Special Edition paper sleeve (CD with DVD). It features an ambigram of McCartney's name.[1]
Chaos and Creation in the Backyard is the thirteenth solo studio album by Paul McCartney, released on 12 and 13 September, 2005.[2][3] Some 18 months in the making, the album was produced by Radiohead and Beck collaborator Nigel GodrichatGeorge Martin's suggestion.
McCartney plays almost all of the instruments, similar to his 1970 album McCartney, the 1980 McCartney II album and the 2020 McCartney III album. In addition, Chaos and Creation in the Backyard marks the first time since 1984's Give My Regards to Broad Street that McCartney was not credited as producer or co-producer of one of his studio albums.
Chaos and Creation in the Backyard was McCartney's last rock album release for longtime label EMI. He signed a deal with Hear Music, owned by Starbucks, in March 2007.[4] He later returned to his old label Capitol Records in 2016.
Upon being asked to produce an album with McCartney, Godrich admitted, "My initial reaction was one of terror, not only because it's a very important person, but I really wasn't sure how willing he would be to get his hands dirty."[5]
The two tentatively began a collaboration, recording the songs "This Never Happened Before" and "Follow Me" which was enough to convince both of them that they could develop an album. Godrich's participation was active: he inspired McCartney to write the song "At the Mercy", added piano loops on "How Kind of You" and worked with McCartney to slow the tempo of "Riding to Vanity Fair" which McCartney says "changed the mood completely".[5]
Although initially taken aback, McCartney appreciated Godrich's tenacity and honesty. "I've been on a lot of records, on my own, I’ve had a lot of hits. He said, ‘I just want to make a great album, and for the album to be you’, Once we got in the studio, and we’re playing head to head on a couple of songs that I thought as good and he didn’t, I thought of immediately firing him. I just thought, ‘I don’t have to take this.' But the point is, ‘This is why you’re working with him.'”[6]
According to McCartney, Godrich was at times blunt in his appraisal of McCartney's songs-in-progress during the making of Chaos and Creation in the Backyard:
"Nigel... refused to allow me to sing songs that he didn't like, which was very cheeky of him."[5]
Recording sessions for the album covered a period of some 18 months, with many pauses. First sessions were held at RAK Studios, London in September 2003 by McCartney and his band. After a few takes, Godrich said to McCartney he wanted to work with him alone, not involving the band. After some months' break, sessions resumed at Ocean Way Studios, Los Angeles in April 2004, with more sessions in September. Final recordings took place at AIR Studios, London in April 2005.[7]
The cover for Chaos and Creation in the Backyard is from a photograph of McCartney strumming a guitar in his family's back yard in Liverpool, taken by his brother Mike McCartney (aka Mike McGear) and originally titled Paul Under Washing, before being retitled Our Kid Through Mum's Net Curtains.
The first single, the upbeat "Fine Line", was released in late August 2005, ahead of the release of Chaos and Creation in the Backyard, and reached No. 20 in the UK. A second single, "Jenny Wren", reached No. 22 in the UK that November. "Fine Line" and "Jenny Wren" appeared on singles with their running time shortened. The singles also included five non-album b-sides: "Comfort of Love", "Growing Up Falling Down" ("Fine Line"), "Summer of '59" (vinyl edition of "Jenny Wren"), "This Loving Game" and "I Want You to Fly" (CD edition of "Jenny Wren").
The Japanese CD release of the album included the song "She Is So Beautiful". The song was also offered as a free download in Windows Media Audio format to US customers who purchased the CD at Target stores. Other bonus downloadable songs were made available to people who bought the CD at certain other stores, such as Best Buy and Wal-Mart.
The 'US' Tour in 2005 helped to promote the album in the US and Canada.
There was also a promotional concert for the album held at Abbey Road Studios, called Chaos and Creation at Abbey Road. During the show McCartney played acoustic versions of various songs, demonstrated some instruments and told stories. At the end he and the audience recorded a short track together.
The album was reissued in 2018 on vinyl in black and gold editions.[8]
AtMetacritic, the album holds an average Metascore of 78 out of 100, based on 19 reviews, which indicates a generally favourable reception.[9] Advance reviews for Chaos and Creation in the Backyard suggested that after delivering Flaming Pie, Run Devil Run, Driving Rain and this album – all in uninterrupted succession – McCartney was in a late-career creative peak. Many critics and longtime listeners also considered that the album was unusually reflective and intimate-sounding for McCartney.[citation needed] The sudden shift in direction was generally considered an unexpected and welcome surprise, and resulted in four Grammy nominations for the album, including the nomination for Album of the Year.
