J u m p t o c o n t e n t
M a i n m e n u
M a i n m e n u
N a v i g a t i o n
● M a i n p a g e
● C o n t e n t s
● C u r r e n t e v e n t s
● R a n d o m a r t i c l e
● A b o u t W i k i p e d i a
● C o n t a c t u s
● D o n a t e
C o n t r i b u t e
● H e l p
● L e a r n t o e d i t
● C o m m u n i t y p o r t a l
● R e c e n t c h a n g e s
● U p l o a d f i l e
S e a r c h
Search
A p p e a r a n c e
● C r e a t e a c c o u n t
● L o g i n
P e r s o n a l t o o l s
● C r e a t e a c c o u n t
● L o g i n
P a g e s f o r l o g g e d o u t e d i t o r s l e a r n m o r e
● C o n t r i b u t i o n s
● T a l k
( T o p )
1
E a r l y d a y s
2
C a r e e r
3
P e r s o n a l l i f e
4
C o m p l e t e f i l m o g r a p h y
T o g g l e C o m p l e t e f i l m o g r a p h y s u b s e c t i o n
4 . 1
G e r m a n l a n g u a g e f i l m s
4 . 2
E n g l i s h l a n g u a g e f i l m s
5
R e f e r e n c e s
6
E x t e r n a l l i n k s
T o g g l e t h e t a b l e o f c o n t e n t s
F e l i x B r e s s a r t
1 3 l a n g u a g e s
● A f r i k a a n s
● C a t a l à
● D e u t s c h
● ف ا ر س ی
● F r a n ç a i s
● I t a l i a n o
● م ص ر ى
● N o r s k b o k m å l
● Р у с с к и й
● S r p s k o h r v a t s k i / с р п с к о х р в а т с к и
● S v e n s k a
● У к р а ї н с ь к а
● V o l a p ü k
E d i t l i n k s
● A r t i c l e
● T a l k
E n g l i s h
● R e a d
● E d i t
● V i e w h i s t o r y
T o o l s
T o o l s
A c t i o n s
● R e a d
● E d i t
● V i e w h i s t o r y
G e n e r a l
● W h a t l i n k s h e r e
● R e l a t e d c h a n g e s
● U p l o a d f i l e
● S p e c i a l p a g e s
● P e r m a n e n t l i n k
● P a g e i n f o r m a t i o n
● C i t e t h i s p a g e
● G e t s h o r t e n e d U R L
● D o w n l o a d Q R c o d e
● W i k i d a t a i t e m
P r i n t / e x p o r t
● D o w n l o a d a s P D F
● P r i n t a b l e v e r s i o n
I n o t h e r p r o j e c t s
● W i k i m e d i a C o m m o n s
A p p e a r a n c e
F r o m W i k i p e d i a , t h e f r e e e n c y c l o p e d i a
Felix Bressart
Born (1895-03-02 ) March 2, 1895
Died March 17, 1949(1949-03-17) (aged 54 )
Occupation Actor Years active 1914–1949 Spouse Frieda Lehner (1925–1949, his death)
Felix Bressart (March 2, 1895 – March 17, 1949)[2] was a German-born actor of stage and screen whose career spanned both Europe and Hollywood.
Early days [ edit ]
This section
needs expansion . You can help by
adding to it .
(November 2023 )
Bressart (pronounced "BRESS-ert") was born in Eydtkuhnen , East Prussia , Germany (now in Nesterovsky District , Russia ).[1]
Bressart’s acting debut came in 1914 as Malvolio in "Twelfth Night," and he went on to act in Austria, Denmark, England, France, Germany, Hungary, and Yugoslavia.[3] [1] He was an experienced stage actor when he had his film debut in 1927. He began as a supporting actor, for example as the bailiff in the boxoffice hit Die Drei von der Tankstelle (The Three from the Filling Station ), but soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, the Jewish Bressart left Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After acting in 40 German films, he emigrated to the United States in 1936.[1]
One of Bressart's former European colleagues was Joe Pasternak , who had become a successful producer at Metro-Goldwyn-Mayer . Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for the Universal Pictures ' star, Deanna Durbin . Pasternak chose Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean . The German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch , Henry Koster , and Wilhelm Thiele (who had directed Bressart in The Three from the Filling Station ).[citation needed ]
At Metro-Goldwyn-Mayer, Bressart appeared in Lubitsch's Ninotchka (1939), as one of the Soviet emissaries followed by Greta Garbo to Paris. MGM signed Bressart to a contract, where most of work consisted of featured supporting roles in major films including Edison, the Man , Comrade X , and Lubitsch's The Shop Around the Corner , all released in 1940.[citation needed ]
Lobby card from Edison, the Man – Bressart is third from the left.
In Lubitsch's To Be or Not to Be (1942), he recites Shylock 's famous "Hath not a Jew eyes?" speech from The Merchant of Venice .
