Portrait of Cyriacus, fresco, 1459[1]Portrait of Cyriacus, relief carving[1][2]
Cyriacus of AnconaorCiriaco de' Pizzicolli (31 July 1391 – 1453/55) was a restlessly itinerant Italian humanist and antiquarian who came from a prominent family of merchants in Ancona, a maritime republic on the Adriatic. He has been called the Father of Archaeology:
"Cyriac of Ancona was the most enterprising and prolific recorder of Greek and Roman antiquities, particularly inscriptions, in the fifteenth century, and the general accuracy of his records entitles him to be called the founding father of modern classical archeology."[3]
Unlike many library antiquarians, Cyriacus traveled at first for his family's ventures,[Note 1] then to satisfy his own curiosity, all around the Eastern Mediterranean, noting down his archaeological discoveries in his day-book, Commentaria, that eventually filled seven volumes. He made numerous voyages in Southern Italy, Dalmatia[Note 2] and Epirus and into the Morea, to Egypt, to Chios, Rhodes and Beirut, to Anatolia and Constantinople,[Note 3] during which he wrote detailed descriptions of monuments and ancient remains, illustrated by his drawings.
His years in Rome studying Latin are commemorated by his drawings of many of the monuments and antiquities of ancient Rome. In Constantinople he studied Greek. He enjoyed the patronage of Eugenius IV, who had been Papal legate in the March of Ancona from 1420 to 1422, Cosimo de' Medici, and the Visconti of Milan. He was in Siena at the court of Sigismund, and when Sigismund came to Rome for his coronation as Emperor, Cyriacus was his guide among Rome's antiquities. Two years later in 1435, Cyriacus was back exploring in Greece and Egypt.
He was probably the first traveler who recognized the importance of the ruins of Eretria.[7] On 5 April 1436, he described and sketched a plan of the ancient city walls, indicating the position of the theatre and the fortifications of the acropolis and mentioning the existence of inscriptions. He collected a great store of inscriptions, manuscripts, and other antiquities. Through a drawing made for Cyriacus, the appearance of the Column of Justinian is recorded for us, before it was dismantled by the Ottomans. He returned in 1426 after having visited Rhodes, Beirut, Damascus, Cyprus, Mytilene, Thessalonica, and other places.
Pushed by a strong curiosity, he also bought a great number of documents which he used to write six volumes of Commentarii ("Commentaries"). The ravages of time have been unkind to Cyriacus's lifework, which he never published, but which fortunately circulated in manuscript and in copies of his drawings; the Commentarii were lost in the 1514 fire of the library of Alessandro Sforza and Costanza VaranoinPesaro. A series of Pizzicolli's manuscripts about Ancona was destroyed during a fire of the city's archives in 1532.
He retired to Cremona, where he lived so quietly that the year of his death is not certain. Long after his death, some surviving texts were printed: Epigrammata reperta per Illyricum a Kyriaco Anconitano (Rome, 1664), Cyriaci Anconitani nova fragmenta notis illustrata, (Pesaro, 1763) and Itinerarium (Florence, 1742).
^His first voyage was made at the age of nine, in the familia of his mother's brother.
^In Dubrovnik, in 1443-1444, he composed two Latin inscriptions, one in the loggia of the Rector’s Palace, and the other on the fountain erected by the architect Onofrio della Cava; they were the first examples of monumental capitals all'antica to be seen in Dubrovnik.[4]
^He made his first visit to Constantinople in 1418, his second in 1425.[5]
^Baldelli, Gabriele. "Su due pretesi ritratti anconetani". Cyriaco d'Ancona e la cultura antiquaria dell'Umanesimo: Atti del convegno internazionale di studio, Ancona 6-9 febbraio 1992.
^Edward W. Bodnar, Later travels, with Clive Foss - Harvard University Press, 2003. ISBN 9780674007581
^Kenneth M. Setton, The Papacy and the Levant, 1204-1571 1978:71, noting Roberto Weiss, "Cyriacus d'Ancona in Oriente", Agostino Pertusi, ed. Venezia e l'Oriente fra tardo medievo e rinascimento(Venice) 1966:323-37, and Bernard Ashmole, "Ciriac of Ancona", Proceedings of the British Academy45 (1959:25-41))
^Inscriptiones Christianae Urbis Romae, VII saec. antiquiores, II, 377.
Michail Chatzidakis, "Antike Prägung. Ciriaco d'Ancona und die kulturelle Verortung Griechenlands", in Fremde in der Stadt. Ordnungen, Repräsentationen und soziale Praktiken (13.-15. Jahrhundert). Hrsg. von Peter Bell, Dirk Suckow und Gerhard Wolf. Frankfurt am Main u.a., Peter Lang, 2010 (Inklusion/Exklusion, Studien zu Fremdheit und Armut von der Antike bis zur Gegenwart, 16).
