J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e ● C o n t e n t s ● C u r r e n t e v e n t s ● R a n d o m a r t i c l e ● A b o u t W i k i p e d i a ● C o n t a c t u s ● D o n a t e
C o n t r i b u t e
● H e l p ● L e a r n t o e d i t ● C o m m u n i t y p o r t a l ● R e c e n t c h a n g e s ● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t ● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t ● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e ● C o n t r i b u t i o n s ● T a l k
( T o p )
1 N o v e l s
T o g g l e N o v e l s s u b s e c t i o n
1 . 1 T h e F l i g h t
1 . 2 T h e W a r R o o m
2 O t h e r w o r k s
3 R e f e r e n c e s
4 S o u r c e s
T o g g l e t h e t a b l e o f c o n t e n t s
B r y a n M a l e s s a
A d d l a n g u a g e s
A d d l i n k s
● A r t i c l e ● T a l k
E n g l i s h
● R e a d ● E d i t ● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d ● E d i t ● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e ● R e l a t e d c h a n g e s ● U p l o a d f i l e ● S p e c i a l p a g e s ● P e r m a n e n t l i n k ● P a g e i n f o r m a t i o n ● C i t e t h i s p a g e ● G e t s h o r t e n e d U R L ● D o w n l o a d Q R c o d e ● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F ● P r i n t a b l e v e r s i o n
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Novels
[ edit ]
The Flight
[ edit ]
In reviewing The Flight (Harper Perennial ), set on the Eastern Front (World War II) , The Irish Times states "With this story...Bryan Malessa joins the ranks of [Nobel Laureate] Günter Grass , Rachel Seiffert and others in taking on the major preoccupations of post-war German literature ...and the role of literature in history and memory."[1] The Independent notes that "The Flight joins a small but growing body of literature on the subject, but the novel does not seek to exonerate the Germans."[2]
The War Room
[ edit ]
In Financial Times Mark Simpson wrote "Billed as 'an epic investigation into America's underbelly,' The War Room has a Catcher in the Rye quality to it, but without the toxicity."[3]
Other works
[ edit ]
He is also coeditor of Re/mapping the Occident (University of California, 1995) and a journalist whose best-known piece is a widely cited career retrospective interview "Once Was King" with World Champion and three-time Tour de France winner Greg LeMond .
References
[ edit ]
^ McClements, Freya. 'Escape From East Prussia' book review. The Irish Times, 7 April 2007.
^ Schuler, CJ. 'The Flight' book review. The Independent, 5 March 2007.
^ Simpson, Mark (journalist). 'The War Room' book review. Financial Times, 14 February 2011
Sources
[ edit ]
The Irish Times, Escape From East Prussia
[1 ]
The Independent (UK ) review of The Flight
[2 ]
Financial Times "The War Room" [3 ]
Bryan Malessa, "Once Was King: An interview with Greg LeMond"
[4 ]
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Bryan_Malessa&oldid=1213177283 " C a t e g o r i e s : ● 1 9 6 4 b i r t h s ● L i v i n g p e o p l e ● 2 1 s t - c e n t u r y A m e r i c a n n o v e l i s t s ● A m e r i c a n m a l e n o v e l i s t s ● U n i v e r s i t y o f C a l i f o r n i a , B e r k e l e y a l u m n i ● A l u m n i o f T r i n i t y C o l l e g e D u b l i n ● W r i t e r s f r o m C a l i f o r n i a ● W r i t e r s f r o m M o n t a n a ● N o v e l i s t s f r o m O h i o ● P e o p l e f r o m C h a g r i n F a l l s , O h i o ● 2 1 s t - c e n t u r y A m e r i c a n m a l e w r i t e r s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 1 M a r c h 2 0 2 4 , a t 1 4 : 2 4 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
