Baron Henri Eduard Joseph de Lannoy (3 December 1787 – 28 March 1853), was a Flemish composer, teacher, conductor, and writer on music who spent most of his life in Austria. His compositions bridge the classical and early romantic styles. His full name and title in German was 'Heinrich Eduard Josef, Freiherr von Lannoy'.
Eduard de Lannoy was born in Brussels, then in the Duchy of Brabant, a region of the Austrian Netherlands, part of the Holy Roman Empire. His father was Pierre Joseph Albert, baron de Lannoy (1733–1825), of the Lannoy family, one of the oldest families in Belgium.[n 1] His father's career began in 1756 in the Finance department of the Austro-Belgian government; after the suppression of the Jesuit order in 1773 he was chief administrator for the disbursement of its estates. He received the Knight's Cross of the Order of St. Stephen and was made a Freiherr (Baron) in 1809. He died in Wildhaus (see below), 8 February 1825.[1]
Lannoy, aged about 8, came with his parents to the Austrian Duchy of Styria in 1796. He attended school and the 'Gymnasium' in Graz from 1796 to 1801. He returned to Brussels and enrolled at the École centrale de Bruxelles [fr] (previously the Old University of Leuven), where he studied linguistics, philosophy and jurisprudence, and especially mathematics and music. A shared prize-winning cantata of his was performed in 1806.[2]
Lannoy returned to Graz and continued his studies until May 1809. Lannoy spent several years alternating between Vienna and the castle which his father had purchased in 1808, Schloß Wildhaus (now Castle Viltuš), between Selnica ob Dravi and Marburg on the Drau (now Maribor, Slovenia).[10] where he dedicated his life to music and poetry.[11] In Graz he was a writer in the circle of Ignaz Kollmann, artist and editor of Aufmerksamen ('Observations').
He worked meritoriously and disproportionally in the service of music, less as a composer than to uplift and awake music's meaning and power. He became a member of the Gesellschaft der Musikfreunde, involving himself with oratorios and mixed concerts. Vincenz Houška conducted many of them, with Lannoy conducting in 1824–1825.[11] Lannoy conducted the Concerts Spirituels founded by Franz X. Gebauer in 1820. After Gebauer died in 1822 aged 37, Lannoy, along with Carl Holz and Ludwig Titze continued to present the concerts. Lannoy's own music collection shows that a wide variety of contemporary music was played at these concerts.[12]
Lannoy gave composition lessons to Johann Vesque von Püttlingen, who went on to write 300 songs under the pseudonym 'J. Hoven' (after Beethoven).[11] The pianist child prodigy Leopoldine Blahetka had through-bass lessons with Lannoy.[13] Lannoy was a contributor (number 22) to the fifty variations which Anton Diabelli commissioned from composers in the Austrian Empire in 1819: Beethoven responded with 33 of his own Diabelli Variations. Carl Czerny's Piano Sonata no. 11, Op. 730, was dedicated to Lannoy, as was Spohr's 5th Symphony (along with Carl Holz, Ludwig Titze and Ignaz Seyfried).[14] Lannoy's collection of musical manuscripts[12] included a set of 18th century parts for Mozart's Symphony no. 4, K. 181(162b).[15][n 2]
Lannoy came into the circle of folkloric-educational endeavours centering on the unconventional Archduke John of Austria.[n 3] Erzherzog Johann was best man at his wedding in Wildhaus.[16] Lannoy was keen for folk music to be annotated and written down. In conversation and in writing, he disseminated the ideas of Jean-Jacques Rousseau in Vienna, especially the musical articles in the Aesthetic Lexicon by Ignaz Jeitteles which stem from his quill ("stammen aus Lannoy's Feder").[17][18]
Lannoy was a powerful impulse for cultural and musical life in Graz and Vienna. He sat on the board of directors of the Gesellschaft der Musikfreunde, conducted its concerts. He sat on the board of the Vienna Conservatory, and was its director from 1830 until 1835.[19]
Grand quintet in E♭, Op. 12, for oboe, clarinet, horn, bassoon and piano[27]
Grand Trio für Klavier, Klarinette und Cello, Op. 15
Grosses Trio für Klavier, Violon und Violoncell, Op. 16. Vienna: S. A. Steiner (1820)
Variations and Polonaise for Violin, Op. 17
National-Tanz und Sangweisen des osterreichischen Kaiserstaats. Eine Sammlung charakteristischer Rondo's leichter Art, Book 1: Austria. Book 2: Styria, Opp. 30, 31
Die Urkraft wohnet in des Bergen Tiefen
Und fördert nie Geahndetes zum Licht;
Sie wecket Stürme, die gefesselt schliefen,
Ein feur'gen Strom aus hohen Crater bricht.
Doch wo die Glutenbäche tödtend liefen,
Da wächst die Rose bald auf neuer Schicht
Und wo empört die Winde heulend riefen,
Der Edelstein mit Phöbos Glanze ficht.
Du bist der Berg, die Kraft in Busen wohnet,
Du strebst hinan zu dem, der straft und lohnet,
Berührst im Fluge alle Seelesaiten:
Er klingt in Dir die Welt mit Lust, mit Schmerzen;
Du singst; es dringet jeder Ton zum Herzen;
Dir horchen alle Menschen, alle Zeiten.[41]
Elemental power dwells in the mountain deeps
And struggles unavenged towards the light;
It wakes the tempests, enthralled with sleep,
A fiery flood breaks from the crater's height.
