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F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
A Janya raga of Carnatic music
Svara
Rāga
Tāḷa
Mēḷakarta
Asaṃpūrṇa Mēḷakarta
Svarajati
Varṇaṃ
Kr̥ti
Kīrtana
Rāgaṃ Tānaṃ Pallavi
Tillana
Sarasvati Vīṇā
Veṇu
Nādasvaraṃ
Goṭṭuvādyaṃ (Citra Vīṇā)
Violin
Percussion
Mr̥daṅgaṃ
Ghaṭaṃ
Morsing
Kanjira
Thavil
Drone
Tambura
Shruti box
Glossary
Ṡ N ₃D ₂N ₂D ₂P M ₁G ₃R ₂S
Devagandhari (pronounced devagāndhāri) is a raga (musical scale) in Indian classical music. In carnatic classical music , Devagandhari is a janya melakarta janaka ) is Shankarabharanam Melakarta raga system. This is not to be confused with Karnataka Devagandhari , which is a janya of Kharaharapriya similar to Abheri .
It is also present in the Sikh tradition of northern India and is part of the Guru Granth Sahib .[1]
In Carnatic music [ edit ]
Structure and lakshana [ edit ]
Ascending scale with Shadjam at C Descending scale with Shadjam at C
Its ārohaṇa-avarohaṇa swaras in Carnatic music
Devagandhari ragam is an audava-vakra-sampurna raga meaning, in arohana 5 swaras audava ) and in avarohana swaras come (so sampurna ), and there is a "zigzag" pattern of notes (so vakra ). The notes used in this ragam are shadjam, chatushruti rishabham, antara gandharam, shuddha madhyamam, panchamam, chatushruti dhaivatam and kakili nishadam . This ragam sometimes includes the kaishika nishadam (anya swara – a note external to the scale, making this a bhashanga ragam ).
The closest raga to this one is Arabhi . Some of the things that makes Arabhi different (though both share the same ascending and descending scale, in terms of basic notation) are:
Devagandhari is sung with gamakas vilambita kala prayogas (usages with elongated notes)[2]
Devagandhari is sung with deergha gandharam (elongated G3)[2]
Devagandhari is a bhashanga raga, and certain prayogas use the kaishika nishadam: S N3 D N2 , , D P
Popular compositions [ edit ]
Here are some more compositions set to Devagandhari.
talam
Language
Ksheerasagara
Tyagaraja
Adi
Telugu
Vinaradana manavi
Tyagaraja
Adi
Telugu
Koluvaiyunnade
Tyagaraja
Adi
Telugu
Tulasamma
Tyagaraja
Adi
Telugu
evaru manaku
Tyagaraja
Adi
Telugu
Sita vara Sangita
Tyagaraja
Adi
Telugu
Karunasamudra
Tyagaraja
Adi
Telugu
Kshitija Ramanam
Muthuswami Dikshitar
Adi
Sanskrit
Jayajaya Rama Ramana
Swathi Thirunal
Jhampa
Sanskrit
Pahi Mamayi
Swathi Thirunal
Aadi
Sanskrit
Rama Rama Pahi
Swathi Thirunal
Roopakam
Sanskrit
Sharade Vina Vadana
Papanasam Sivan
Aadi
Sanskrit
Enneramum
Gopalakrishna Bharathi
Adi
Tamil
Film songs [ edit ]
Singer
"Indru Namathullame Pongum"
Thanga Padhumai
Viswanathan–Ramamoorthy
T. M. Soundararajan , Jikki
"Brindavanamum Nandakumaranum"
Missiamma
S. Rajeswara Rao
A. M. Rajah , P. Susheela
Mudhalali
K. V. Mahadevan
T. M. Soundararajan
"Kaviri Paayum"(Pallavi,anupallavi only)
Maragatham
S. M. Subbaiah Naidu
Indira En Selvam
C. N. Pandurangan &H.R.Pathmanabha Sastri
P. B. Sreenivas ,Soolamgalam Rajalakshmi
Madhuraiyai Meetta Sundharapandiyan
M. S. Viswanathan
K. J. Yesudas , Vani Jairam
Naan Avanillai
P. Jayachandran , L. R. Eswari
Metti
Ilaiyaraaja
Brahmanandam
Thambikku Entha Ooru
Malaysia Vasudevan
Pudhupatti Ponnuthayi
Unni Menon , S. Janaki
Thanthu Vitten Ennai
S. P. Balasubrahmanyam , S. Janaki
Aatam Paatam Kondaatam
Gangai Amaran
Mano , Deepan Chakravarthy
Kana Kandaen
Vidyasagar
Srinivas , Kalyani Nair
Anniyan
Harris Jayaraj
Shankar Mahadevan , Harini
Samudhiram
Sabesh–Murali
Udit Narayan , Sadhana Sargam
Title song [ edit ]
Singer
Adugiran Kannan
C. Sathya
Srinivas
In Sikh tradition [ edit ]
Devagandhari Ragini
In the Sikh tradition from northern India it is part of the Guru Granth Sahib . Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune.
In the Guru Granth Sahib , the Sikh holy Granth (book), there are a total of 60 ragas compositions and this raga is the twenty-first raga to appear in the series. The composition in this raga appear on a total of 10 pages from page numbers 527 to 537 .
Today Devagandhari is a rare, little-known, ancient raga. Its performance time is the morning hours. Historically it has had three forms; the less ornamented type is described here. In the Ragmala , Devagandhari is a ragini of Malkaunsa. Today it belongs to the Bilawal thata. Some relate this raga with Bliawal thata with asavari ang. Its mood is one of prayerful supplication presenting a heroic effect. The texts set to this raga reveal a heroic search for these qualities which lead one to the Lord. This raga was used primarily by Guru Arjan . Forty-Seven hymns were composed to it including three by Guru Tegh Bahadar and six by Guru Ram Das .
Jaati : Audava – sampurna
Timing : second pehar
Thaat :Bilawal / Bilawal - Asavari Ang
Aroh: Sa Re Ma Pa Dha Sa
Avroh: Sa Ni Dha Pa, Ma Pa, Dha Ni Dha Pa, Ma Ga Re Sa
Pakar: Dha Ni Dha Pa, Ma Ga, Sa Re Ma, Ga Sa Re Ga Sa
Vadi: Ma
Samvadi: Sa
See also [ edit ]
Western: C D F G A C
^ Alternate notations:
Hindustani: Ṡ N D P M G R S
Western: C B A G F E D C
References [ edit ]
^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
External links [ edit ]
Ragas in the Guru Granth Sahib
Basant
Bhairon
Bihagara
Bilaval
Devagandhari
Dhanasari
Gauri
Gond
Gujari
Jaijaivanti
Jaitsri
Kalyan
Kanara
Kedara
Maajh
Malhar
Mali Gaura
Maru
Nat Narayan
Prabhati
Ramkali
Sarang
Shree
Sorath
Suhi
Suhi Lalit
Tilang
Todi
Tukhari
Vadahans
4. Vanaspati
5. Manavati
6. Tanarupi
8. Hanumatodi
9. Dhenuka
10. Natakapriya
11. Kokilapriya
12. Rupavati
14. Vakulabharanam
15. Mayamalavagowla
16. Chakravakam
17. Suryakantam
18. Hatakambari
20. Natabhairavi
21. Keeravani
22. Kharaharapriya
23. Gourimanohari
24. Varunapriya
26. Charukesi
27. Sarasangi
28. Harikambhoji
29. Sankarabharanam
30. Naganandini
32. Ragavardhini
33. Gangeyabhushani
34. Vagadheeswari
35. Shulini
36. Chalanata
40. Navaneetam
41. Pavani
42. Raghupriya
44. Bhavapriya
45. Shubhapantuvarali
46. Shadvidamargini
47. Suvarnangi
48. Divyamani
50. Namanarayani
51. Kamavardani
52. Ramapriya
53. Gamanashrama
54. Vishwambari
56. Shanmukhapriya
57. Simhendramadhyamam
58. Hemavati
59. Dharmavati
60. Neetimati
62. Rishabhapriya
63. Latangi
64. Vachaspati
65. Mechakalyani
66. Chitrambari
68. Jyoti swarupini
69. Dhatuvardani
70. Nasikabhushani
71. Kosalam
72. Rasikapriya
Ragas
Asampurna Melakarta Ragas
Janya ragas
List of Janya ragas
Abhogi
Ahiri
Amritavarshini
Amritha Kalyani
Anandabhairavi
Andolika
Arabhi
Asaveri
Atana
Bageshri
Bahudari
Bhairavi
Bhimsen
Bhupalam
Bilahari
Bowli
Darbari Kanada
Devagandhari
Dhanyasi
Gambhiranata
Garudadhvani
Gaula
Hamsadhvani
Hamsanadam
Hamsanandi
Hindolam
Jana Ranjani
Jaunpuri
Kalyanavasantam
Kambhoji
Kāpi
Karnataka Shuddha Saveri
Kathanakuthuhalam
Kedaragaula
Kedaram
Khamas
Lalitha
Lavangi
Madhuvanti
Madhyamavati
Malahari
Malayamarutam
Mohanakalyani
Mohanam
Mukhari
Nagasvaravali
Nata
Nattakurinji
Navarasa kannada
Niroshta
Pharaju
Poornachandrika
Punnagavarali
Ranjani
Reethigowla
Revagupti
Revati
Salaga Bhairavi
Saramati
Saveri
Shivaranjani
Sri Tyagaraja
Shree ragam
Shree ranjani
Shuddha Saveri
Sindhu Bhairavi
Sunadavinodini
Surutti
Tilang
Udayaravichandrika (Shuddha Dhanyasi)
Valaji
Varali
Vasantha
Yadukulakamboji
Yamunakalyani
Melakarta ragas
Asampurna Melakarta ragas
List of Janya ragas
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Devagandhari&oldid=1200359808 " C a t e g o r i e s : ● J a n y a r a g a s ● R a g a s i n t h e G u r u G r a n t h S a h i b H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n m a t c h e s W i k i d a t a ● U s e d m y d a t e s f r o m J a n u a r y 2 0 2 1 ● A l l a r t i c l e s w i t h d e a d e x t e r n a l l i n k s ● A r t i c l e s w i t h d e a d e x t e r n a l l i n k s f r o m J a n u a r y 2 0 2 4 ● A r t i c l e s w i t h p e r m a n e n t l y d e a d e x t e r n a l l i n k s
● T h i s p a g e w a s l a s t e d i t e d o n 2 9 J a n u a r y 2 0 2 4 , a t 0 9 : 3 7 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
