Fleeing the Cholera epidemics that besieged Paris in the mid-nineteenth century, Charles Jacque relocated to Barbizon in 1849 with Millet. There, he painted rusticorpastoral subject matter: shepherds, flocks of sheep, pigs, and scenes of farm life. In addition to painting, Jacque was also famous for his etchings and engravings. He, along with Félix Bracquemond and Felix Buhot, is credited with the nineteenth-century revival of seventeenth-century techniques. He began his career as an engraver around 1841 by publishing a series of etchings with Louis Marvy. He followed this work with a series of engravings based on the works of Adriaen van Ostade, after which he began to create original engravings / artworks. Charles Baudelaire said of him, "Mr. Jacque’s new reputation will continue to grow always, we hope. His etchings are very bold and his subject matter is well conceived. All that Mr. Jacque does on copper is filled with a freedom and a frankness which reminds one of the Old Masters."[1]
Henri Béraldi distinguished two periods in Jacque's career. The first saw his creation of more spontaneous, Dutch inspired vignettes. In the second, for which he is more famous, he produced larger plates which, according to Fanica, were "marked by the Dutch character of his work".[1]
His sons Émile Jacque (1848–1912) and Frédéric Jacque (1859–1931) were both painters and engravers especially of rural subjects. Another son, Lucien, was executed as a Communard during the French State's bloody repression of the Paris Commune.
Poultry, c. 1855–60, Clark Art Institute, WilliamstownLandscape with Sheep, c. 1855–94, Clark Art Institute, WilliamstownInterior, 1852, Clark Art Institute, Williamstown
^ abCited by Pierre-Olivier Fanica, Charles Jacque, 1813-1894 : École de Barbizon. Graveur original et peintre animalier, Art Bizon, Montigny-sur-Loing, 1995, p. 133.
Pierre-Olivier Fanica, Charles Jacque, 1813-1894: École de Barbizon : graveur original et peintre animalier (Montigny-sur-Loing: Art Bizon, 1995) In French. ISBN2-9509265-0-9
