Double-talk is a form of speech in which inappropriate, invented, or nonsense words are interpolated into normal speech to give the appearance of knowledge, and thus confuse or amuse the audience.[citation needed]
It developed out of dialect comedy and became popular in the first half of the 20th century, especially in English-speaking vaudeville and music halls.[citation needed]
Comedians who have used this as part of their act include Reggie Watts, Al Kelly,[1] Danny Kaye,[2] Gary Owens, Irwin Corey,[3] Jackie Gleason, Jerry Lewis, Sid Caesar,[4] Stanley Unwin,[5] Reggie Watts,[6] Vanessa Bayer[7] and Mario "Cantinflas" Moreno Reyes.[citation needed] For example, in his talk on music, "Populode of the Musicolly", Stanley Unwin says:[8]
They do in fact go back to Ethelrebbers Unready, King Albert's burnt capers where, you know, the toast fell in and the dear lady did get a very cross knit and smote him across the eardrome excallybold. The great sword which riseyhuff and Merlin forevermore was the beginning of the Great Constitution of the Englishspeaking peeploders of these islone, oh yes.[9]
It has also been used in films, for example Charlie Chaplin's character in The Great Dictator, many of Danny Kaye's patter songs, and Willie Solar's screeching singing in Diamond Horseshoe (1945).
... Al Kelly was synonymous with double-talk.
Danny Kaye was a master at tongue-twisters, doubletalk, and dialects.
Some of Caesar's most popular bits were built around pompous or outlandish characters - such as Professor von Votsisnehm - in which he spoke in a thick accent or mimicked foreign languages in comic but convincing gibberish.
In the 1930s, "double-talk artists" enjoyed a brief craze in American show business. Comedians such as Jackie Gleason and the long-forgotten Cliff Nazarro and Al Kelly spouted nonsense words like "kopasetic", "franistan", "strismic" and "kravistate". Their double-talk was usually used to hoodwink a stooge and was delivered briskly, loudly and aggressively. Britain's Stanley Unwin, however, delivered his own brand of double-talk in the most benign way
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