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F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Musical artist
Buster Pickens (June 3, 1916 – November 24, 1964)[1] blues pianist . Pickens is best known for his work accompanying Alger "Texas" Alexander and Lightnin' Hopkins . He also recorded a solo album in 1960.
Life and career [ edit ]
He was born Edwin Goodwin Pickens in Hempstead , Texas , to Elias "Eli" Pickens (Turnipseed) and Bessie Gage.[2] [3]
In the 1930s Pickens, along with Robert Shaw and others, was part of the "Santa Fe Group ", named after touring musicians utilising the Santa Fe freight trains.[4] slow drag to "slow low-down dirty blues" in barrelhouse joints.[5]
Following service in the United States Army in World War II , Pickens settled in Houston , Texas.[2] disc recording on January 13, 1948, providing backing for Perry Cain on his single "All the Way from Texas" backed with "Cry Cry", released by Gold Star Records . Further recording work followed over the next eighteen months, as Pickens played in different sessions as part of the accompaniment to Cain, Bill Hayes , and Goree Carter .[6]
Pickens later accompanied Alger "Texas" Alexander in the latter's final recording session, for Freedom Records in 1950. Later Pickens regularly performed with Lightnin' Hopkins and played on several of Hopkins's albums in the early 1960s, including Walkin' This Road by Myself Lightnin' and Co. Smokes Like Lightning [6] [7] Buster Pickens (1960), and appeared in the 1962 film The Blues .[2]
Pickens was shot dead by his cousin after an argument in a bar in Houston, in November 1964.[1] [2]
Discography [ edit ]
The album, recorded in Houston by Chris Strachwitz , Mack McCormick and Paul Oliver , contained "Santa Fe Train" / "Rock Island Blues" / "Ain't Nobody's Business " / "Colorado Springs Blues" / "She Caught the L & N" / "Remember Me" / "Women in Chicago" / "The Ma Grinder, No. 2" / "You Better Stop Your Woman (From Ticklin' Me Under the Chin)" / "Jim Nappy" / "Mountain Jack" / "D.B.A. Blues" / "Hattie Green" / "Backdoor Blues" / "Santa Fe Blues".[6] [8]
Quotations [ edit ]
I rode freight trains practically all over the country. Just wherever it was booming, I'd hear about it.
See also [ edit ]
References [ edit ]
^ Ford, Robert (2007). A Blues Bibliography (2nd ed.). New York: Taylor & Francis Group. p. 8002. ISBN 978-0-415-97887-3
^ "Texas Piano Blues, 1920's & 1930's, Part 5: Big Road Blues" . Sundayblues.org. 2007-08-02. Retrieved 2013-11-21 .
^ Stearns, Marshall Winslow; Stearns, Jean (1994). Jazz Dance: The Story of American Vernacular Dance . Da Capo Press. p. 23. ISBN 0-306-80553-7 .
^ a b c "Buster Pickens Discography" . Wirz.de. Retrieved 2013-11-21 .
^ "How Many More Years I Got: Lightnin' Hopkins" . Concord Music Group. Retrieved 2013-11-21 .
^ a b "Buster Pickens: Songs, Reviews, Credits, Awards" . AllMusic . Retrieved 2013-11-21 .
^ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray . Dubai: Carlton Books Limited. p. 22. ISBN 1-85868-255-X
External links [ edit ]
International
National
Artists
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Buster_Pickens&oldid=1227385003 " C a t e g o r i e s : ● 1 9 1 6 b i r t h s ● 1 9 6 4 d e a t h s ● 1 9 6 4 m u r d e r s i n t h e U n i t e d S t a t e s ● P e o p l e f r o m H e m p s t e a d , T e x a s ● A f r i c a n - A m e r i c a n p i a n i s t s ● A m e r i c a n b l u e s p i a n i s t s ● A m e r i c a n m a l e p i a n i s t s ● M u r d e r e d A f r i c a n - A m e r i c a n p e o p l e ● A m e r i c a n m u r d e r v i c t i m s ● D e a t h s b y f i r e a r m i n T e x a s ● M u s i c i a n s f r o m T e x a s ● T e x a s b l u e s m u s i c i a n s ● P e o p l e m u r d e r e d i n T e x a s ● 2 0 t h - c e n t u r y A m e r i c a n p i a n i s t s ● 2 0 t h - c e n t u r y A m e r i c a n m a l e m u s i c i a n s ● 2 0 t h - c e n t u r y A f r i c a n - A m e r i c a n m u s i c i a n s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h h C a r d s ● P a g e s u s i n g i n f o b o x m u s i c a l a r t i s t w i t h a s s o c i a t e d a c t s ● A r t i c l e s w i t h I S N I i d e n t i f i e r s ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s ● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 5 J u n e 2 0 2 4 , a t 1 2 : 1 3 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