Other films Bressart appeared in for MGM include Blossoms in the Dust (1941), Three Hearts for Julia (1943), The Seventh Cross (1944), and Without Love (1945).
Bressart left MGM in 1945 to work for other studios. His first freelance job featured his largest role; he co-starred in the RKO "B" musical comedy Ding Dong Williams , filmed in April 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct an orchestral version of Chopin 's Fantaisie-Impromptu . Bressart received special mention for his performance in this low-budget feature.[4]
In all, Bressart appeared in almost 40 Hollywood pictures.
Personal life [ edit ]
This section
needs expansion . You can help by
adding to it .
(November 2023 )
Bressart suddenly died of leukemia at the age of 57. His last film was to be My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the studio to reshoot his completed scenes with Hans Conried , who was playing the same role, "Professor Kropotkin," on radio.[5] In the finished film, Felix Bressart is still seen in the long shots.
Complete filmography [ edit ]
German language films [ edit ]
Es gibt eine Frau, die dich niemals vergißt (1930)
Der Sohn der weißen Berge (The Son of the White Mountain ) (1930) - Jailer
Der Kampf mit dem Drachen oder: Die Tragödie des Untermieters [fr ] (1930, Short) - Der Untermieter
Die zärtlichen Verwandten (The Tender Relatives ) (1930) - Onkel Emil
Die Drei von der Tankstelle (1930) - Gerichtsvollzieher / Bailiff
Der keusche Josef (Josef the Chaste ) (1930) - Eizes, ihr Faktotum
Das alte Lied (The Old Song ) (1930) - Jacques
Drei Tage Mittelarrest (Three Days Confined to Barracks ) (1930) - Franz Nowotni, Fuesilier
Eine Freundin so goldig wie Du (1930) - Richard
Die Privatsekretärin (The Private Secretary ) (1931) - Bankdiener Hasel
Der wahre Jakob (The True Jacob ) (1931) - Böcklein
Der Schrecken der Garnison (Terror of the Garrison ) (1931) - Musketier Kulicke
Nie wieder Liebe! (No More Love ) (1931) - Jean
Trara um Liebe [it ] (1931) - Major Fröschen
Ausflug ins Leben (1931) - Hirsekorn - Schauspieler und Chauffeur
Kameradschaft (Comradeship ) (1931) - Café Doorman (uncredited)
Der Herr Bürovorsteher (The Office Manager ) (1931) - Joachim Reißnagel
Holzapfel weiß alles (Holzapfel Knows Everything ) (1932) - Johannes Georg Holzapfel
Der Glückszylinder (The Magic Top Hat ) (1932) - Gottfried Jonathan Bankbeamter
...und wer küßt mich? (And Who Is Kissing Me? ) (1933) - Direktor Ritter
Wie d'Warret würkt (1933) - Herr Schramek
C'était un musicien (1933) - Le baron Vandernyff
Salto in die Seligkeit (Leap into Bliss ) (1933) - Kriegel, Geheimdetektiv
Peter (1934) - Her grandfather
Ball at the Savoy (1935) - Birowitsch, der Sekretär
Alles für die Firma (Everything for the Company ) (1935) - Philipp Sonndorfer
Viereinhalb Musketiere (1935) - Professor Volksmann
Heut' ist der schönste Tag in meinem Leben (1935) - Max Kaspar
English language films [ edit ]
Bridal Suite (1939) - Maxl
Ninotchka (1939) - Comrade Buljanoff
Swanee River (1939) - Henry Kleber
The Shop Around the Corner (1940) - Pirovitch
It All Came True (1940) - The Great Boldini
Edison, the Man (1940) - Michael Simon
Third Finger, Left Hand (1940) - August Winkel
Escape (1940) - Fritz Keller
Bitter Sweet (1940) - Max
Comrade X (1940) - Vanya
Ziegfeld Girl (1941) - Mischa
Blossoms in the Dust (1941) - Dr. Max Breslar
Married Bachelor (1941) - Professor Ladislaus Milic
Kathleen (1941) - Mr. Schoner
Mr. and Mrs. North (1942) - Arthur Talbot
To Be or Not to Be (1942) - Greenberg
Crossroads (1942) - Dr. Andre Tessier
Iceland (1942) - Papa Jonsdottir
Three Hearts for Julia (1943) - Anton Ottoway
Above Suspicion (1943) - Mr. A. Werner
Don't Be a Sucker (1943, Short) - Anti-Nazi Teacher (uncredited)
Song of Russia (1944) - Petrov
The Seventh Cross (1944) - Poldi Schlamm
Greenwich Village (1944) - Hofer
Blonde Fever (1944) - Johnny
Secrets in the Dark (1944, Short)
Without Love (1945) - Prof. Ginza
Dangerous Partners (1945) - Prof. Roland Budlow
Ding Dong Williams (1946) - Hugo Meyerhold
The Thrill of Brazil (1946) - Ludwig Kriegspiel
Her Sister's Secret (1946) - Pepe - New Orleans Cafe Owner
I've Always Loved You (1946) - Frederick Hassman
A Song Is Born (1948) - Professor Gerkikoff
Portrait of Jennie (1948) - Pete
Take One False Step (1949) - Professor Morris Avrum (final film role)
References [ edit ]
^ a b c d "Felix Bressart, 57, Veteran of Films". The New York Times . New York, New York. March 23, 1949. ProQuest 105703957 .
