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Barney Simon

Barney Simon (13 April 1932 – 30 June 1995)^[1] was a South African writer, playwright and director. He was born and died in Johannesburg, South Africa.^[2]

Early life[edit]

Born on 13 April 1932 in Johannesburg, South Africa,^[3] the son of working-class Lithuanian Jewish immigrants, Simon discovered a love of theatre while working under director Joan LittlewoodinLondon in the 1950s. Returning to Johannesburg, he supported himself as an advertising copywriter while producing and directing plays. Before he opened the Market, he staged multi-racial plays anywhere he could: in warehouses and shantytowns, storefronts and back yards, including Athol Fugard's The Blood Knot (1961). Simon spent a year (1969–70) in New York City, where he introduced South African plays to an American audience and edited the journal New American Review.^[2]

Simon and the Market Theatre[edit]

In 1976, Barney Simon co-founded Johannesburg’s Market Theatre, South Africa's first multiracial cultural centre^[3] and a birthplace of the country's indigenous theater movement. Working under the racial segregation laws of apartheid without state subsidies and under constant threat of arrest for staging controversial contemporary plays performed by multiracial casts in front of multiracial audiences, Simon remained the theater's artistic director from its opening until he died. He was the first to stage many of Athol Fugard's plays, directed a film for the BBCofNadine Gordimer’s story City Lovers, and worked with screenwriter Jean-Claude Carrière on the French translation for the Paris production by Peter Brook of Simon's last play, The Suit (Le Costume) (1994), adapted from a short story of the same namebyCan Themba.

Literary life[edit]

Simon was active in South African literature as the editor from 1964 to 1971 of The Classic, the influential South African journal of township literature founded by Nat Nakasa in 1963. Simon edited an autobiographical novel by Dugmore Boetie, Familiarity is the Kingdom of the Lost (London: Barrie & Jenkins, 1969), for which Simon also wrote an afterword.^[4] He also published a collection of his own stories, Joburg Sis!, in 1974.^[5]

Simon collaborated with Percy Mtwa and Mbongeni Ngema on the 1981 satirical play Woza Albert!,^[6] a two-man show first performed at the Market Theatre.

Death[edit]

Simon died in Johannesburg, aged 63 on 30 June 1995, having suffered a heart attack a week earlier.^[7]

Publications[edit]

Selected plays[edit]

• Phiri (1972)
• Hey Listen (1973)
• People (1973)
• People Too (1974)
• Storytime (1975)
• Cincinnati (1979)
• Cold Stone Jug (1980)^[8]
• Call Me Woman (1980)
• Marico Moonshine and Manpower (1981)
• Woza Albert! (1981)
• Black Dog-Inj Mayama (1984)
• Born in the RSA (1985)^[9]
• Outers (1985)
• Klaaglied vir Kous (1986)
• Inyanga - about Women in Africa (1989)
• Eden and Other Places (1989)
• Score me the Ages (1989)
• Starbrites (1990)
• Singing The Times (1992)
• Silent Movie (1993)
• The Lion and the Lamb (1993)
• The Suit (1994)

Sources[edit]

• A Singing in Every Moment and Inch of Me: The Letters of Barney Simon to Lionel Abraham (2009), Seven Stories Press. ISBN 978-1-58322-832-6
• The World In An Orange: Making Theatre with Barney Simon (2006), edited by Leila Henriques and Irene Stephanou, Seven Stories Press. ISBN 978-1-58322-711-4
• Woza Afrika! - An Anthology of South African Plays (1986), George Braziller. ISBN 978-0-8076-1170-8
• Born in the RSA (1997), Wits University Press. ISBN 1-86814-300-7
• Joburg, Sis! (1974), Bateleur. ISBN 0-620-01405-9

References[edit]

External links[edit]

• Barney SimonatIMDb