Dufresny was born in Paris. The allegation that his grandfather was an illegitimate son of Henry IV procured him the liberal patronage of Louis XIV, who gave him the post of valet de chambre, and affixed his name to many lucrative privileges. Dufresny's expensive habits neutralized all efforts to enrich him, and as if to furnish a piquant commentary on the proverb that poverty makes us acquainted with strange bedfellows, he married, as his second wife, a washerwoman, in discharge of her bill a whimsicality which supplied Alain-René Lesage with an episode in Le Diable boiteux (1707), and was made the subject of a comedy by J.-M. Deschamps (Charles Rivière Dufresny, ou le mariage impromptu). He died in Paris.[1]
His plays, destitute for the most part of all higher qualities, abound in sprightly wit and pithy sayings. In the six volumes of his Théatre (Paris, 1731), some of the best are L'Esprit de contradiction (1700), Le Double Veuvage (1701), La Joueuse (1709), La Coquette de village (1715), La Réconciliation normande (1719)
and Le Mariage fait et rompu (1721). A volume of Poésies diverses, two volumes of Nouvelles historiques (1692), and Les Amusements sérieux et comiques d'un Siamois (1705), a work to which Montesquieu was indebted for the idea of his Lettres persanes, complete the list of Dufresny's writings.[1]
The best edition of his works is that of 1747 (4 vols.). His Théatre was edited (1882) by Georges d'Heylli.[1]
His comedies include:
1692: L'Opéra de campagne
1692: Le Négligent
1697: Les fées, ou Contes de ma mère l'oye
1697: Le Chevalier joueur
1699: La Malade sans maladie
1699: La Noce interrompue
1700: L'Esprit de contradiction
1701: Le Double Veuvage
1703: Le Faux Honnête-Homme
1708: Le Jaloux honteux
1709: La Joueuse
1715: La Coquette de village, ou Le lot supposé
1719: Le Dédit
1719: La Réconciliation normande
1721: Le Mariage fait et rompu, ou l'hôtesse de Marseille
1731: Le Faux Sincère
He also wrote short stories: Histoire nouvelle et divertissante du Bonhomme Misère [fr], Le Puits de la vérité, histoire gauloise (1698), Amusements sérieux et comiques (Paris, 1699, in-12, Second edition augmented, 1707)? A great part of his Œuvres was collected by d'Alençon, in six volumes in 12° (1731, in 4 volumes in-8° corrected 1747, 1779). Auger published his Œuvres choisies (1801, 2 vol. in-18) and the last edition of his Théâtre dates back to 1881.
Jean Vic, Les idées de Charles Rivière Dufresny, 2 volumes, Paris, Hachette, 1916-1917
Georges Jamati, La Querelle du Joueur ; Regnard et Dufresny, Paris, Messein, 1936
François Moureau, Dufresny, auteur dramatique : 1657-1724, Paris Klincksieck, 1979
François Moureau, Le Mercure galant de Dufresny (1710-1714), ou, Le journalisme à la mode, Oxford Voltaire Foundation at the Taylor Institution, 1982 (ISBN0-7294-0284-3)
One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Dufresny, Charles". Encyclopædia Britannica. Vol. 8 (11th ed.). Cambridge University Press. pp. 646–647.