^ death certificate [1 ]
^ "Felix Bressart 'Not His Type' " . The Philadelphia Inquirer . Pennsylvania, Philadelphia. August 15, 1943. p. 43 . Retrieved September 27, 2019 – via Newspapers.com .
^ Motion Picture Daily , Apr. 17, 1946, p. 6.
^ Hans Conried interview with Leonard Maltin , published in The Real Stars , Curtis, 1973, p. 79. ISBN 978-8304373297
External links [ edit ]
International
National
Artists
People
Other
R e t r i e v e d f r o m " https://en.wikipedia.org/w/index.php?title=Felix_Bressart&oldid=1218803304 "
C a t e g o r i e s :
● 1 8 9 5 b i r t h s
● 1 9 4 9 d e a t h s
● P e o p l e f r o m N e s t e r o v s k y D i s t r i c t
● A c t o r s f r o m E a s t P r u s s i a
● G e r m a n J e w s
● G e r m a n m a l e s t a g e a c t o r s
● G e r m a n m a l e f i l m a c t o r s
● 2 0 t h - c e n t u r y G e r m a n m a l e a c t o r s
● J e w i s h e m i g r a n t s f r o m N a z i G e r m a n y t o t h e U n i t e d S t a t e s
● D e a t h s f r o m l e u k e m i a i n C a l i f o r n i a
● B u r i a l s a t H o l l y w o o d F o r e v e r C e m e t e r y
H i d d e n c a t e g o r i e s :
● A r t i c l e s w i t h s h o r t d e s c r i p t i o n
● S h o r t d e s c r i p t i o n i s d i f f e r e n t f r o m W i k i d a t a
● A r t i c l e s w i t h h C a r d s
● A r t i c l e s t o b e e x p a n d e d f r o m N o v e m b e r 2 0 2 3
● A l l a r t i c l e s t o b e e x p a n d e d
● A r t i c l e s u s i n g s m a l l m e s s a g e b o x e s
● A l l a r t i c l e s w i t h u n s o u r c e d s t a t e m e n t s
● A r t i c l e s w i t h u n s o u r c e d s t a t e m e n t s f r o m F e b r u a r y 2 0 2 3
● C o m m o n s c a t e g o r y l i n k f r o m W i k i d a t a
● A r t i c l e s w i t h I S N I i d e n t i f i e r s
● A r t i c l e s w i t h V I A F i d e n t i f i e r s
● A r t i c l e s w i t h W o r l d C a t E n t i t i e s i d e n t i f i e r s
● A r t i c l e s w i t h B N E i d e n t i f i e r s
● A r t i c l e s w i t h G N D i d e n t i f i e r s
● A r t i c l e s w i t h J 9 U i d e n t i f i e r s
● A r t i c l e s w i t h L C C N i d e n t i f i e r s
● A r t i c l e s w i t h N K C i d e n t i f i e r s
● A r t i c l e s w i t h M u s i c B r a i n z i d e n t i f i e r s
● A r t i c l e s w i t h D T B I O i d e n t i f i e r s
● A r t i c l e s w i t h S U D O C i d e n t i f i e r s
● T h i s p a g e w a s l a s t e d i t e d o n 1 3 A p r i l 2 0 2 4 , a t 2 3 : 1 2 ( U T C ) .
● T e x t i s a v a i l a b l e u n d e r t h e C r e a t i v e C o m m o n s A t t r i b u t i o n - S h a r e A l i k e L i c e n s e 4 . 0 ;
a d d i t i o n a l t e r m s m a y a p p l y . B y u s i n g t h i s s i t e , y o u a g r e e t o t h e T e r m s o f U s e a n d P r i v a c y P o l i c y . W i k i p e d i a ® i s a r e g i s t e r e d t r a d e m a r k o f t h e W i k i m e d i a F o u n d a t i o n , I n c . , a n o n - p r o f i t o r g a n i z a t i o n .
● P r i v a c y p o l i c y
● A b o u t W i k i p e d i a
● D i s c l a i m e r s
● C o n t a c t W i k i p e d i a
● C o d e o f C o n d u c t
● D e v e l o p e r s
● S t a t i s t i c s
● C o o k i e s t a t e m e n t
● M o b i l e v i e w