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Elizabeth Amsden
Elizabeth Amsden (March 27, 1881, Boston – July 20, 1966, Sugar Hill, New Hampshire ) was an American operatic soprano .[1]
Life and career
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Amsden was born in Boston, Massachusetts , but during her school days her family moved to Providence, Rhode Island , where she was educated at the Elmhurst School. In 1892, while still in her youth, she entered the International School for singers in Boston where she studied under William Whitney.[2] New England Conservatory of Music .[3]
After completing her education in the United States, Amsden went to Paris where she remained for six years before relocating to London.[2] Royal Opera House in 1910,[2] Ethel Smyth 's The Wreckers at His Majesty's Theatre .[4] Xavier Leroux 's Le Chemineau .[5] The Marriage of Figaro [6] Die Walküre Götterdämmerung [7]
Following engagements in Nice and Brussels, she became a member of the Boston Opera Company in 1911.[2] Giuseppe Verdi 's Aida [8] Don Giovanni The Tales of Hoffmann Germania Il trovatore Faust La fanciulla del West Cavalleria rusticana [8]
In 1913 Amsden performed the roles of Maliella in Ermanno Wolf-Ferrari 's The Jewels of the Madonna Century Opera House in New York.[9] [10] Tosca Chicago Opera Association .[11] Cincinnati Opera with whom she performed the role of Margherita in Boito's Mefistofele [12] San Carlo Opera Company for several years during her career; appearing in roles like Aida (1918),[13] Un ballo in maschera [14] Il segreto di Susanna [15] Paris Opera and La Scala among other companies.[3]
Amsden married French-Canadian baritone Joseph Royer in Quebec in 1918.[16] [17] [3]
References
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^ a b c "Mrs. G. Chaminadas" (PDF) . The New York Times
^ Paul Rodmell (2016). Opera in the British Isles, 1875-1918 ISBN 978-1-317-08545-4
^ Edward Ledger, ed. (1911). The Era Annual
^ "Music: The Week; Covent Garden.— Figaro" . The Athenaeum
^ J. P. Wearing (2014). The London Stage 1910-1919: A Calendar of Productions, Performers, and Personnel Scarecrow Press . ISBN 978-0-8108-9300-9
^ a b Dixie Hines, ed. (1914). "Boston Grand Opera Company" . Who's Who in Music and Drama . H.P. Hanaford. pp. 510–526.
^ "POPULAR OPERA SEASON TO BEGIN WITH "AIDA" . The New York Times
^ "JEWELS OF THE MADONNA."; Wolf Ferrari's Opera Given Successfully at the Century" . The New York Times
^ Maurice Rosenfela (December 30, 1916). "Musical America
^ Sara L. Langley (August 1922). "Grand Opera As Given In Cincinnati" . The Musical Monitor .
^ "SAN CARLO OPERA RETURNS; Crowd Warmly Greets "Aida" with Elizabeth Amsden in Title Role" . The New York Times
^ "MUSIC; THE OPERA FORECAST" . The New York Times
^ "SAN CARLO SINGS FAREWELL; " Secret of Suzanne," "Hansel and Gretel" and "Aida" End Engagement" . The New York Times
^ F. E. A. (October 10, 1918). "Louis H. Bourdon Predicts Great Future For Montreal" . Musical Courier
^ "Marriages, Divorces, and Births". The Musical Leader 51
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Elizabeth_Amsden&oldid=1233862341 " C a t e g o r i e s : ● A m e r i c a n o p e r a t i c s o p r a n o s ● 1 8 8 1 b i r t h s ● 1 9 6 6 d e a t h s ● 2 0 t h - c e n t u r y A m e r i c a n w o m e n o p e r a s i n g e r s ● C l a s s i c a l m u s i c i a n s f r o m M a s s a c h u s e t t s ● M u s i c i a n s f r o m B o s t o n ● M u s i c i a n s f r o m P r o v i d e n c e , R h o d e I s l a n d ● N e w E n g l a n d C o n s e r v a t o r y a l u m n i ● S i n g e r s f r o m R h o d e I s l a n d ● S i n g e r s f r o m M a s s a c h u s e t t s H i d d e n c a t e g o r i e s : ● A r t i c l e s w i t h s h o r t d e s c r i p t i o n ● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a ● U s e A m e r i c a n E n g l i s h f r o m J u l y 2 0 2 0 ● A l l W i k i p e d i a a r t i c l e s w r i t t e n i n A m e r i c a n E n g l i s h ● U s e m d y d a t e s f r o m J u l y 2 0 2 0 ● C o m m o n s c a t e g o r y l i n k i s o n W i k i d a t a
● T h i s p a g e w a s l a s t e d i t e d o n 1 1 J u l y 2 0 2 4 , a t 0 8 : 4 1 ( U T C ) . ● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n . ● P r i v a c y p o l i c y ● A b o u t W i k i p e d i a ● D i s c l a i m e r s ● C o n t a c t W i k i p e d i a ● C o d e o f C o n d u c t ● D e v e l o p e r s ● S t a t i s t i c s ● C o o k i e s t a t e m e n t ● M o b i l e v i e w
