The Codex Borbonicus is an Aztec codex written by Aztec priests shortly before or after the Spanish conquest of the Aztec Empire. It is named after the Palais BourboninFrance and kept at the Bibliothèque de l'Assemblée Nationale in Paris. The codex is an outstanding example of how Aztec manuscript painting is crucial for the understanding of Mexica calendric constructions, deities, and ritual actions.[1]
The Codex Borbonicus is one of a very few Aztec codices that survived the colonial Spanish inquisition. When the Spanish conquistadors (led by Hernán Cortés) entered Aztec cities, they would often find libraries filled with thousands of native works.[2] However, most of the works were destroyed during the conquest as a means to hasten the conversion of the Aztec to European ideals.[3]
The Codex Borbonicus was acquired in 1826 for 1,300 golds francs at auction by a French Benedictine monk, deputy-curator of the library of the National Assembly, Pierre-Paul Druon.[2] At the time, he sought out and entrusted many rare and valuable works to the French Parliament. The Codex is considered a French national treasure and has not been allowed to leave the country since the 1960s.[2]
The early printed word of the early Aztec Civilization is quite interesting, as it contains only pictographs. It was not until the colonial era that Aztec scribes, after learning the Roman alphabet, began to incorporate text into their codices, both in Nahuatl (the native language) and Spanish.[3] As a result, it is unknown whether Aztec codices were created by a native method or created with the help of imported methods after the arrival of the Spanish.[2]
The Codex Borbonicus is a single 46.5-foot (14.2 m) long sheet of amatl paper. Although there were originally 40 accordion-folded pages, the first two and the last two pages are missing. It was originally pictorial and logographic as was usual for pre-Columbian Aztec codicies, although some Spanish descriptions have been added. There is dispute as to whether the Codex Borbonicus is pre-Columbian, as the calendar pictures all contain room above them for Spanish descriptions.
The first section is one of the most intricate surviving divinatory calendars (ortonalamatl). Each page represents one of the 20 trecena (or 13-day periods), in the tonalpohualli (or 260-day year). Most of the page is taken up with a painting of the ruling deity or deities, with the remainder taken up with the 13 day-signs of the trecena and 13 other glyphs and deities.
With these 26 symbols, the priests were able to create horoscopes and divine the future. The first 18 pages of the codex (all that remain of the original 20) show considerably more wear than the last sections, very likely indicating that these pages were consulted more often.
The second section of the codex documents the Mesoamerican 52-year cycle, showing in order the dates of the first days of each of these 52 solar years. These days are correlated with the nine Lords of the Night.
The third section is focused on rituals and ceremonies, particularly those that end the 52-year cycle, when the "new fire" must be lit. This section is unfinished.
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