 |
This article's lead section may be too short to adequately summarize the key points. Please consider expanding the lead to provide an accessible overview of all important aspects of the article. (November 2020)
|
| Curly Sue | |
|---|---|
Theatrical release poster
| |
| Directed by | John Hughes |
| Written by | John Hughes |
| Produced by | John Hughes |
| Starring |
|
| Cinematography | Jeffrey L. Kimball |
| Edited by |
|
| Music by | Georges Delerue |
Production | |
| Distributed by | Warner Bros. |
Release date |
|
Running time | 102 minutes |
| Country | United States |
| Language | English |
| Budget | $25 million[1] |
| Box office | $33.7 million |
Curly Sue is a 1991 American comedy drama film written, produced, and directed by John Hughes, and starring James Belushi, Kelly Lynch and Alisan Porter. It tells the story of a homeless con artist and his young orphan companion who gain shelter with a rich divorce lawyer. This was the final film directed by Hughes before his death in 2009. The film received generally negative reviews from critics.
Bill Dancer and his young companion 7-year-old Curly Sue, an orphaned girl who Bill took in as a baby, are homeless folks with hearts of gold. Their scams are aimed not at turning a profit but at getting enough to eat. One night, while they are sleeping at a shelter, Sue's tin ring, which was left to her by her late mother, is stolen and pawned by a drifter.
After moving from Detroit to Chicago, the duo succeed in conning a rich divorce lawyer named Grey Ellison into believing she backed her Mercedes into Bill. When Grey accidentally collides with Bill for real the following night, she insists on putting the two up for the night over the objections of her snotty boyfriend Walker McCormick. After a confrontation exposing the con, Bill admits the truth and tells Grey it's time for him and Sue to move on. Thinking Bill has been abusing Sue by using her in his cons, Grey demands that the girl stay with her, but Bill will not leave Sue. Grey lets them stay when she understands the precarious position the homeless pair are in.
Walker, out of spite, turns them in, and Sue is taken away by child protective services, while Bill is arrested because he never had custody of the child. While in jail, he encounters the drifter who stole Sue's ring and forces him to reveal what he did with it. Grey arrives to get Bill out of jail and has also gotten Sue out of state care.
After learning that the drifter took the ring to a pawn shop and sold it, Bill buys it back. Sue and Grey return to their apartment and discover the ring, which Sue takes as a sign that Bill has decided the time has come for them to part. However, the ring is accompanied by a note saying Bill is in the living room.
Grey and Bill legally adopt Sue and are subsequently married. The film ends with them dropping Sue off on her first day of school.
The film debuted at No. 2 at the box office with a gross of $4,974,958 on 1,634 screens.[2][3] The following weekend it increased its weekend gross by seven percent to $5.3 million from the same number of screens and remained in second place.[3] In its third weekend it continued on the same number of screens and managed to move into first place, taking more in its third week than in its first or second.[3] Its final gross in the U.S. and Canada was $33,691,313.[3]
Warner Home Video released it on VHS and Laserdisc in 1992 and later on DVD on June 1, 2004, with commentary and an introduction by Porter on special features.
The film received mostly negative reviews from critics. On Rotten Tomatoes, Curly Sue holds a 13% rating based on 15 reviews, with an average rating of 3.7/10.[4] Audiences surveyed by CinemaScore gave the film a grade of "B+" on scale of A+ to F.[5]
Leonard Maltin gave it one and a half stars out of four in his Movie Guide, and called it "A John Hughes formula movie where the formula doesn't work".[6]
Halliwell's Film Guide calls it "Gruesomely sentimental and manipulative".[7]
Nigel Andrews of the Financial Times declared, "John Hughes here graduates from the most successful comedy in film history to scripting and directing a large piece of non-biodegradable tosh."[7]
Roger Ebert gave the film three out of four stars, complimenting "the quiet humor and the warmth of the actors." He said the movie is "not great and it's not deep, but it sure does have a heart."[8]
