Celius Hudson Dougherty was born to William Francis Dougherty and Louise Martha Dougherty in Glenwood, Minnesota. Celius was interested in music and poetry from childhood. He claimed that he wrote his first song when he was seven years old.[2] He was part of a musical family, and his mother, a music teacher and church musician, organized her seven children into a band. Celius performed as accompanist for one of his mother's song recitals at age ten.[2]
He graduated with a Bachelor of Arts degree, magna cum laude from the University of Minnesota,[3] where he studied piano with Donald Ferguson[4] and composition. As an undergraduate, he performed his own piano concerto with the school orchestra.[3] In 1924 he won the "Schubert Prize" for piano performance, sponsored by the Schubert Club. He used that scholarship to continue his studies at the Juilliard School, where he was a student of Josef Lhévinne in piano and Rubin Goldmark in composition.[1]
In New York, where he lived for nearly fifty years, he performed his piano Sonata in E Flat at Aeolian Hall in 1925 and his Sonata for Violin and Piano in 1930. As a result of the latter performance, he was given the privilege of working at the MacDowell Colony during the summers of 1931, 1932 and 1933 with artists who were "stimulating influences," including Thornton Wilder, Edward G. Robinson, Ruth Draper and Padraic Colum. He composed the one-act opera Damia, based on Petronius' Satyricon during these years (1930–32).[5]
Dougherty composed one opera, about 200 songs, and a few instrumental works.[1] Since their creation, his songs have been considered excellent for student singers and are often heard on American recital programs.
The songs were composed over a 40-year period, from the 1920s to the 1960s. They are simple, "generally optimistic, often humorous", and "rendered with taste and skill."[4] Because he was a pianist-composer, the piano accompaniments to his songs are usually well-crafted and interesting.
Crutchfield, Will (December 23, 1986). "Celius Dougherty, Composer and Accompanist to Singers". The New York Times. New York, New York. p. B6. ProQuest110996728.
Dougherty, Celius (2004). Thirty Art Songs in original keys. New York, New York: G. Schirmer. ISBN0-634-06970-5.
Villamil, Victoria Etnier (1993), A Singer's Guide to American Art Song (paperback ed.), Lanham, Maryland: The Scarecrow Press, Inc., pp. 137–139, ISBN0-8108-5217-9
