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| Autumn Sun | |
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English DVD Cover
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| Directed by | Eduardo Mignogna |
| Written by | Eduardo Mignogna Santiago Carlos Oves |
| Produced by | Executive Producer: Lita Stantic Eduardo Mignogna |
| Starring | Norma Aleandro Federico Luppi |
| Narrated by | Bobby Flores |
| Cinematography | Marcelo Camorino |
| Edited by | Javier del Pino Juan Carlos Macías |
| Music by | Edgardo Rudnitzky |
| Distributed by | Pathé |
Release date |
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Running time | 110 minutes |
| Country | Argentina |
| Language | Spanish |
| Box office | 270,000 admissions (Argentina)[1] |
Autumn Sun (Spanish: Sol de otoño) is a 1996 Argentine drama film directed by Eduardo Mignogna and starring Norma Aleandro and Federico Luppi. It was written by Mignogna and Santiago Carlos Oves. Lita Stantic was the executive producer.
In a survey of the 100 greatest films of Argentine cinema carried out by the Museo del Cine Pablo Ducrós Hicken in 2000, the film reached the 20th position.[2]
Clara Goldstein (Norma Aleandro) is a Jewish woman who places a personal ad in the Buenos Aires newspaper requesting the company of an older Jewish man. Her sole respondent, Raúl Ferraro (Federico Luppi) turns out to be a Gentile from Uruguay. Clara at first spurns him, but soon she realizes she needs him: Her brother is coming to visit her from Boston, and she has been lying to him about being in a romantic relationship. Raúl goes along with the ruse. Not long after, the couple begin to fall in love.
Critic Russell Smith lauded the film and especially the acting wrote, "Not only do Luppi (Men with Guns, Cronos) and Aleandro present images of mature ardor that compare favorably with the late-career work of Mastroianni and Loren, they also impressively overcome certain Hollywood-like contrivances of plot and dialogue the latter two actors seldom had to contend with. It's a tribute to these stars that, even given the trite situation of the love-shy odd couple gradually facing the inevitable, every halting step they take toward each other feels like a mini-triumph of love's power over the schoolmarmish intellect. They portray with touching specificity what it's like to crave total surrender to love even after long years of experience have proven the foolhardiness of such blind leaps. Not even the blatantly market-tested ending (a malady that seems to be spreading worldwide like Hong Kong flu) detracts from the pleasure of this admirable, eminently watchable date flick. Well worth the price of admission, whether or not you qualify for the senior discount."[3]
It was the most popular Argentinian film for the first nine months of the year with 270,000 admissions.[1]
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