Whitacre was born in Reno, Nevada, to Ross and Roxanne Whitacre. He studied piano intermittently as a child and joined a junior high marching band under band leader Jim Burnett. Later Whitacre played a synthesizer in a techno-pop band, dreaming of being a rock star.[1][2] Although he initially resisted joining choir while attending college, Whitacre was eventually convinced. He described his own experience with his first choral rehearsal as a turning point in his life, saying, "In my entire life I had seen in black and white, and suddenly everything was in shocking Technicolor. It was the most transformative experience I've ever had—in that single moment, hearing dissonance and harmony, and people singing...".[3] Though he was unable to read music at the time, Whitacre began his full musical training while he was an undergraduate at the University of Nevada, Las Vegas. He eventually earned a bachelor's degree in Music Composition.[1]
Whitacre studied composition with Ukrainian composer Virko Baley and choral conducting with Professor David B. Weiller, completing his bachelor's degree in 1995. Whitacre credits Weiller with the inspiration that put the young composer on the musical path.[2] At 21, he wrote his setting of "Go, Lovely Rose" for his college choir and presented the composition as a gift to David Weiller. Whitacre went on to earn his master's degree in Composition at the Juilliard School, where he studied with John Corigliano and David Diamond.[2] At the age of 23 he completed his first piece for Wind Orchestra, "Ghost Train", which has now been recorded more than 40 times. Tom Leslie contributed to his interest in writing for wind ensembles.[2] While at Juilliard he met his future wife, soprano Hila Plitmann, and two of his closest friends, composers Steven Bryant and Jonathan Newman. He lived in Nevada until he was 25. He graduated in 1997 and moved to Los Angeles, and following the success of "Ghost Train" he decided to become a full-time professional composer.[1][2]
Whitacre's first album as both composer and conductor on Decca Records, Light& Gold,[4] won a Grammy Award in 2012, and became the No.1 classical album in the US and UK charts within a week of release.[5][6][7] Whitacre's second album, Water Night, was released on Decca in April2012 and featured performances from his professional choir the Eric Whitacre Singers, the London Symphony Orchestra, Julian Lloyd Webber and Hila Plitmann.
Around January 25, 2011,[8] Eric Whitacre began working with legendary film composer Hans Zimmer on the music for Pirates of the Caribbean: On Stranger Tides. Whitacre co-composed the "Mermaid Theme" with Zimmer as well as conducting some of the choral sessions at Abbey Road Studios.[9] His wife, Hila Plitmann, sang the solo material in the theme, having also invented the language the mermaids were singing in the film, a combination of Latin, Hebrew, and as she says, 'Elvish.' Whitacre enjoyed working with Zimmer, saying that he was a brilliant composer and a generous collaborator.[10] Whitacre later collaborated with Zimmer for the 2016 film, Batman vs Superman: Dawn of Justice.
Whitacre has written for the London Symphony Orchestra and Chorus, the Los Angeles Master Chorale, Chanticleer, Julian Lloyd Webber and the Philharmonia Orchestra, the Tallis Scholars, the King's Singers, Dallas Winds, the Berlin Rundfunkchor, and the Minnesota Orchestra, among others. His work of music theater, Paradise Lost: Shadows and Wings,[11] won the American Society of Composers, Authors and Publishers Harold Arlen Award and the Richard Rodgers Award, and earned 10 nominations at the Los Angeles Stage Alliance Ovation Awards. In 2011, he conducted the winning entries of the Abbey Road 80th Anniversary Anthem Competition, recording the London Symphony Orchestra and the Eric Whitacre Singers, in the Abbey Road Studio1. Whitacre's Soaring Leap initiative is a dynamic one-day workshop where singers, conductors, and composers read, rehearse and perform several of his works.[12]
A trademark of Whitacre's pieces is the use of aleatoric and indeterminate sections, as well as unusual score instructions involving, in some cases, hand actions or props.[20]
Critics have described his style as "full of shimmering, shuddering, shifting harmonies that awaken the ear to a contemporary yet accessible voice".[21] Whitacre's style, similar to Morten Lauridsen's, has also been characterized as "neo-impressionistic".[22][23]
"Virtual Choir" redirects here. For the concept, see Virtual choir.
Whitacre's Virtual Choir projects were inspired by a video sent to him of a young girl named Britlin Losee[24][25] from Glen Cove, New York, singing one of his choral pieces.[26] Singers record and upload their videos from locations all over the world. Each one of the videos is then synchronised and combined into one single performance to create the Virtual Choir.[27] Whitacre began with a test run of Sleep, then Lux Aurumque in 2009[28][29] and then Sleep again in 2010. Whitacre's Virtual Choir performance of Lux Aurumque, has received almost 6.5million views (as of July2020), featuring 185 singers from 12 countries.[28]
Whitacre's Virtual Choir2.0, "Sleep", was released in April2011 and involved more than 2,000 voices from 58 countries.[30]
Virtual Choir 3, Water Night, written in 1995, combined 3,746 submissions from 73 countries and was released in April2012.[31][32] By the entry close date of February1, 2012, 3,746 videos had been uploaded by 2,945 people in 73 countries, singing one or more parts of "Water Night". On April 15, the 100th anniversary of the sinking of the Titanic, the "Water Night" Virtual Choir video was shown in the new Titanic Belfast commemorative building.
