| Bells Are Ringing | |
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Original poster
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| Directed by | Vincente Minnelli |
| Screenplay by |
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| Based on | Bells Are Ringing 1956 musical byBetty Comden, Adolph Green and Jule Styne |
| Produced by | Arthur Freed |
| Starring |
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| Cinematography | Milton Krasner |
| Edited by | Adrienne Fazan |
| Music by |
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| Color process | Metrocolor |
Production | |
| Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 126 minutes |
| Country | United States |
| Language | English |
| Budget | $3.2 million[1] |
| Box office | $3.6 million[1][2] |
Bells Are Ringing is a 1960 American romantic comedy-musical film directed by Vincente Minnelli and starring Judy Holliday and Dean Martin. Based on the successful 1956 Broadway production of the same namebyBetty Comden, Adolph Green and Jule Styne, the film focuses on Ella Peterson, based on the life of Mary Printz,[3] who works in the basement office of a telephone answering service.
Ella Peterson works as a switchboard operator at the Susanswerphone answering service. She can't help breaking the rules by becoming overly involved in the lives of the subscribers. Some of the more peculiar ones include a dentist who exuberantly composes song lyrics on an air hose, an actor who emulates Marlon Brando and a little boy for whom she pretends to be Santa Claus.
Ella has a secret crush on the voice of subscriber Jeffrey Moss, a playwright for whom she plays a comforting motherly character. She finally meets him in person when she brings him a message under a false name, and romantic sparks and some confusion begin.
A humorous subplot involves the courtly Otto, who convinces Susanswerphone to take orders for his "mail-order classical record business" known as Titanic Records. However, Otto is actually a bookie whose orders are a coded system for betting on horses. Unwittingly, Ella changes orders for the supposedly incorrect Beethoven's Tenth Symphony, Opus 6, not realizing she is changing bets.
Although the police begin to assume that Susanswerphone might be a front for an escort service, the plot ends happily, with Jeff proposing and Ella's wacky subscribers coming to thank her.
Character names are not indicated in on-screen cast credits.
Music by Jule Styne, lyrics by Betty Comden and Adolph Green
Judy Holliday and Jean Stapleton reprised their stage roles for the film. Jazz musician Gerry Mulligan, Holliday's real-life ex-lover, plays her disastrous blind date in a cameo role. Bells Are Ringing was Holliday's final film.[4][5]
Hal Linden appears, uncredited, in his first film appearance, singing 'The Midas Touch' in the nightclub act, wearing a gold lame suit. A friend of Holliday, he portrayed Jeff Moss with her in the Broadway play in 1958-1959.[6]
Bells Are Ringing was also the final musical produced by the MGM "Freed Unit" headed by producer Arthur Freed, which had been responsible for many of the studio's greatest successes, including Meet Me in St. Louis (1944), Easter Parade (1948), On the Town (1949), An American in Paris (1951), Singin' in the Rain (1952) and Gigi (1958). The film marked the 13th and final collaboration between Freed and director Vincente Minnelli.
Several songs from the Broadway production were dropped or replaced, including "Salzburg", "Hello, Hello There", "On My Own" (replaced by "Do It Yourself"), "Long Before I Knew You" (replaced by "Better Than a Dream"), "Mu Cha Cha" (filmed but shortened) and "Is it a Crime?" (filmed, but cut before release). A new song for Dean Martin, "My Guiding Star", was also filmed but cut. The latter two songs have been released as extras on the Warner Home Video DVD. The soundtrack album was released by Capitol Records.
The row house used for exteriors stood at 215 East 68th Street, Manhattan, and had once been the residence of author Stephen Vincent Benet. It was a holdout from a row and was torn down in the early 1960s.
In a contemporary review, critic Bosley CrowtherofThe New York Times was critical of the script but praised Holliday's performance: "[T]he jangled romance they have prepared for her to play is a poor thing, made up of one slight gimmick and a lot of surrounding gags. What Miss Holliday does with the latter is the measure of the quality of the show. ... You can take our word for it: 'Bells Are Ringing' owes more to Miss Holliday than to its authors, its director (Vincent Minnelli), or even to Alexander Graham Bell."[7]
Comden and Green won the Writers Guild of America award for Best American Musical. Together with Styne, they shared a Grammy Award nomination for Best Soundtrack Album or Recording of Original Cast from a Motion Picture or TV. Minnelli earned a Best Director nomination from the Directors Guild of America. André Previn was nominated for an Academy Award for Best Music, Scoring of a Musical Picture. At the 18th Annual Golden Globe Awards, the film was nominated for Best Film - Musical, and Holliday was nominated for Best Actress - Musical.
According to MGM records, the film earned $2,825,000 in the U.S. and Canada but only $800,000 elsewhere, losing a total of $1,720,000.[1]
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Films directed by Vincente Minnelli
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Works by Betty Comden and Adolph Green
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| Musicals |
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