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Contents

   



(Top)
 


1 Overview  





2 Prominent Contributors  





3 Faust Award  





4 Publication history  



4.1  Japan  





4.2  Taiwan  





4.3  South Korea  





4.4  English  







5 References  





6 External links  














Faust (magazine)









 

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Faust
Cover of the first issue
EditorKatsushi Ōta
CategoriesFiction
FrequencyIrregular
Founded2003
First issueOctober 2003
Final issueSeptember 2011
CompanyKodansha; Del Rey Manga
CountryJapan
LanguageJapanese

Faust (Japanese: ファウスト, Hepburn: Fausuto) was a literary magazine published irregularly by Kodansha since 2003[1] promoted as a "Fighting Illustrated Novels Magazine." The magazine featured young writers and a style derived from light novels. The latest issue, Vol. 8, was published at the end of September 2011, and the magazine announced its dissolution with Vol. 9.

Del Rey Manga released an English language edition in August 2008 and planned to publish at least two volumes total, with content culled from all issues of the Japanese magazine.[2] Local language editions in South Korea[3] and Taiwan have also been released.

Overview[edit]

Based on the prototype of the doujinshi Tandem Rotor Methodology (タンデムローターの方法論, Tandemu rōtā no hōhōron) published by Bungaku Flea Market, the first issue was launched as part of a project to develop a new magazine project to commemorate Kodansha's 100th anniversary (in 2009). The editor-in-chief was the project proposer, Katsushi Ōta (who was working in Kodansha's Literary Book Publishing Department No. 3 at the time of the first issue), and in the early stages the magazine was edited only by him. The format was a 17 x 11 cm paperbook book size, and the number of pages increased as the publication progressed, and branched out into sister publications like Pandora and Comic Faust.

The contents consisted mainly of short stories written specially for the magazine, as well as reviews, manga, color illustrations, essays, and interview articles. The novels were mainly written by Ōtarō Maijō, Yuya Sato, and Nisio Isin, who were members of the Tandem Rotor Methodology dōjin group and Mephisto Prize winners, and were later joined by Otsuichi, Tatsuhiko Takimoto, Takekuni Kitayama, Kinoko Nasu, who was highly regarded as a scenario writer for visual novels, and Ryukishi07. Because of its editorial concept that emphasized visual elements, it was considered a light novel magazine in the broad sense of the word, but because of the above-mentioned origin of the authors, many of the works published in the magazine differed from the light novels of the same era, and some of the published works came to be called "Faustian." The word "Shindenki" (新伝綺) was also proposed as a genre of the novels.

Editor-in-Chief Ōta cited Kouhei Kadono as the originating author who directly influenced the formation of Faust from the world of light novels.

From the time of its first issue, the magazine employed Hiroki Azuma, Kiyoshi Kasai, Tamaki Saitō, and others to support the authors in terms of commentary and critique. The first issue was scheduled to include a review by Eiji Ōtsuka, who presided over its sibling magazine Shingenjitsu (Kadokawa Shoten), but it was not published because of its criticism of the high praise that Ōtarō Maijō was receiving from critics (it was later published in the January 2004 issue of Waseda Bungaku as "If the World Were a Village Named Ōtarō Maijō.").

The magazine featured an elaborate overall design, with original fonts for each novel and a fold-out cover.

From the perspective of the publishing business, the magazine was unique in that it took advantage of the bottlenecks in the publishing distribution system maintained under the resale price maintenance and consignment systems, and brought the methods of weekly magazines and manga magazines for mass consumption, Kodansha's forte, to literary magazines. As a distribution classification, the magazine was a mook, and both the magazine code "Magazine 63899-48" and the ISBN were assigned to it (up to Vol. 7).

Vol. 8 had no magazine code indicated and was treated as a standard book. It was also mentioned in the editorial postscript and in Ōta's tweet[4] that Vol. 9 would leave Kodansha and be published by Seikaisha, but there has been no further movement toward publication since then.

Prominent Contributors[edit]

Faust Award[edit]

The Faust Award is a fiction prize for which the magazine began accepting submissions at the same time Faust was first published in Japan. It was open to short stories, and in accordance with Faust's overseas expansion, it was also held in Taiwan and South Korea. In Japan, the results of the 5th Faust Award, which closed on March 31, 2006, have not been announced, and although applications were accepted up to the 6th round, the results remain unknown. Taiwan's Fúwénzhì Newcomer Award, which had ceased accepting entries since the publication of the Taiwanese version of Faust was suspended in the summer of 2007, was renamed the Fúwénzì Newcomer Award in October 2009, and was reborn as an award for full-length light novels and BL novels. In Korea, the contest was still accepting entries, but it was announced in Vol. 6A, released in July 2009, that the contest will now focus mainly on full-length works.

Publication history[edit]

Japan[edit]

Taiwan[edit]

South Korea[edit]

English[edit]

References[edit]

  1. ^ Jason Thompson (26 September 2008). "Everything Looks Like a Nail: Faust Vol. 1". Comixology. Archived from the original on September 23, 2015. Retrieved 13 August 2015.
  • ^ Alverson, Brigid (27 May 2008). "'Faust' Comes to the U.S. this Summer". Publishers Weekly.
  • ^ Faust Korean editorial department blog
  • ^ @faust_editor_j (2011-09-22). "9/29発売予定、"闘うイラストーリー・ノベルスマガジン"『ファウスト』Vol.8の書影を初公開します! そう…「『ファウスト』は次号、Vol.9で"解散"します!」" (Tweet). Retrieved 2022-04-06 – via Twitter.
  • External links[edit]


    Retrieved from "https://en.wikipedia.org/w/index.php?title=Faust_(magazine)&oldid=1217205684"

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