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Education [ edit ]
Falsnaes studied philosophy in Copenhagen from 2001 to 2003. After a short stay in Zurich , he went to Vienna and studied from 2005 to 2011 at the Academy of Fine Arts under Daniel Richter , Peter Kogler and Constanze Ruhm.
Before his art studies, Falsnaes made performances and interactions in the public space using his background as a graffiti painter. Since 2009, he has developed performances based on a pre-written script. In the beginning, he played a central role in motivating the public to actively participate in the action. "Through the active involvement, the viewer should cross personal boundaries, overcome them and feel the moment of liberation and change. [1 ] Falsnaes said in an interview [2 ]: "When I involve the viewer in the process of art production, it is also about sharing all of this, instead of showing the result of my private artistic process."
The study of authority, hierarchies, social and, above all, pop-cultural rituals is an integral part of his art.
"Working with the structure of power, or with group dynamics, is in itself political. It is not so much about people following or responding in a certain way, but about making the audience aware of how certain rituals affect them. "Christian Falsnaes [3 ]
In his more recent work Falsnaes withdrew physically from the actions. The instructions to the audience are now provided by means of headphones, loudspeakers, or by employed "instructors". [4 ] Often, his performances are performed as "female versions", in which the earlier role of Falsnaes is taken over by a female performer. He often mixes himself among the audience and participates as a spectator. Through this withdrawal an additional authority transfer takes place, involving the public even more in his art. [5 ] Many performances are documented in video recordings and the main part of these recordings have been well planned out in advance and live on as independent video works. There are, however, also works of art arising from the actions, such as canvases painted by the audience according to the artist's instructions. [6 ] This includes "surface memory" where a freshly painted canvas is smeared onto the walls in a public space leaving behind an abstract wall work as well as an altered canvas.
Exhibitions [ edit ]
Solo exhibitions (selection) [ edit ]
2016: Front , Yarat Contemporary Art Space, Baku
2016:Thousand Faces , Statens Museum for Kunst , Copenhagen
2016: First , 1646, The Hague
2016: Many , Juan & Patricia Vergez Collection, Buenos Aires
2016: Available , Kunstverein Braunschweig
2015: Front (Kareth Schaffer), KIOSK, Gent
2015:The title is your name , Bielefelder Kunstverein, Bielefeld
2015: Available , Kunstverein Braunschweig, Braunschweig
2014: Performance Works, PSM, Berlin
2014: Art Basel Statements , Art Basel , Basel
2013: Formations of bodies - Opening, KW Institute of Contemporary Art, Berlin
2013:One, DREI, Cologne
2011: ELIXIR, PSM, Berlin
2011: Existing Things, OSLO10, Basel
2011: Fulfilling Your Expectations, Rohde Contemporary, Copenhagen
2010:There and Back, Skånes Konstförening, Malmö, Sweden
2008:Rational Animal , Niederösterreiches Museum, Vienna
Group exhibitions (selection) [ edit ]
2016: Conditions of Political Choreography, CCA, Tel Aviv
2016:20 Years , Migros Museum für Gegenwartskunst, Zurich
2016:The gestural , 21'er Haus, Vienna
2016: Head to Head , Castlefield Gallery, Manchester
2016: Today's Art Festival , The Hague
2016: Take Up Your Space , KAI10 / Arthena Foundation, Düsseldorf
2016: Manifesta 11, Zurich
2016: Im Raum mit , BNKR, Munich
2016: Stellung nehmen , Kestnergesellschaft, Hannover
2015:Preis der Nationalgalerie , Hamburger Bahnhof, Berlin
2015: Extension du domaine du jeu , Centre Pompidou, Paris
2015: The city is the star , ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe
2015: Destination Wien , Kunsthalle Wien, Vienna
2015: History is a warm gun , n.b.k. Neuer Berliner Kunstverein, Berlin
2015: Life in a Castle. Works from the Collection , Musée départemental d'art contemporain de Rochechouart
2015: European Media Art Festival , Kunsthalle Osnabrück
2015: More Konzeption conception now , Museum Morsbroich, Leverkusen
2015: The Lulennial - a slight gestuary , Lulu, Mexico City
2015: 30 + 30 retro/ perspektiv , Museum für Neue Kunst, Freiburg
2014:Reykjavik Dance Festival , Reykjavik Art Museum, Reykjavik
2014: Public, Art Basel / Miami Beach
2014: Performance proletarians, MAGASIN - Centre National d’art Contemporain de Grenoble
2014: Vertigo of reality , Akademie der Künste, Berlin
2014: Vor Ort, Bielefelder Kunstverein, Bielefeld
2014: Maldives Exodus Caravan Show, Te Tuhi Centre for the Arts , New Zealand
2014: Is it Y(ours)? , Museum Bärengasse, Zurich
2014: Now and again – Performance for video , Fotografisk Center, Copenhagen
2013: Ihre Geschichte(n ) , Bonner Kunstverein, Bonn
2013: Gelatin - Stop - Anna Ly Sing - Stop , Schinkel Pavilion, Berlin
2013: Maldives Exodus Caravan Show , Serra dei Giardini, Venice
2013: Grundfrage (Question Fondamentale) , Crac Alsace, Altkirch
2013: Regionalismus , Salzburger Kunstverein, Salzburg
2013: Enten/Eller , Nikolaj Contemporary Art Centre, Copenhagen
2013: Entweder/oder , Haus am Waldsee, Berlin
2017: Future Generation Art Prize (shortlist)
2015: Preis der Nationalgalerie (shortlist)
2015: Prix K-Way Per4m
2008: H13 Prize for Performance
2008: International Prize for Performance (shortlist)
2016: АРТ-ТЕРАПИЯ , Баку Журнал, Baku Magazine
2016: Christian Falsnaes, Artist's Favorites , Spike Art Quarterly
2016: Christa Sigg, Der Animateur , ART Das Kunstmagazin
2016: Arielle Bier, The Audience is Present , SEEK magazine
2016: Raimar Stange, Das direkte Verhältnis von Kunst und Publikum , Kunstforum
2016: Sofie Crabbe, Move! , Metropolis M
2016: Raimar Stange, Gegen die Angst , Polar Zeitschrift für Kultur
2015: Annika Reith, Ohne dich gibt es kein Werk , Spex
2015: Marcus Woeller, Kontrollierte Gruppendynamik , Die Welt
2015: Camilla Stockmann, Jeg vil nedbryde afstanden , Politiken
2015: Kito Nedo, Christian Falsnaes, Art Das Kunstmagazin
2015: Sabrina Schleichler, Am Puls der Zeit , Kunstzeitung
2015: Ingeborg Wiensowski, Übernehmen sie die Kontrolle !, Kultur SPIEGEL
2015: Noemi Smolik, Focus: Christian Falsnaes , Frieze
2015: Peter Funken, Schwindel der Wirklichkeit , Kunstforum
2015: Raimar Stange, Angst und Konfliktbereit(et ), Kunstforum
2015: Jahresrückblick - Kunstwerk des Jahres , Monopol
2015: Raimar Stange, Christian Falsnaes - Performance Works , ArtReview
2014: Angela Hohmann, Papier muss brennen , Tagesspiegel
2014: Eva Scharrer, Sie verlassen jetzt die Komfortzone! , artmagazine.cc
2014: Lotte Løvholm, Rub your body against a stranger , Kopenhagen.dk
2014: Josie Thaddeus-Johns, The audience is my material: Christian Falsnaes , Sleek Magazine
2014: Julia Halperin, Performance: Do you buy it?, The art newspaper
2014: Marcus Woeller, Und Abends mit die Skulpturen nach Hause gehen , Die Welt
2014: Boris Pofalla, Watchlist: Christian Falsnaes , Monopol
2014: Noemi Smolik, Christian Falsnaes - One (review), Artforum
2014: Raimar Stange, Highlights: Christian Falsnaes , Kaleidoscope
2014: Fanny Gonella, Social construction - Conversation with Christian Falsnaes , Dust Magazine
2014: Raimar Stange, On art and theatricality in Berlin , ArtReview
2014: Maike Müller, Abgewetzt durch Zeit und Pragmatismus (review), Monopol online
2013: Sabrina Schleicher, Singen, Summen, Tanzen , Kunstzeitung
2013: Raimar Stange, Yes we can! Zur Kraft politischer Performances , artist Kunstmagazin
2013: Anne Kohlik, Das Vermächtnis der Frauen im Kunstbetrieb , Frankfurter Allgemeine Zeitung
2013: Almuth Spiegler, Starter: Christian Falsnaes , ART - Das Kunstmagazin
2012: Love and security (Artist feature), Tissue Magazine
2012: Kulturpalast , ZDF Kultur
2012: Carson Chan, Express yourself - Portrait: Christian Falsnaes , Spike Art Quarterly
2012: John Beeson, Performance and authority (review), Spike Art Quarterly
Catalogues [ edit ]
Christian Falsnaes - ELIXIR, Distanz
How to frame - On the Threshold of Performing and Visual Arts, Sternberg Press
History is a Warm Gun, n.b.k., Berlin, Verlag Walther König
Vertigo of Reality, ex.cat., Verlag Walther König
The Lulennial: A Slight Gestuary, ex.cat, Mousse Publishing
30/30 retro/perspektiv , ex.cat. Museum für Neue Kunst Freiburg, 2015
More Konzeption Conception now , ex.cat, Kettler Verlag, 2015
One , ex.cat, DREI, Cologne
Søren Kierkegaard Entweder/oder , ex.cat., Verlag Walther König, 2013
H13 Preis für Performance 2007 - 2012 , Kunstraum Niederösterreich, 2013
Increasingly colourful – Current Painting from Austria , ex.cat., Kerber Verlag, 2012
Regionale12 , ex.cat, Regionale, 2012
Modes of Address , ex.cat., Salzburger Kunstverein, 2012
A good reason is one that looks like one , Message Salon, Zürich, 2012
The present author – Who speaks in Performance?, Revolver Publishing, 2011
PerformIC 2010 , ex.cat/DVD, Innsbruck Contemporary, 2010
References [ edit ]
Stella Plapp, "Kunst und Körper", Bachelorarbeit, Karl-Franzens-Universität Graz, 2014
Hochspringen↑ Kunstforum International 2016
Hochspringen↑ Annika Reith, "Ohne dich gibt es kein Werk", Spex 11/2015
Hochspringen↑ Marcus Woeller, "Kontrollierte Gruppendynamik", Die Welt, 9/2015
Hochspringen↑ Raimar Stange, "Das direkte Verhältnis von Kunst und Publikum", Kunstforum International # 240, 2016
Hochspringen↑ Eva Scharrer, "Sie verlassen jetzt die Komfortzone!", artmagazine, 10/2014
Notes
External links [ edit ]
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Christian_Falsnaes&oldid=1188536243 " C a t e g o r i e s : ● 1 9 8 0 b i r t h s ● D a n i s h p e r f o r m a n c e a r t i s t s ● L i v i n g p e o p l e ● A r t i s t s f r o m B e r l i n ● A r t i s t s f r o m C o p e n h a g e n H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● A r t i c l e s w i t h V I A F i d e n t i f i e r s ● A r t i c l e s w i t h G N D i d e n t i f i e r s ● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 6 D e c e m b e r 2 0 2 3 , a t 0 1 : 2 9 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
