The music of Banco de Gaia is mostly categorized as ambient dub and downtempo. Marks works to cross genres, often using Arabic and Middle Eastern samples against a bass heavy reggae, rock, or trance rhythm to produce deeply textured tracks that progress layer upon layer.
In 1978, Marks began his musical career as a drummer in a heavy metal band.
Marks moved to Portugal in 1986 and played Beatles music for tourists. He first delved into electronic music in 1989, when he bought a digital sampler. The first tune he recorded on it was called "Maxwell House".
Having cut his teeth on the early 1990s ambient dub compilations, in 1994 he released his first studio album Maya on the Planet Dog label,[1] which was submitted to the Mercury Music Prize on its release. It was followed in 1995 by the critically acclaimed Last Train to Lhasa. Both albums reached No. 1 on the UK Indie Chart and featured in the top 40 of the UK Albums Chart. In the following decade, Marks released Live at Glastonbury, Big Men Cry, The Magical Sounds of Banco De Gaia, Igizeh and You Are Here.[1]
In 1997, Marks put together a five-piece band that included Ted Duggan (drums), Ashley Hopkins (bass), Larry Whelan (wind synth, saxophone and ethnic flutes), and Gary Spacey-Foot (percussion and saxophones). The band reduced in number to just Marks, Duggan and Hopkins in 1999, and then just Marks and Duggan from 2000 until 2003, when Marks went back to being a solo artist.
On 20 September 2009, Marks played an album launch show for his album Memories Dreams ReflectionsatDingwalls in London. This show was to celebrate 20 years of Banco de Gaia. Marks was joined on stage by three members from the original five-piece band: Hopkins, Whelan and Duggan and vocalist Maya Preece, who sang on the latest album.
He released a studio album Apollo on 8 April 2013, on his own Disco Gecko Recordings.[2][3]
In 2015, Marks returned to playing with a live three-piece band, with Ted Duggan (drums)[4] and James Eller (bass).[5]
