David Williamson was born in Melbourne, Victoria, on 24 February 1942, and was brought up in Bairnsdale. He initially studied mechanical engineering at the University of Melbourne from 1960, but left and graduated from Monash University with a Bachelor of Engineering degree in 1965. His early forays into the theatre were as an actor and writer of skits for the Engineers' Revue at Melbourne University's Union Theatre at lunchtime during the early 1960s, and as a satirical sketch writer for Monash University student reviews and the Emerald Hill Theatre Company.
After a brief stint as design engineer for GM Holden, Williamson became a lecturer in mechanical engineering and thermodynamicsatSwinburne University of Technology (then Swinburne Technical College) in 1966 while studying social psychology as a postgraduate part-time at the University of Melbourne. He completed a Master of Arts in Psychology in 1970, and then completed further postgraduate research in social psychology. Williamson later lectured in social psychology at Swinburne, where he remained until 1972.
Williamson first turned to writing and performing in plays in 1967 with La Mama Theatre Company and the Pram Factory, and rose to prominence in the early 1970s, with works such as Don's Party (later turned into a 1976 film), a comic drama set during the 1969 federal election; and The Removalists (1971). He also collaborated on the screenplays for Gallipoli (1981) and The Year of Living Dangerously (1982). Williamson's work as a playwright focuses on themes of politics, loyalty and family in contemporary urban Australia, particularly in two of its major cities, Melbourne and Sydney.
Recent work has included Dead White Males, a satirical approach to postmodernism and university ethics; Up for Grabs, which starred Madonna in its London premiere; and the Jack Manning Trilogy (Face To Face, Conversation, Charitable Intent) which take as their format community conferencing, a new form of restorative justice, in which Williamson became interested in the late 1990s and early 2000s.
In recent years he has alternated work between larger stages (including Soul Mates, Amigos and Influence – all premiered with the Sydney Theatre Company) and smaller ones (including the Manning trilogy, Flatfoot and Operator, which premiered at the Ensemble Theatre).
In 2005, he announced his retirement from main-stage productions, although he has continued to write new plays for the mainstage, many produced with the Ensemble Theatre. He had a serious health problem, cardiac arrhythmia, which had required frequent hospitalisation. An operation resolved this issue, but then in 2009 he had a mild stroke, from which he recovered fully.[1]
Williamson was instrumental in the founding of the Noosa Long Weekend Festival, a cultural festival in Noosa, Queensland, where he lives.
In 2007, Lotte's Gift, a one-woman show starring Karin Schaupp, which traced a journey through Schaupp's own life as well as those of her mother and grandmother (the Lotte of the title), was produced.
In 2021, his memoir, Home Truths, was published by HarperCollins. Reviewing the book for The Sydney Morning Herald, Peter Craven wrote "He comes across as a likeable, flawed fellow with no more blindness than people of lesser talent".[2]
The Helpmann Awards is an awards show, celebrating live entertainment and performing arts in Australia, presented by industry group Live Performance Australia (LPA) since 2001.[5] In 2005, Williamson received the JC Williamson Award, the LPA's highest honour, for their life's work in live performance.[6]
Theatre
Australia
