Ramchandra Narhar Chitalkar (12 January 1918 – 5 January 1982), also known as C. RamchandraorChitalkarorAnna Sahib, was an Indian music director and playback singer.[1][2]
As a composer, he mostly used the name C. Ramchandra, though he also used the names Annasaheb (in the movies Bahadur Pratap, Matwale, and Madadgaar), Ram Chitalkar (in the movies Sukhi Jeevan, Badla, Mr. Jhatpat, Bahadur, and Dosti), and Shyamoo (in the movie Yeh hai duniya). Further, he often sang and acted in Marathi movies under the name R. N. Chitalkar. For his career as an occasional playback singer he used only his surname Chitalkar. Chitalkar sang some renowned and unforgettable duets with Lata Mangeshkar such as "Kitna Haseen Hai Mausam" in the film Azaad (1955) and "Shola Jo Bhadke" in Albela (1951).[2]
Ramchandra Narhar Chitalkar was born on 12 January 1918 in Puntamba into a Marathi Brahmin family, a small town in Ahmednagar districtinMaharashtra, India. He studied music under Vinayakbua Patwardhan at "Gandharva Mahavidyalaya" and also under Shankarrao Sapre of Nagpur where he studied music alongside Vasantrao Deshpande. He joined the movie industry playing the lead role in Y. V. Rao's movie, Naganand. He also had some small roles at Minerva Movietone in the movies Said-e-Havas (1936) and Atma Tarang (1937).
Ramchandra provided harmonium accompaniment for Minerva composers Bundu Khan and Habib Khan. He debuted as music director in Tamil movies with Jayakkodi and Vana Mohini. He received public notice as a good composer in Bhagwan Dada's Sukhi Jeevan (1942), and established a long association that culminated with the musical box office hit Albela (1951).[3]
Influenced by Benny Goodman, Ramchandra introduced in his compositions the alto sax in combination with guitar and harmonica. He also included whistling in one of his famous songs, Aana meri jaan Sunday ke Sunday in film Shehnai (1947). He used a combination of a bongo, an oboe, a trumpet, a clarinet and a sax for the song Shola Jo Bhadke in film Albela. He sang the title song "Shin Shinaki Boobla Boo" with Lata Mangeshkar, which included rock rhythms. He provided the musical score for the scat song "Ina mina dika" in Aasha (1957).
Perhaps C. Ramchandra's biggest success as a music composer was the 1953 movie Anarkali starring Beena Roy in the title role and Pradeep Kumar. The songs that he composed for this movie are today legendary. Songs of this movie like "Yeh Zindagi Usiki Hai", "Mujhse Mat Poochh Mere Ishq Main Kya Rakha Hai", "Mohabbat Aisi Dhadkan Hai", "Jaag Dard-E-Ishq Jaag" etc. went on to become huge hits and were highly acclaimed. Anarkali also perhaps saw the famed composer-singer combination of Ramchandra and Lata Mangeshkar at their best ever together. A film critic in London who watched the movie is said to have remarked that the heroine sang like an angel without knowing that the angel was actually Lata giving playback for the actress. Similarly, C. Ramchandra's compositions in V. Shantaram's Navrang (1959) and Stree (1961) were also quite popular and are still remembered.
Former residence and blue plaque of Ramchandra in Pune
Ramchandra provided music compositions for a few Marathi, Telugu, Tamil, and Bhojpuri movies besides Hindi movies. He also produced three Hindi movies with New Sai Productions namely Jhanjhar (1953), Lehren (1953), Duniya Gol Hai (1955).
In the late 1960s, Ramchandra produced two Marathi movies, Dhananjay (1966) and Gharkul (1970). Apart from composing music, he also acted in them. Ramchandra wrote his autobiography The Symphony of My Life (माझ्या जीवनाची सरगम in Marathi) in 1977.
His music fans were disappointed, when he was nominated for 'Best Music Director' twice for Filmfare Awards for the films Azaad (1955) and Aasha (1957) but ended up not actually winning them. It should also be mentioned here that one of his most successful films was Anarkali (1953) and it was released one year before the first Filmfare Award was given in 1954.
Mumbai-based troupe Musicolor, which promotes vintage music, presented an exclusive tribute programme featuring the gems of C Ramchandra at Dinanath Mangeshkar Auditorium on 22 January 2010.
Though Ramchandra used a number of ragas in his compositions, his favourite remained raga "Bageshri" (Radha na bole - Azad, 1955). In a 1978 interview at BBC studios with Mahendra Kaul, he ascribed the reason to Bageshri's simplicity. However, he also composed songs in other ragas including Malkauns (Aadha hai chandrama raat aadhi- Navrang).[4]
The following is a short list of some of Ramchandra's best compositions:
