| Circumstantial Evidence | |
|---|---|
Theatrical release poster
| |
| Directed by | John Larkin |
| Screenplay by | Robert F. Metzler Samuel Ornitz |
| Story by | Sam Duncan Nat Ferber |
| Produced by | William Girard |
| Starring | Michael O'Shea Lloyd Nolan |
| Cinematography | Harry Jackson |
| Edited by | Norman Colbert |
| Music by | David Buttolph |
| Distributed by | Twentieth Century-Fox |
Release date |
|
Running time | 68 minutes |
| Country | United States |
| Language | English |
Circumstantial Evidence is a 1945 American film noir directed by John Larkin and starring Michael O'Shea, Lloyd Nolan, and Trudy Marshall.[1]
Three witnesses swear they saw Joe Reynolds murder grumpy baker Kenny (Ben Welden) with a hatchet. Joe claims Kenny's fatal head wound was the result of a fall as they argued—the baker hit his head on an oven as he fell—but the eyewitness testimony prevails and Joe is sentenced to death in the electric chair. His buddy Sam Lord has an uphill struggle to prove his innocence.
| Byron Foulger | Bolger |
| John Eldredge | Judge White |
| Selmer Jackson | Warden |
| John Hamilton | Governor Hanlon |
| Ben Welden | Kenny, the murdered baker |
| Dorothy Adams | Bolger's wife |
| Edward Earle | Doctor |
| William B. Davidson | Chairman |
| Ralph Dunn | Police officer Cleary |
| Ray Teal | Policeman |
| Lee Phelps | Policeman |
| Thomas E. Jackson | Detective |
| Sam Flint | Prison board member |
| George Melford | Prison board member |
| John Davidson | Lawyer |
| J. Farrell MacDonald | Jury foreman |
| Max Wagner | Truck driver |
| James Flavin | Guard |
| Ken Christy | Guard |
| Eddie Dunn | Guard |
| Lee Shumway | Guard |
| Lester Dorr | Prisoner |
| Emmett Vogan | Bridge player |
| Harry Strang | Prison guard |
Bosley Crowther, the film critic for The New York Times panned the film, writing, "Darryl Zanuck must have had his back turned when Circumstantial Evidence slipped out the front gate of the Twentieth Century-Fox Studio. For a sillier and more tediously worked-out piece of crime melodrama than the picture which opened yesterday at the Rialto hasn't reached Broadway in a long, long time. Circumstantial Evidence is so full of hackneyed and incredible plot turns that one can never get even slightly interested in the involved set of circumstances which almost send a quite innocent, if belligerent, Michael O'Shea to the electric chair."[2]
