David Edward Byrd
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David Edward Byrd in 2005
(by Don Saban) | |
| Born | (1941-04-04) April 4, 1941 (age 83) |
| Nationality | American |
| Education | Carnegie Mellon University |
| Known for | Graphic design Painting Poster art |
| Movement | Post-Modern Decorative Arts |
| Partner | Jolino Beserra |
| Awards | Grammy Award |
David Edward Byrd (born April 4, 1941) is an American graphic artist, designer, illustrator and painter. Many of his designs are considered to have helped define the look of rock and roll music starting in the 1960s.[1] He is most well known for his poster designs, including his rock posters for the Fillmore East as well as his Broadway theatre posters.
David Byrd was born April 4, 1941, in what is now Cleveland, Tennessee, and was raised in Miami Beach, Florida.
He graduated from Miami Beach High School in 1959, attended the Boston Museum School for a year and then Carnegie-Mellon UniversityinPittsburgh, Pennsylvania, where he received a BFA in Painting and Design in 1964 and an MFA in Painting and Printmaking in 1966. From 1970 to 1979, Byrd taught at the Pratt Institute and the School of Visual Arts.[citation needed] After receiving his BFA, Byrd moved to Pittsburgh to work at WQED-TV, where he did design for the nascent Mister Rogers' Neighborhood show. He was subsequently asked back to Carnegie-Mellon to complete his graduate work.
In 1968, a number of college classmates (including Joshua WhiteofJoshua Light Show) encouraged rock promoter Bill Graham to hire Byrd to create posters for the newly opened Fillmore East Ballroom in Manhattan's East Village. Byrd was reportedly hired on the spot after showing his portfolio to Bill Graham[2] and signed on as the exclusive poster and program designer, beginning with a poster for the upcoming Traffic event. In the period 1968 to 1973, he and Fantasy Unlimited created posters for Jimi Hendrix, Iron Butterfly, Jefferson Airplane, Ravi Shankar, Traffic, and Bill Graham favorite the Grateful Dead. The poster that Byrd created for Bill Graham's Fillmore East, for the Jimi Hendrix Experience, was voted #8 in the Top 25 Rock Posters by Billboard Magazine.[3] Byrd also created the poster for The Rolling Stones American Tour 1969. When the four members of the rock band KISS released individual solo albums in 1978, Byrd was hired to create an individual poster for each album, designed in such a way so they all could be hung together as a mural.[4] Byrd worked with The Who for their rock opera Tommy, designing the poster for the band's 1971 performance at the Metropolitan Opera House. Byrd also illustrated the cover of the 1974 album Sally Can't DancebyLou Reed.
In 1969, Byrd created the original poster for Woodstock, but as the festival was subsequently moved and Byrd (then on vacation on the Caribbean island of Saint Martin) could not be reached,[5] his original design went unused.[6]
He designed posters for notable stage musicals including Follies, Godspell, The Robber Bridegroom, The Grand Tour, The Survival of St. Joan, Jesus Christ Superstar, Little Shop of Horrors, and others.
In 1981, Byrd came to Los Angeles to work as the Art Director for the Fair Warning Tour for Van Halen. After that he did more poster creations in and around Los Angeles for, among others, The Mark Taper Forum, The Ahmanson Theatre, The Doolittle Theatre (in Hollywood, CA), and The Pasadena Playhouse.[citation needed]
From 1991 to 2002, Byrd was Senior Illustrator at Warner Brothers Creative Services, creating illustrations, backgrounds and style guides for all the Looney Tunes and Hanna–Barbera characters. His other tasks included working with writer J. K. Rowling on the first three books to make a visual cornerstone for the Harry Potter films that were to follow.[7]
In 1976, Byrd illustrated the cover of the first edition of Christopher Street Magazine, the first gay literary magazine. From 1984 to 1986, he was Art Director of the national gay news magazine The Advocate.[8]
In 1985, David began Byrd/Beserra Studios, with his partner Jolino Beserra,[9] a noted Mosaic Artist.[10]
In 1973, Byrd along with several other prominent illustrators, received a Grammy Award for the album packaging of the London Philharmonic Orchestra versionofTommybythe Who.
In 2007, the Ringling College of Art and Design presented a retrospective of Byrd's work.[11]
Byrd's autobiography POSTER CHILD: The Psychedelic Art & Technicolor Life of David Edward Byrd, written with co-author Robert von Goeben, was released in 2023 by Abrams Books.
Hearn, Michael Patrick; The Art of the Broadway Poster; New York, Ballantine Books; First Edition 1980; ISBN 0-345-28423-2
Byrd, David Edward and von Goeben, Robert; POSTER CHILD: The Psychedelic Art & Technicolor Life of David Edward Byrd; New York, Abrams books; First Edition 2023; ISBN 978-1-949480-40-5
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