But where once flowed the deadly glowing streams,
Soon grows the wild rose on stratums new
And where th' indignant winds cried wailing
The precious gem with Phoebus' brilliance gleams.
You are the rock, power dwells in your breast,
You inward reach to him who fines and pays,
In flight you strike a chord in every soul:
In you the world resounds with joy, with pain;
You sing; each tone penetrates our hearts;
All mankind hearkens to you, every age.
In 1819 he married Magdalena Katharina Josephine, daughter of Franz Xaver von Carneri.[42] They had no children. They adopted a son, Rudolf Oskar Freiherr von Gödel-Lannoy (1814–1883):[n 4]
In 1855 he was Consul-General of Syria & Palestine, in Beirut:[48] Consul-General in Jassy, Moldavia, (now Iași, Romania), from October 1855 to 1862:[49][50] Präsident der Central-Seebehörde Triest (Central Maritime Agency, Trieste) in 1868 and Ritter der L. Ordnungs.[51] See also Exequatur and Schachbender – (Ottoman Consul) [52] He was on the board of directors of the K.K. priv. Südbahn-Gesellschaft in 1872 de:Südbahn (Österreich) – Verwaltungsrath in Wien.[53] "At the same time plans for a direct connection through the Alps were developed, promoted by Archduke John of Austria – [who knew Johann Vesque de Puttlingen) to open up the Styrian lands beyond Semmering Pass." (Southern Railway) He was a founder member of the Vienna Geographical Society from 1856.[54] and a member of the Vienna Meteorological Society.[55]
^Other people called Gödel-Lannoy, relationship uncertain:
Book by C. Freiherr von Gödel-Lannoy, Die kirchlichen Verhältnisse auf Corfu zur Zeit der venezianischen Herrschaft[43]
In the Annalen des k. k. naturhistorischen Hofmuseums 1893 – Staff of Museum Departments: c) Mineralogisch-petrographische Abtheilung. "Andererseits bemühten sich für uns die Herren...Excellenz Freiherr Emil Gödel-Lannoy..."[44]
Hermann Gödel-Lannoy [cs] (1820–1892) (born Hermann Gödel). Sudden death of Hermann Freiherr von G-L, son of Franz Salis Gödel (Kreisrichtesbeamter?). Studied in Graz, Vienna and Padua, D. Jur. et Phil. Finanz-Procutor in Pressburg, Venice, and lastly Vienna. 1886 Civil Commissar of the Southern Army. Order of the Iron Crown III class, later II class on retirement. Freiherr 1873, Honorary Freiherr des Maltheserordens – Sovereign Military Order of Malta RC Lay & Military order.[45] His three children died young, and he adopted his nephew Richard Freiherr von Basso Gödel-Lannoy,[46] who was Sr. Excellenz Linienschiffs-Lieutenant in 1888[47]
See also Countess de Lannoy, born Gräfin Looz, possibly no relation.[19]
^"...the haughty Drau flows thither between craggy rocky banks. Above the right bank, as from a poetry book, towers the ruin of Schloss Wildhaus, while a grand country house improves the adornments of the legend." Joseph Baumgartner. Die neusten und vorzüglichsten Kunst-Strassen über die Alpen, p. 21
^Marburger Zeitung, 07.24.1942, Letnik 82, številka 205.『Vom Stier aufgegabelt. Auf der Ökonomie Schloß Wildhaus in Tresteruitz bei Marburg wurde der Hausknecht von einem wütenden Stier angegriffen und aufgegabelt. Er hatte in seinem Mißgeschick noch soviel Geistesgegenwart, so geschickt zu handeln, sodaß er mit leichteren Verletzungen davonkam, er wurde in häuslicher Pflege belassen.』["Picked up by the bull. On the economy at Castle Wildhaus in Tresteruitz near Marburg the servant was attacked and picked up by a raging bull. He had so much presence of mind to act even more cleverly in his misfortune, so that he escaped with minor injuries, and was taken care of at his house."]
^Lannoy, Freiherr von (13 March 1819). "Deutsche Dreyklänge. Ein Sonnettenkranz". Allgemeine musikalische Zeitung. 3 (21). Vienna: Steiner: 177.: poems in praise of Goethe, Schiller and Jean-Paul, and of Mozart, Haydn and Beethoven. The first two stanzas could perhaps be seen as descriptions of the 5th and 6th symphonies. Beethoven's most recent major work was the "Hammerklavier" sonata (1818), and the 8th Symphony had been first performed in 1814.
^Zeitschrift Österreichische Gesellschaft für Meteorologie – 1866,『Von der k. k. Central -Seebehörde. Triest, den 26. October 1866. Der Präsident Gödel-Lannoy.』(Zur Kälte im October.) Die Nachricht, welche früher schon über die ungewöhnliche Kälte im October gegeben wurde, konnte damals nur den.."
Suppan, Wolfgang (1965). "Die Musiksammlung des Freiherrn von Lannoy". Fontes Artis Musicae (in German). 12 (1). International Association of Music Libraries, Archives, and Documentation Centres (IAML): 9–22. JSTOR23504574.
Suppan, Wolfgang (2004). "Eduard von Lannoy im Briefwechsel mit Felix Mendelssohn Bartholdy, Henri Vieuxtemps, Franz Xaver Schnyder von Wartensee und Franz Lachner". Musikgeschichte Als Verstehensgeschichte: 629–643.
Classical music
