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F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Charlotte Buell Coman
Born 1833 Died 1924 (aged 90–91) Nationality American Known for Painting Style Landscape art
Charlotte Buell Coman (1833 – November 11, 1924)[1]
Biography [ edit ]
Coman was born in Waterville, New York in 1833. She married and moved with her husband to Iowa City , then on the American Frontier , only to return to Waterville after his death a few years later. She began to experience hearing loss , and was almost completely deaf by the time she turned 40.[2]
Coman did not take up painting until she was in her mid 40s. She studied in New York with James Renwick Brevoort and in Paris with Harry Thompson and Émile Louis Vernier . With Vernier she studied plein-air and watercolor painting, and sketched on trips to rural parts of France and Holland.[3] Barbizon painters, especially Jean-Baptiste Corot and Charles-Francois Daubigny , and her popular works were compared to those of Corot.[2] [3]
After ten years spent abroad, Coman returned to New York and focused on painting American landscapes in the tonalist style. Her paintings were based on sketches made on trips to the Adirondacks , New Jersey , and Saint Augustine, Florida .[3] impasto .[3] [2]
Coman showed two paintings at the National Academy of Design in 1875, and she showed her work often in New York and at the Paris Salons .[3] exhibited her work at the Palace of Fine Arts at the 1893 World's Columbian Exposition in Chicago, Illinois.[4]
In 1905 Coman received the Shaw Memorial Prize given by the Society of American Artists .[3] National Association of Women Painters and Sculptors , the New York Watercolor Club , and the Art Workers' Club.[2] [3]
Coman continued sketching and painting until she was in her eighties.[3] Yonkers, New York in 1924.[1]
Her work is in the collections of the Metropolitan Museum of Art and the Arnot Art Museum .[2] Helen Watson Phelps is in the collection of the National Academy of Design .[5]
Selected works [ edit ]
"Clearing Off", 1887–1908. In the collection of the Metropolitan Museum of Art
"Early Summer", in the collection of the Smithsonian American Art Museum
External links [ edit ]
References [ edit ]
^ a b c d e Rubinstein, Charlotte Streifer (1982). American Women Artists
^ a b c d e f g h N.Y.), Metropolitan Museum of Art (New York (1965). American Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art ISBN 9780870994395
^ Nichols, K. L. "Women's Art at the World's Columbian Fair & Exposition, Chicago 1893" . Retrieved 5 August 2018 .
^ David Bernard Dearinger; National Academy of Design (U.S.) (2004). Paintings and Sculpture in the Collection of the National Academy of Design: 1826–1925 ISBN 978-1-55595-029-3
^ "Barnyard, (painting)" . Art Inventories Catalog . Smithsonian Institution. Retrieved 17 December 2015 .
Further reading [ edit ]
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Charlotte_B._Coman&oldid=1174620566 " C a t e g o r i e s : ● 1 8 3 3 b i r t h s ● 1 9 2 4 d e a t h s ● A m e r i c a n l a n d s c a p e p a i n t e r s ● P e o p l e f r o m W a t e r v i l l e , N e w Y o r k ● A r t i s t s f r o m Y o n k e r s , N e w Y o r k ● P a i n t e r s f r o m N e w Y o r k C i t y ● 1 9 t h - c e n t u r y A m e r i c a n p a i n t e r s ● 2 0 t h - c e n t u r y A m e r i c a n p a i n t e r s ● A m e r i c a n d e a f p e o p l e ● A m e r i c a n a r t i s t s w i t h d i s a b i l i t i e s ● D e a f a r t i s t s ● 1 9 t h - c e n t u r y A m e r i c a n w o m e n p a i n t e r s ● 2 0 t h - c e n t u r y A m e r i c a n w o m e n p a i n t e r s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● A r t i c l e s w i t h h C a r d s ● C o m m o n s c a t e g o r y l i n k i s o n W i k i d a t a ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h M u s é e d ' O r s a y i d e n t i f i e r s ● A r t i c l e s w i t h R K D a r t i s t s i d e n t i f i e r s ● A r t i c l e s w i t h U L A N i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 9 S e p t e m b e r 2 0 2 3 , a t 1 7 : 1 8 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
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