoes reports that 86% of professional critics gave the film a positive review based on 85 reviews, with an average rating of 7.30/10. The consensus states: "James L. Brooks and Jack Nicholson, doing what they do best, combine smart dialogue and flawless acting to squeeze fresh entertainment value out of the romantic-comedy genre."[17]Metacritic gave the film a score of 67 out of 100, based on reviews from 30 critics, indicating generally favorable reviews.[18]
The film was released on VHS, LaserDisc and DVD on May 19, 1998 by Columbia TriStar Home Video. It was released on Blu-ray in the United States on June 12, 2012, as part of Twilight Time's Screen Archives collection. The set was limited to 3,000 units and sold out quickly.[39]
^Pollak, Kevin (September 25, 2011). "James L. Brooks #128". Kevin Pollak’s Chat Show (Podcast). Earwolf. Event occurs at 1:23:19. Archived from the original on August 31, 2022. Retrieved August 31, 2022.
^Rosenbaum, Jonathan (December 22, 1997). "As Good as It Gets". Chicago Reader. Archived from the original on February 20, 2009. Retrieved June 25, 2018.
^Ebert, Roger (December 22, 1997). "As Good as It Gets". RogerEbert.com. Ebert Digital LLC. Archived from the original on June 25, 2018. Retrieved June 25, 2018.
