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Submission declined on 9 June 2024 byTimtrent (talk).
You have failed to write an article, especially the paragraph starting "Paul Clift's works have been programmed" which is a list of venues.
Please actually write about Clift.
This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of music-related topics). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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Paul Clift (born 21 March 1978) is an Australian composerofcontemporary classical music.
Born in Melbourne, Australia, Paul Clift began his musical education with studies of piano.[1] Upon graduating with a Bachelor's degree in music composition and linguistics from Monash University, he moved to Paris, where he undertook further study of composition with Franck Bedrossian, Jean-Luc Hervé and Philippe Leroux.[1] In 2006, he moved to London, where he studied with George BenjaminatKing's College. The following year, he returned to Paris to participate in the IRCAM Cursus de composition et d'informatique musicale,[2]
Paul Clift
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[1] culminating in the premiere at the 2009 Paris Agora Festival[3] of his work With my limbs in the dark[4] for chamber ensemble, electronics and dancer, composed in collaboration with French choreographer Alban Richard.[4] Subsequently, he moved to New York for doctoral studies at Columbia University,[5] where he received further tuition from Fred Lerdahl, Tristan Murail and Fabien Lévy.[1] His doctoral thesis deals with musical temporality and its relationship with memory and perception.[6] While working on his doctorate, he undertook residencies at the Paul Sacher Foundation (Basel) to research alternative temporal/spatial notation systems and at IRCAM to develop the "Acoustic Aggregate Synthesis" system,[7] a "real-time performance tool which fuses synthetic and acoustic sound sources to achieve semi-acoustic resynthesis of a pre-defined acoustic model."[8]
Upon graduation from Columbia University, he moved to Basel, Switzerland, where he currently resides.[9] From 2016 to 2022, he served as Artistic Director of neuverBand[1], a chamber ensemble dedicated to contemporary music. In 2019, his large-scale scenic work "Portal Fantasies," composed in collaboration with cultural historian Barbara Piatti, was premiered at the Zeiträume Biennale für neue Musik und Architektur in Basel.[10] In January 2023, he accepted the post as the Artistic Director of Ensemble Recherche in Freiburg.[11]
His compositions are published by BabelScores,[12] Schweizer Musikedition[13] and the Australian Music Centre.[9]
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