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Contents

   



(Top)
 


1 Early life and education  





2 Research on ancient South American textiles  





3 Later life and death  





4 South American indigenous communities in Singer's research  





5 References  














Ernestine H. Wieder Singer







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From Wikipedia, the free encyclopedia
 


Ernestine H. Wieder Singer (21 July 1911 - 3 January 1938) was an American anthropologist and archaeologist who studied the weaving and netting techniques of ancient Peruvian and other South American indigenous peoples.[1]

Early life and education[edit]

Ernestine Henrietta Wieder was born July 21, 1911, in Philadelphia, Pennsylvania to Dr. Henry S. Wieder, a physician, and Josephine M. Wieder.[2] She later went on to study anthropology at the University of Pennsylvania, earning a BS in 1933 and an MA in 1935.[1] In 1930, Singer married David Emil Singer, a 1929 graduate of the Textile Department at the Pennsylvania Museum and School of Industrial Arts.[3][4] The couple separated in 1931.[4]

While a graduate student at the University of Pennsylvania, Singer studied under anthropologists John Alden Mason and Vincenzo M. Petrullo, both of the University of Pennsylvania Museum of Archaeology and Anthropology.[5]

Research on ancient South American textiles[edit]

Singer's thesis, "Analysis and Distribution of Netting Techniques Among the South American Indians," discusses knotting techniques used by indigenous peoples in Chile, Peru, Bolivia, Ecuador, Colombia, Venezuela, Brazil, Paraguay, Argentina, British Guiana (modern day Guyana), French Guiana, and Dutch Guiana (modern day Suriname).[6] Her thesis broadly considers knotting and netting techniques used by ancient tribes to create items such as fishing nets, carrying bags, and hairnets through first-hand study of archaeological and ethnographic materials.[7] The thesis includes hand-illustrated figures of knotting techniques that Singer viewed while working for the University of Pennsylvania Museum of Archaeology and Anthropology, as well as her review of objects held at the Museum of the American Indian and the American Museum of Natural History in New York City.[6] Singer's early research notes while studying at the University of Pennsylvania, correspondence with scholars, and other unpublished research papers on ancient Peruvian textiles are held at the Penn Museum in Philadelphia.[8]

Singer continued research related to knotting patterns used by ancient Peruvian tribes, including examples found at Huaco Paraiso, Pachacamac, Nazca, and Trujillo.[9] Singer's essay on technical elements of Peruvian textiles, "The Technique of Peruvian Hairnets," was published with anthropologist Harriet Newell Wardle's paper, "Belts and Girdles of the Inca's Sacrificed Women," through the Museo Nacional del Perú's Revista del Museo nacional magazine in 1936.[10] Singer's paper supports findings from archaeological research in Pachacamac, Peru conducted by German archaeologist, Max Uhle, held in the University of Pennsylvania Museum of Archaeology and Anthropology's collections.[11]

Singer was one of five women who participated in the 1936 annual meeting of the Society for American Archaeology held in Washington, D.C., on December 29, 1936.[12][13] Singer's paper for the 1936 Society for American Archaeology considered archaeological textiles from Chira, Peru.[12] Her research notes for papers given during the annual meeting are held at the American Philosophical Society Library in Philadelphia.[14] Another publication by Singer, "The Looping Technique in Netting," was included in the academic journal American Antiquity in 1936.[15]

Later life and death[edit]

After earning her degrees, Singer worked as a research assistant for the American section of The University of Pennsylvania Museum of Archaeology and Anthropology. Singer was a member of the Society for American Archaeologists and the Philadelphia Anthropological Society.[1] In 1937, preceding the publication of the 1938 edition of the International Directory of Anthropologists, Singer identified her research areas as concerning American Indian archaeology and ethnology.[1]

Singer died on January 3, 1938, and was buried at Adath Jeshurun Cemetery in Philadelphia, Pennsylvania.[2]

South American indigenous communities in Singer's research[edit]

Singer's anthropological work on ancient textile and knotting techniques represents numerous indigenous tribes and communities across South America:

