Clément Loret was born in Dendermonde (Termonde) in Belgium. His father Hippolyte, organist (at Notre-Dame de Termonde) and organ builder, introduced him to music and the organ at a very young age. He started playing in church when he was 7 years old, and the following year he occasionally replaced his father at the keyboard. In 1846, his father was appointed organist at Mons, and the young Clément continued his musical studies with Jules Denefve (1814–1877).
In 1855, Loret came to Paris. Lemmens had written him a letter of introduction to Aristide Cavaillé-Coll, who was so little impressed by the young man that he dared not present him to his acquaintances. However, he linked up with Auguste Victor Mustel [fr],[1] an harmonium factor, who decided him to stay. He then held organist positions at Suresnes and Notre-Dame des Victoires. Then, he was named titular holder of the new Cavaillé-Coll organ of the National Basilica dedicated to St. Geneviève (now Panthéon de Paris) during the Second French Empire, from 1855 to 1885, and occupied the gallery of Église Saint-Louis-d'Antin [fr], where Niederermeyer was maître de chapelle from 1858 to 1866.
His brother Charles, who died young, was also a musician and composer. His wife, Philippine Colonius, was a talented musician.
Their son, Victor Loret (1 September 1859 – 3 February 1946) was a musician, musicologist and a very famous French Egyptologist. A friend of Camille Saint-Saëns, he was interested in music and instruments from the Pharaonic period. As ethnomusicologist, he transcribed traditional melodies and dances from the south of the valley.
Clément Loret died in Colombes, near Paris, on 14 February 1909,
6 Concertos pour orgue et orchestre de G. F. Hændel, (Op. 4) arranged for organ only, with fermatas (cadences)
6 Concertos pour orgue et orchestre de G. F. Hændel, (Op. 7) arranged for organ only, with fermatas (cadences)
Cours d’orgue Op. 19: I. Orgue sans pédale, II. Orgue avec pédale, III. Les combinaisons sur les orgues modernes et l’improvisation, IV. Le plain-chant et son accompagnement. (1858–80)
Exercices d’orgue, 3 issues, in La Maîtrise, Paris, 1859
24 Études pour orgue, 12 without pedal, 12 with pédal, Heugel, Paris
Pièces de genre : Sur les ondes – La Flûte enchantée (Mozart) – Enivrement – Cantilène – Souvenir – Les pifferari – Alceste (Gluck)
Glisse ô ma barque (barcarolle) - Les deux captifs - Dis-moi je t’aime - Dormez (sérénade) - L’enfant de la négresse - La fleur - L’oreiller d’un enfant - Rêver, prier, aimer - L’été - Oui, c’est toi que j’aime (chez l’auteur à Paris)
A selection of works for organ by Clément Loret has been recorded on the Cavaillé-Coll organs at Pezenas and Carcassonne by Jean-Luc Salique (2 CD Coriolan, 1998).
