Douglas Arthur Peter Field (6 August 1945 – 7 March 2021[1][2][3][4]), known as Duggie Fields, was a British artist who resided in Earls Court, London.
Fields was born in Salisbury, Wiltshire. His parents were Henry Field and his wife Edna (née Rosenthal). He grew up in the garrison town of Tidworth where his father owned a pharmacy, and later in Borehamwood, Hertfordshire. He first came to notice in 1958, when he was 14, in the Summer Exhibition at the Bladon Gallery, Hurstbourne Tarrant, while he was attending the nearby Andover Grammar School.
Fields briefly studied architecture at Regent Street Polytechnic before studying at the Chelsea School of Art for four years from 1964. He left with a scholarship that took him on his first visit to the United States, in 1968.
As a student, Fields' work progressed through minimal, conceptual and constructivist phases to a more hard-edged post-Pop figuration. His main influences were at that time Jackson Pollock, Mondrian and comic books, with a special regard for those worked on by Stan Lee.
In 1968, Fields went to live in Earl's Court Square and shared a flat with Syd Barrett, who had just left Pink Floyd. Fields continued to rent the flat and work in Barrett's former room, using it as his painting studio and remodelling the visual appearance of the property in his personal style.[5][6]
By the middle of the 1970s, his work included many elements that were later defined as Post-modernist. In one painting, Marilyn Monroe is shown with her head severed.[7] In 1983, Fields was invited to Tokyo by the Shiseido Corporation, where a gallery was created to show his paintings. For the occasion, the artist and his work were featured in a television, magazine, billboard and subway advertising campaign throughout Japan.[8]
In 2013, he was taken to Los Angeles by artist and benefactor Amanda Eliasch with fashion designer Pam Hogg for Opfashart, which Eliasch had put together for "Britweek".[10]
From 2013 to 2015, Fields worked for the preservation of Earls Court Exhibition Centre – designed in the 1930s by Howard Crane – and the surrounding area. The campaign was not successful but made people aware of the general decline of architecture in London.[11][12]
1976: New London in New York, Hal Bromm Gallery, New York
1979: The Figurative Show, Nicola Jacobs Gallery, London; Masks, The Ebury Gallery, London; Culture Shock, The Midland Group, Nottingham; Art and Artifice, B2 Gallery, London
1983: Taste, Victoria and Albert Museum, London
1984: The Male Nude, Homeworks Gallery, London
1985: Image-Codes, Art about Fashion, The Australian Centre for Contemporary Art, Melbourne; VisualAid, Royal Academy, London
1986: The Embellishment of the Statue of Liberty, Cooper Hewitt Museum/Barney's, New York
1987: Twenty Artists Twenty Techniques, Albemarle Gallery, London
1989: Fashion and Surrealism, Victoria and Albert Museum, London
1988: Het Mannelisknaakt, Gallery Bruns, Amsterdam, St. Judes Gallery, London
1990: Universal Language, Rempire Gallery, New York