Reviewing for the BBC, Daryl Easlea described Chaos and Creation as "Very, very good", and added: "'Riding to Vanity Fair', 'Too Much Rain', 'Anyway' and 'How Kind of You' are full of subtle nuances, killer hooks and sweet surprises. They really do rank among his very best work."[20]InThe New York Times, Jon Pareles wrote that McCartney's return to a multi-instrumentalist role "makes the songs more intimate and less conventional", while remarking of the project: "Sir Paul chose a producer who favored the experimental side: Nigel Godrich … Sir Paul also lined up his best backup band since the Beatles: himself."[21]
In the US, Chaos and Creation in the Backyard debuted at the No. 6 on the Billboard 200 with sales of 91,545 copies. It stayed on chart for a total of 21 weeks, selling over 530,000 copies up to 2007.[22] However, the album underperformed in the UK, peaking at the No. 10 and spending only three weeks inside the top 200, with cumulative sales of around 45,000 units.[23] According to the annual report published by EMI, Chaos and Creation in the Backyard had sold 1.3 million copies worldwide by the end of March 2006.[24]
"Between Chaos and Creation" – Documentary (30 mins)
"Fine Line" – Studio Performance Video (4 mins)
"Line Art" – 12 Minute Animated Film – drawings by the artist Brian Clarke. Animation by Momoco. (Includes 3 instrumental tracks: "Riding To Vanity Fair", "At the Mercy" and "Anyway").
Recording dates per The Paul McCartney Project[27]
Fine Line
Recorded – Air Studios, London, September 2004
Paul McCartney – Vocals, Bösendorfer Grand Piano, Baldwin Spinet, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Martin D28 Acoustic Guitar, Ludwig Drums, Shakers, Tambourine
Millennia Ensemble – Strings
Joby Talbot – Conducting, Arrangement
How Kind of You
Recorded – Air Studios, London, April 2005
Paul McCartney – Vocals, Epiphone Casino Electric Guitar, Martin D28 Acoustic Guitar, Höfner Bass Guitar, Bösendorfer Grand Piano, Flugelhorn, Shaker, Guerrero, Ludwig Drums, Piano and Epiphone Acoustic Guitar Loops
Nigel Godrich – Piano and Epiphone Acoustic Guitar Loops
Jenny Wren
Recorded – Ocean Way Recording, L.A., October 2004
Paul McCartney – Vocals, Epiphone Texan Acoustic Guitar, Ludwig Floor Tom
Pedro Eustache – Duduk
At the Mercy
Recorded – Ocean Way Recording, L.A., Air Studios, London, April and September 2004
Paul McCartney – Vocals, Steinway Grand Piano, Fender Telecaster Electric Guitar, Höfner Bass Guitar, Cello, Mass Vibrachimes, Tambourine, B3 Organ
Jason Falkner – Electric Guitar
James Gadson – Drums
Millennia Ensemble – Strings, Brass
Joby Talbot – Conducting, Arrangement
Friends to Go
Recorded – Air Studios, London, April 2005
Paul McCartney – Vocals, Bösendorfer Grand Piano, Martin D28 Acoustic Guitar, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Ludwig Drums, Tambourine on Snare, Flugelhorn, Hohner Melodica, Shakers
English Tea
Recorded – Ocean Way Recording, L.A., Air Studios, London, April 2005
Paul McCartney – Vocals, Bösendorfer Grand Piano, Höfner Bass Guitar, Ludwig Bass Drum, Recorders, Tubular Bells
Millennia Ensemble – Strings, Brass
Joby Talbot – Conducting, Arrangement
Too Much Rain
Recorded – Air Studios, London, September 2004
Paul McCartney – Vocals, Bösendorfer Grand Piano, Fender Stratocaster Electric Guitar, Martin D28 Acoustic Guitar, Martin 12-String Guitar, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Schmidt Autoharp, Ludwig Drums, Maracas
Recorded – Ocean Way Recording, L.A., Spring, 2004, and Air Studios, London, Late 2004 – April 2005
Paul McCartney – Vocals, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Martin D28 Acoustic Guitar, Toy Glockenspiel, Wurlitzer Electric Piano
Los Angeles Music Players – Strings
David Campbell – Arrangement
James Gadson – Drums
Follow Me
Recorded – RAK Studios, London, September 2003 and April 2005 (overdubs)
Paul McCartney – Vocals, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Epiphone Texan Acoustic Guitar, Ludwig Drums, Percussion, Block, Tambourine
Rusty Anderson – Acoustic Guitar
Brian Ray – Acoustic Guitar
Abe Laboriel Jnr – Percussion, Block, Tambourine
Millennia Ensemble – Strings
Joby Talbot – Conducting, Arrangement
Promise to You Girl
Recorded – Ocean Way Recording, L.A., November 2004
Paul McCartney – Vocals, Crown Upright Piano, Steinway Grand Piano, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Ludwig Drums, Moog Synthesizer, Tambourine, Triangle, Shaker
This Never Happened Before
Recorded – RAK Studios, London, September 2003 and April 2005 (overdubs)
Paul McCartney – Vocals, Yamaha Grand Piano, Höfner Bass Guitar, Epiphone Casino Electric Guitar, Ludwig Drums, Drum Machine
Millennia Ensemble – Strings, Brass
Joby Talbot – Conducting, Arrangement
Anyway
Recorded – Ocean Way Recording, L.A., Air Studios, London, November 2004 and April 2005 (overdubs)
Paul McCartney – Vocals, Steinway Grand Piano, Höfner Bass Guitar, Gibson L5 Electric Guitar, Martin D28 Acoustic Guitar, Ludwig Drums, Moog Synthesizer, Harmonium
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