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Charles Ignace Adélard Gill (21 October 1871 – 16 October 1918) was a Canadian artist, specializing in poetry and painting. He also worked under the alternate names of Clairon and Léon Duval .
He was born at Sorel, Quebec to Charles-Ignace Gill and Marie-Rosalie Delphire Sénécal. He studied at Collège Sainte-Marie de Montréal , Collège de Nicolet and Collège Saint-Laurent , then George de Forest Brush , who was vacationing in Pierreville, undertook to develop Gill's talent for painting. As a result, he went to the Art Association of Montreal that 1888 to study with William Brymner .[1] Encouraged by Brymner, he went to Paris and worked with Jean-Léon Gérôme at the École des Beaux-Arts . After returning to Montreal, he established his own studio in 1894.[2] [1]
He also published poetry in the anthology Les soirées du Château de Ramesay (1900). After his death a volume of his poetry was published under the title Le Cap Eternité, poème suivi des étoiles filantes (1919).[2]
Gill had one son, Roger-Charles, with his wife Georgine Bélanger (aka Gaëtane de Montreuil , m. 12 May 1902). He died at Montreal from the 1918 flu pandemic just short of his 47th birthday.
References [ edit ]
^ a b Wycznski, Paul. "Charles Gill" . www.biographi.ca . Dictionary of Canadian Biography. Retrieved 5 August 2021 .
^ a b "Charles Gill" . faculty.marianopolis.edu . Quebec History Encyclopedia. Retrieved 5 August 2021 .
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R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Charles_Gill_(artist)&oldid=1206403682 "
C a t e g o r i e s :
● 1 8 7 1 b i r t h s
● 1 9 1 8 d e a t h s
● 1 9 t h - c e n t u r y C a n a d i a n p a i n t e r s
● 1 9 t h - c e n t u r y C a n a d i a n m a l e a r t i s t s
● 2 0 t h - c e n t u r y C a n a d i a n m a l e a r t i s t s
● 2 0 t h - c e n t u r y C a n a d i a n m a l e w r i t e r s
● 2 0 t h - c e n t u r y C a n a d i a n p a i n t e r s
● 2 0 t h - c e n t u r y C a n a d i a n p o e t s
● A r t i s t s f r o m Q u e b e c
● C a n a d i a n a l u m n i o f t h e É c o l e d e s B e a u x - A r t s
● C a n a d i a n m a l e p a i n t e r s
● C a n a d i a n p o e t s i n F r e n c h
● C o l l è g e d e N i c o l e t a l u m n i
● D e a t h s f r o m S p a n i s h f l u
● P e o p l e f r o m S o r e l - T r a c y
● W r i t e r s f r o m Q u e b e c
● C a n a d i a n p o e t s t u b s
H i d d e n c a t e g o r i e s :
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a
● U s e C a n a d i a n E n g l i s h f r o m J u n e 2 0 1 2
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● A r t i c l e s w i t h h C a r d s
● C S 1 F r e n c h - l a n g u a g e s o u r c e s ( fr )
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
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● T h i s p a g e w a s l a s t e d i t e d o n 1 2 F e b r u a r y 2 0 2 4 , a t 0 2 : 0 7 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
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