  • Guaraní
  • Chiquitos
  • Tariana
  • Naravute
  • Yawalapiti
  • Bakairi
  • Suyá
  • Guaná
  • Kayabí
  • Tupí
  • Munduruku
  • Kuikuro
  • Tucano
  • Kalapalo
  • Wai-wai
  • Akawaio
  • Warao
  • Arahuacos
  • Atacama
  • Aymara
  • Mapuche
  • Arhuaco
  • Kogi
  • Wiwa
  • Kankuamo
  • Wayuu
  • Yagua
  • Chachi
  • Chamacocos
  • Huni Kuin
  • Lengua
  • Ye'kuana
  • Motitines
  • Machiguenga
  • Tumbes
  • Uru
  • Maracaibo
  • Yaruro
  • Cumiana
  • References[edit]

    1. ^ a b c d Wieder Singer, Ernestine (January 1938). "Singer, Wieder Ernestine". International Directory of Anthropologists: 90. hdl:2027/mdp.39015062923290.
  • ^ a b "Ernestine Wieder Singer". The Philadelphia Inquirer. January 5, 1938. p. 27.
  • ^ Pennsylvania Museum and School of Industrial Art (1929). Commencement program, 1929. University Libraries University of the Arts (Philadelphia). Pennsylvania Museum and School of Industrial Art. p. 3.
  • ^ a b "Matter of Singer v. Singer, 163 Misc. 209 | Casetext Search + Citator". casetext.com. Retrieved 2023-11-08.
  • ^ Singer, Ernestine Henrietta (Wieder). 1935. “Analysis and Distribution of Netting Techniques among the South American Indians.” Thesis. Graduate School of Arts and Sciences, University of Pennsylvania. p. 42.
  • ^ a b Singer, Ernestine Henrietta (Wieder). 1935. “Analysis and Distribution of Netting Techniques among the South American Indians.” Thesis. Graduate School of Arts and Sciences, University of Pennsylvania. pp. 2-6.
  • ^ Singer, Ernestine Henrietta (Wieder). 1935. “Analysis and Distribution of Netting Techniques among the South American Indians.” Thesis. Graduate School of Arts and Sciences, University of Pennsylvania. Abstract.
  • ^ "Online Collections - Penn Museum". www.penn.museum. Retrieved 2023-11-08.
  • ^ Singer, Ernestine Henrietta (Wieder). 1935. “Analysis and Distribution of Netting Techniques among the South American Indians.” Thesis. Graduate School of Arts and Sciences, University of Pennsylvania. Table 1.
  • ^ Singer, Ernestine Henrietta (Wieder) (1936). The technique of Peruvian hairnets. Lima, Peru: Impr. del Museo Nacional.
  • ^ Browman, David L. (2013). Cultural negotiations: the role of women in the founding of Americanist archaeology. Critical studies in the history of anthropology. Lincoln, Neb.: Univ. of Nebraska Press. p. 85. ISBN 978-0-8032-4381-1.
  • ^ a b Browman, David L. (2013). Cultural negotiations: the role of women in the founding of Americanist archaeology. Critical studies in the history of anthropology. Lincoln, Neb.: Univ. of Nebraska Press. pp. 85, 219. ISBN 978-0-8032-4381-1.
  • ^ "Society for American Archaeology Annual Meeting, 1936". American Antiquity. 2 (4): 289–294. 1937. doi:10.1017/S0002731600032078. ISSN 0002-7316. JSTOR 275467. S2CID 245675831.
  • ^ Singer, Ernestine H. Wieder. "Ernestine H. Wieder Singer notes, 1935-1937". search.amphilsoc.org. Retrieved 2023-11-08.
  • ^ Singer, Ernestine Wieder (1936). "The Looping Technique in Netting". American Antiquity. 2 (2): 141–142. doi:10.2307/275893. ISSN 0002-7316. JSTOR 275893. S2CID 164001000.

  • Retrieved from "https://en.wikipedia.org/w/index.php?title=Ernestine_H._Wieder_Singer&oldid=1221379724"

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