Virtual Choir4, "Fly to Paradise", contains 8,409 videos from 5,905 people from 101 countries. It launched at the Coronation Festival at Buckingham Palace/BBC1 on July11, 2013.[33]
The virtual World of Color Honor Choir was put together in 2013 by Eric Whitacre and Disney. The song, Glow, was written for the event. The final product included singers from all over the United States, totaling 1,473 singers.[34]
The Virtual Youth Choir, in association with UNICEF, launched at the Glasgow 2014 Commonwealth Games opening ceremony. It featured 2,292 singers aged 18 and under from more than 80 countries.[35]
On May 4, 2018, Whitacre announced that Virtual Choir 5 would be his 2015 piece Deep Field. Other Virtual Choir projects include 'Glow' written for the Winter Dreams holiday show at Disneyland Adventure Park, California. To date, the Virtual Choirs have registered more than 60 million views.[36]
On May 2, 2020, during the COVID-19 pandemic, Whitacre announced that the sixth iteration of Virtual Choir would be an original song entitled Sing Gently. It featured 17,572 singers from 129 countries, including 16 performers using Sign Language, and had its world premiere on YouTube on July 19, 2020.[37][38]
In December 2020, Sing as One, an album of Whitacre's virtual choirs, was released. The album contains recordings of all eight virtual choirs listed above.[39]
The film is inspired by the Hubble Space Telescope, and its greatest discovery, the Deep Field image. The soundtrack composed by Whitacre features the Virtual Choir 5, representing 120 countries: more than 8,000 voices aged four to 87, alongside the Royal Philharmonic Orchestra and Eric Whitacre Singers.[41]
Whitacre's first album with Decca, Light& Gold, was released in October2010. This album won the Grammy for Best Choral Performance in 2012.[43] Whitacre's second Decca album, Water Night, was released in April2012 in the United States.[44][45]
Since 2013, Whitacre has been releasing on his own independent label, UNQUIET, established as a joint venture with his managers at Music Productions. Feature releases on UNQUIET include Deep Field, Goodnight Moon and a 10-inch gatefold vinyl featuring Whitacre's choral cover of Trent Reznor’s "Hurt" and his setting of E. E. Cummings' "i carry your heart".
On October24, 2010, Whitacre conducted an all-American program with the London Symphony Orchestra and Chorus at the Barbican London in a performance that featured his commission for the London Symphony Chorus entitled Songs of Immortality.[46] In December2010, Whitacre conducted the I Vocalisti choir in Hamburg, and was a guest conductor of the Christmas performance of the Berlin Rundfunkchor.[47] In November2010, Whitacre conducted Côrdydd, a Cardiff-based mixed choir, and friends in a concert of his work at the BBC Hoddinott Hall in the Wales Millennium Centre.[48] He continued to develop his work of music theater, Paradise Lost: Shadows and Wings. A concert version was given at Carnegie Hall in 2010.[49]
Whitacre is a founding member of BCM International, a quartet of composers consisting of himself, Steven Bryant, Jonathan Newman, and James Bonney, which aspires to "enrich the wind ensemble repertoire with music unbound by traditional thought or idiomatic cliché."[50] Whitacre made his BBC Proms debut with a late-night Prom in 2012. In 2015, he returned to the Proms to conduct a program of all-American music with the Royal Philharmonic Orchestra, BBC Singers, and BBC Chorus.[51] In 2015, Whitacre wrote Deep Field for orchestra, chorus, and mobile app; the piece was inspired by the Hubble Deep Field images and audience members play electronica from their smartphone apps.[52]
In June 2014, Whitacre gave a live webcast from the Kennedy Center and subsequently conducted a massed choir of 400 singers on the Mall, Washington D.C., to mark Flag Day and the bicentenary of "The Star-Spangled Banner".[53]
Composed in 2018, The Sacred Veil is a 12-movement work from Whitacre and poet/lyricist Charles Anthony Silvestri. Silvestri's wife, Julie, died of ovarian cancer at age 36 in 2005, leaving two young children. His texts (written collaboratively with Whitacre) and the score tell a story of courtship, love, loss and the search for solace.[54] The Los Angeles Times described the work as "memorably [celebrating] the precarious beauty of life, offering the welcome consolation of art and a momentary stay against our collective fate."[55] The work was premiered at Walt Disney Concert Hall, Los Angeles, in February 2019,[56] and recordings released in late August 2020.
^Shane M. Lynch: Music Historiography and Useful Style Histories: The Case for the Evolving Era of Neo-Impressionism and its Influence on American Choral Music of the Late Twentieth and Early Twenty-First Centuries, D. Mus dissertation, University of Washington 2008 OCLC271244791
Classical music
